Organ (Organ) SKU: HL.48181042 For Organ. Composed by Olivier Mess...(+)
Organ (Organ)
SKU:
HL.48181042
For
Organ. Composed by
Olivier Messiaen. Leduc.
Classical. Softcover. 7
pages. Alphonse Leduc
#AL20068. Published by
Alphonse Leduc
(HL.48181042).
UPC:
888680868949.
9.0x12.0x0.088
inches.
The
Glorious Bodies, by
Olivier Messiaen is a
composition that exhibits
his Roman Catholic faith.
Written for organ in
1939, it is a mix between
Indian music and
Gregorian Plainsong. This
first volume includes the
first three pieces of the
whole composition: 1.
Subtilite des Corps
Glorieux, 2. Les eaux de
la Grace and 3. L'ange
aux parfums. This piece
is divided in 7 sections:
1. Subtilite des Corps
Glorieux 2. Les eaux de
la Grace 3. L'ange aux
parfums 4. Combat de Mort
et de la Vie 5. Force et
agilite des Corps
Glorieux 6. Joie et
clarte des Corps Glorieux
7. Le Mystere de la
Sainte-Trinite. Olivier
Messiaen (1908-1992) was
a French organist and
composer passionate about
ornithology and one of
the most important
composers of his century.
Inspired by Japanese
music, he had a very
special way of composing
and his work can be
identified by its
complexity, its diatonic
aspect, its harmony with
limited transposition,
its colour and its
additive rhythms. He
composed many works
related to ornithology
and birdsong, including
the Bird Catalogue in 7
volumes and the Treatise
on Rhythm, Colour and
Ornithology in 7
volumes.
Composed by Gary Schocker. Premiere: Gala Closing concert, NFA annual convention...(+)
Composed by Gary
Schocker. Premiere: Gala
Closing concert, NFA
annual convention. Score
and part(s). With
Standard notation.
Composed 2017. 22 pages.
Duration 6 minutes.
Theodore Presser Company
#114-41871. Published by
Theodore Presser Company
(PR.114418710).
Piano / keyboard - easy to intermediate SKU: M7.MF-2055-01 6 Chart-Hit...(+)
Piano / keyboard - easy
to intermediate
SKU:
M7.MF-2055-01
6
Chart-Hits: Happy -
Bodies - Secrets -
Pflaster - Release Me -
Alles kann besser werden.
Mit MIDI- und
Playback-CD..
Arranged by Uwe Bye. This
edition: Saddle-wire
stitching. Sheet music
with CD. Music Factory.
CD with MIDI-Files &
Play-Along-Tracks. 36
pages. Music Factory #MF
2055-01. Published by
Music Factory
(M7.MF-2055-01).
ISBN
9783795790233.
2
Hefte in einem:
Klavierarrangement sowie
Melodieausgabe für
Klavier, Keyboard,
Gitarre, Gesang, Flöte
oder Violine zum
Herausnehmen. Jetzt mit
neuer CD-Extra: alle
Songs als Karaoke-Tracks
zum Abspielen in jedem
CD-Player sowie als mp3
für unterwegs. Dazu
noch alle Lieder sowohl
als General-MIDI-Files
als auch als speziell
für die PA-Serie von
KORG angepasste
MIDI-Files!
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello
SKU:
PR.114420410
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Set of Score
and Parts.
30+10+8+10+12+10+10+10
pages. Duration 20
minutes. Theodore Presser
Company #114-42041.
Published by Theodore
Presser Company
(PR.114420410).
UPC:
680160687015.
In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch.
Composed by
Kyle Pederson. Jbc. 8
pages. Duration 3
minutes, 41 seconds. Carl
Fischer Music #CM9722.
Published by Carl Fischer
Music (CF.CM9722).
ISBN 9781491161012.
UPC: 680160919611. Key: C
major. English. Kyle
Pederson.
Original.
Stars was
born out of a life-long
fascination with the
night sky, and the text
is a meditation on the
interconnectedness of
creation. The light from
distant stars takes eons
to reach our eyes,
connecting us with an
ancient past. Many
elements that comprise
our bodies were cast out
of stars million years
ago. Since we are the
stuff of stars, where
will we cast our own
light? Whose world will
we impact? Harmonically,
the piece seeks to evoke
the vastness and mystery
of space, simultaneously
capturing the intimacy of
connection. Stars
Legacies of light Ages
ago, you spun light into
the bleak Ancient light
falls on my eye And I? A
star sacred stellar dust
casting light out through
time In whose sky will my
light fall?
 . Stars was born
out of a life-long
fascination with the
night sky, and the text
is a meditation on the
interconnectedness of
creation. The light
from distant stars takes
eons to reach our eyes,
connecting us with an
ancient past. Many
elements that comprise
our bodies were cast out
of stars million years
ago. Since we are the
stuff of stars, where
will we cast our own
light? Whose world will
we impact?Harmonically,
the piece seeks to evoke
the vastness and mystery
of space, simultaneously
capturing the intimacy of
connection.StarsLegacies
of lightAges ago, you
spun light into the
bleakAncient light falls
on my eyeAnd I?A
starsacred stellar
dustcasting light out
through timeIn whose sky
will my light fall?
Up, Up, and Away! Voix d'Enfants [Partition + CD] Heritage Music Press
A Busy Bodies, Busy Brains Book. Composed by Mari Schay. Busy Bodies, Bus...(+)
A Busy Bodies, Busy
Brains Book. Composed
by Mari Schay. Busy
Bodies, Busy Brains.
Classroom Music. Book,
audio/data CD. Heritage
Music Press #75/1021H.
Published by Heritage
Music Press
(LO.75-1021H).
Aurora Eclipsed Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS117 Composed by Tyler Arcari. Begi...(+)
Band concert band - Grade
1
SKU: CF.BPS117
Composed by Tyler Arcari.
Beginning Band (BPS). Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+1+2
+3+12+2 pages. Duration
1:34. Carl Fischer Music
#BPS117. Published by
Carl Fischer Music
(CF.BPS117).
ISBN
9781491152034. UPC:
680160909537.
Auror
a Eclipsed was
inspired by the solar
eclipse of
2017.  During a
solar eclipse, a
beautiful and fascinating
aurora sometimes forms
around the moon creating
an eerie outline. This
“ring of
fire†is actually
the sun’s outer
edges being revealed for
the human eye. An
aggressive composition
younger students will
enjoy playing over and
over again. I wrote
Aurora Eclipsed while
looking outside at
2017’s solar
eclipse. I find space and
celestial bodies so
fascinating. To think of
how small we are compared
to the scale of even just
the moon is
impressive.During a solar
eclipse, a beautiful and
fascinating aurora
sometimes forms around
the moon creating an
eerie outline. This
“ring of
fire†is actually
the sun’s outer
edges being revealed for
the human eye. About
the work:Unlike most of
my young-band pieces,
Aurora Eclipsed begins at
its peak tempo. The
rhythmic pattern in m. 2
is repeated throughout
the piece and is used
in the melody in order to
help facilitate the
teaching of eighth-note
patterns. The melodic
pattern changes slightly
at m. 25, while remaining
just as repetitious as
the previous pattern,
giving everyone ample
opportunity for exposure.
At m. 25 the directions
call for euphonium and
bassoon only. This is
merely a color choice and
can easily be used with
trombones to fill the
need or to help
strengthen your students'
playing. The use of
sfz is not used very
much in this level of
music, but I thought with
the addition of the
accents that it would be
a great opportunity to
teach this colorful
effect.
Gig Savers Complete Edition. Composed by David Barrett and Fritz Hasenpusch....(+)
Gig Savers Complete
Edition.
Composed by David Barrett
and Fritz Hasenpusch.
Squareback saddle stitch.
Gig Savers. Book. 104
pages.
Published by Mel Bay
Publications, Inc
A Comprehensive Guide for Adult Choral Singers. Composed by Victoria Meredith. T...(+)
A Comprehensive Guide for
Adult Choral Singers.
Composed by Victoria
Meredith. Text. Santa
Barbara Music Publishing
#SBMP739. Published by
Santa Barbara Music
Publishing
Flute, String Quintet SKU: PR.114407880 Concerto for Flute and Strings...(+)
Flute, String Quintet
SKU: PR.114407880
Concerto for Flute and
Strings - Movement
III. Composed by Ezra
Laderman. Full score
(study). With Standard
notation. Duration 8
minutes. Theodore Presser
Company #114-40788.
Published by Theodore
Presser Company
(PR.114407880).
Orchestra (Study Score) SKU: HL.49046001 Large Orchestra Study Score(+)
Orchestra (Study Score)
SKU: HL.49046001
Large Orchestra Study
Score. Composed by
Thierry Pé and cou.
Study Score. Classical.
Softcover. 88 pages.
Duration 1200 seconds.
Schott Music #ED22708.
Published by Schott Music
(HL.49046001).
0.262
inches.
Orquoy is
inspired by the music of
ancient Andean
civilisations. The work
evokes the atmosphere of
fiestas and collective
rites: bright colours,
the movements of bodies,
the ritual consumption of
alcohol, a sense of
vertigo, the shrill
flutes and the power of
percussion instruments -
this all contributes to a
permanent saturation of
the senses. For the
Quechuas, whose music is
characterised by
pre-Hispanic elements,
the composer is a shaman,
wandering between the
sphere of the
supernatural and the
human world. He coaxes
melodies out of the Gods
- this is the meaning of
the word 'orquoy'.
Thierry Pecou.
Infinite Sadness. By Aaron Stang_Colgan Bryan. By Billy Corgan and Smashing ...(+)
Infinite Sadness. By
Aaron
Stang_Colgan Bryan. By
Billy
Corgan and Smashing
Pumpkins.
Authentic Guitar Tab
Edition
(Warner). Pop & Rock.
Book
Only. Wise Publications
#MUSAM938333. Published
by
Wise Publications
Concerto for Flute and
Strings. Composed by
Ezra Laderman. Full score
(miniature score). With
Standard notation.
Duration 20 minutes.
Theodore Presser Company
#416-41138. Published by
Theodore Presser Company
(PR.416411380).
Orchestra, Vocal Duet (Study Score) SKU: HL.49033023 A Collection Base...(+)
Orchestra, Vocal Duet
(Study Score)
SKU:
HL.49033023
A
Collection Based on the
Words of Hobos and Other
Characters Fac.
Composed by Harry Partch.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, Modern.
Softcover. Composed
1941-1955. 84 pages.
Duration 41'. Schott
Music #ED9345. Published
by Schott Music
(HL.49033023).
ISBN
9790001130462. UPC:
888680949365. 8.25x11.75
inches.
English.
Harry
Partch (1901-1974), one
of the greatest and most
individualistic composers
of all time, who created
dozens of incredible
instruments for the
performance of his music,
created one of the most
amazing bodies of
sensually alluring and
emotionally powerful
music of the 20th
century. Closely
connected with his name
is NEWBAND, an ensemble
founded by Dean Drummond,
which received
custodianship of the
original Harry Partch
Instrument Collection in
1990 and has since been
involved with
resurrecting Partch's
great works.
A
Collection of musical
compositons based on the
spoken and written words
of hobos and other
characters - the result
of my wanderings in the
western part for
baritone, bass and
orchestra.