George A. Speckert has arranged the loveliest Argentine tangos for cello with piano accompaniment. Among them are such classics as 'El choclo?, gems by Eduardo Arolas and Rosendo Mendizabal, and lesser known titles such as 'El día que me quieras? by Carlos Gardel - simple but effective for the cellist, concise and stylistically apt for the pianist.- The loveliest tangos for cello and piano- Effective recital piecesThe arrangerGeorge A. Speckert is a composer, writer and teacher in the field of multimedia productions and e-learning. He gained a reputation with simple but sonorous arrangements for variable string ensembles. / Violoncelle Et Piano

The Piano Guys' 2014 release debuted at the top of the New Age albums chart and also topped the Classical Albums, Classical Crossover Albums and Internet Albums charts and took them into the top 12 on the Billboard 200 for the first time.Their arrangement of Let It Go (from Disney's Frozen) from this album has received over 37 million views on Youtube.Wonders features 14 more of their unique and creative arrangements.This book features Piano arrangements with separate pull-out Cello part.The Piano Guys are on tour in the UK (Birmingham, Nottingham, Manchester, Edinburgh and London) and Europe (Paris) in June 2015. / Violoncelle Et Piano

Par MAW NICHOLAS. Written for the Monticello Trio, this work is for Violin, Cello and Piano. This is the Score and Parts edition. / Niveau : Intermédiaire / Répertoire / Ensemble Mixte

Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Original Version (1854)
Allegro con moto
Scherzo: Allegro molto
Adagio non troppo
Finale: Allegro molto agitato
Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Revised Version (1891)
Allegro con brio
Scherzo: Allegro molto
Adagio
Allegro
Trio No. 2 for Piano, Violin, and Cello in C Major, Op. 87
Allegro
Andante con moto
Scherzo: Presto
Finale: Allegro giocoso
Trio No. 3 for Piano, Violin, and Cello in C Minor, Op. 101
Allegro energico
Presto non assai
Andante grazioso
Allegro molto
Trio for Piano, Violin, and Natural Horn [Waldhorn] (or Cello or Viola) in E-flat Major, Op. 40
Andante
Scherzo: Allegro
Adagio mesto
Finale: Allegro con brio
Trio for Piano, Clarinet (or Viola), and Cello in A Minor, Op. 114
Allegro
Adagio
Andante grazioso
Allegro

Cello Time. Par BLACKWELL KATHY / DAVID. Contains all the piano accompaniments for Cello Time Joggers (the cello duets are unaccompanied and so printed in the cello book only). Characterful and easy to play, these piano parts provide the perfect stylish accompaniment to the cellist's first tunes, and help capture the spirit and mood of the pieces. Essential for teachers and musical parents, these books will help motivate all young cellists as they learn to play. Forces or Category / Niveau : Facile / Recueil / Violoncelle et Piano

Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano

Contains all the piano accompaniments for Cello Time Runners (the cello duets are unaccompanied and so printed in the cello book only). Characterful and easy to play, these piano parts provide the perfect stylish accompaniment to the cellist's first tunes, and help capture the spirit and mood, from jazz to calypso, folk to rock. Essential for teachers and musical parents, these books will help motivate all young cellists as they learn to play

Par KANDER JOHN / EBB F.. 12 hits de la Kander and Ebb Broadway et film à succès, a présenté, dans notre monde-célèbre de notation! Inclus: All I Care About - And All That Jazz - Class - Funny Honey - I Can't Do It Alone - I Move On - Mister Cellophane - Nowadays - Razzle Dazzle - Roxie - We Both Reached for the Gun - When You're Good to Mama. / Niveau : Facile / Recueil / Clavier Electronique et Ligne Mélodique

Par THORVALDSDOTTIR ANNA. Score and Parts for Anna Thorvaldsdottir's Shades Of Silence for Violin, Viola, Cello and Piano accompaniment. Score and Parts for Anna Thorvaldsdottir's Shades Of Silence for Violin, Viola, Cello and Piano accompaniment. Written for Nordic Affect. The first performance was given on 2 February2013 at Kaldal and oacute - n Hall, Harpa Centre, Reykjavik, Iceland. Duration: c. 8 minutes/ Répertoire / Violon, Alto, Violoncelle et Piano

C Major. Par BEETHOVEN LUDWIG VAN. In Beethoven’s Triple Concerto, a piano trio provides the soloists – a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web – the orchestral, piano, violin and cello voices interplaying and entwining – and he produces a true masterpiece. Bärenreiter’s new Urtext edition of Beethoven’sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included in the solo piano part. Piano reduction with separate parts for all three soloists Draws on three new sources Correction of many errors found in previous editions/ Répertoire / Piano, Violon, Violoncelle et Orchestre

Par RACHMANINOV SERGEI. Piano, Violin, Cello. Rachmaninov, S./ Répertoire / Trio avec Piano

For Violin, Cello And Piano. Par VOLCKMAR ADAM VALENTIN. / Répertoire / Violon, Violoncelle et Piano

For Violin, Cello And Piano. Par HOPKINS JOHN. English / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano