By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster. For Piano. Piano Method. Music for Little Mozarts. Sheet. 4 pages. Published by Alfred Publishing.

By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster. For Piano. Piano Method. Music for Little Mozarts. Sheet. 4 pages. Published by Alfred Publishing.

By Janet Steen, Karen Farnum Surmani, Christine H. Barden, Gayle Kowalchyk and E. L. Lancaster. For Piano. Piano Method. Music for Little Mozarts. Kit. Published by Alfred Publishing.

By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster. For Piano. Piano Method. Music for Little Mozarts. Book. 48 pages. Published by Alfred Publishing.

By Jack Hatfield. For Banjo (5-String). method. First Lessons. Acoustic Music. Level: Beginning. Book CD DVD. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

By Christine H. Barden, Donna Brink Fox, Karen Farnum Surmani, Gayle Kowalchyk, And E. L. Lancaster. General Music and Classroom Publications. Music for Little Mozarts. Big Book. 24 pages. Published by Alfred Publishing.

SKU: WD.080689373770

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. Eastertide. Posters (12-pak). Word Music #080689373770. Published by Word Music (WD.080689373770).

UPC: 080689373770.

Take a rollicking ride to Snowflake County-a place where Christmas celebrations have become so extravagant they threaten to over shadow the simplicity of Christmas'true meaning. It seems the only one who understands the secret of Jesus' simple birth is little Suzy Hallmark-but no one is listening. It will take a series of crazy mishaps during the community's annual seasonal program before the noise stops and everyone realizes that Christmas isn't about how brightly lights and decorations shine-it's about Jesus, the light of the world. Christy Semsen has once again combined her tuneful songs and clever dialogue with a strong spiritual theme in this delightful musical that is as contemporary as today's headlines. Daniel Semsen's sparkling accompaniment tracks feature musical styles that range from pop to rock to rap and polka. (There are even country line dancing angels and tap dancing wise men!) A full-color Teacher's Resource Kit and a performance IVD are available, providing all the production help you'll need. In addition to long-sleeve and short-sleeve T-shirts, you can also purchase Fun Paks for your choir to use in performance and keep as a souvenir. Your children and congregation are going to love their visit to Snowflake County, where the secret is out: Christ is the center of Christmas!

SKU: WD.080689561368

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. Modern Christian. CD preview pak. Word Music #080689561368. Published by Word Music (WD.080689561368).

UPC: 080689561368.

Take a rollicking ride to Snowflake County-a place where Christmas celebrations have become so extravagant they threaten to over shadow the simplicity of Christmas'true meaning. It seems the only one who understands the secret of Jesus' simple birth is little Suzy Hallmark-but no one is listening. It will take a series of crazy mishaps during the community's annual seasonal program before the noise stops and everyone realizes that Christmas isn't about how brightly lights and decorations shine-it's about Jesus, the light of the world. Christy Semsen has once again combined her tuneful songs and clever dialogue with a strong spiritual theme in this delightful musical that is as contemporary as today's headlines. Daniel Semsen's sparkling accompaniment tracks feature musical styles that range from pop to rock to rap and polka. (There are even country line dancing angels and tap dancing wise men!) A full-color Teacher's Resource Kit and a performance IVD are available, providing all the production help you'll need. In addition to long-sleeve and short-sleeve T-shirts, you can also purchase Fun Paks for your choir to use in performance and keep as a souvenir. Your children and congregation are going to love their visit to Snowflake County, where the secret is out: Christ is the center of Christmas!

Easy

SKU: WD.080689608179

A Christmas Musical for Kids. Composed by Gina Boe. Choral, cantatas. Christmas. Book. Word Music #080689608179. Published by Word Music (WD.080689608179).

UPC: 080689608179.

ST AR SEARCH, created by Gina Boe and Barb Dorn, is the newest release from Simply WordKidz, the best-selling, easy-learn-easy-sing children's series from Word Music & Church Resources. Simply WordKidz means no hassle, easy to learn, easy to sing, and easy for you to produce! Even more importantly, it will be easy for your church to fall in love with this fun and funny, warm and memorable Christmastime celebration for kids choir, teaching your kids that it’s not about being the biggest and brightest, but about being humble, and being kind, if you really wanna be a star! With a performance time of about 25 minutes, along with a high-impact DVD Accompaniment Track to enhance your presentation, STAR SEARCH is sure to become a favorite part of your church's celebration of Christmas.

Fun Kit

• Cinch Bag
• Listening CD
• Squeezeable Star Toy
• Rubber Bracelet
• Star Search Poster

Casting

• 6 large and medium speaking roles (14-34 lines)
• 2 small speaking roles (1-2 lines)
• 2 non-speaking roles

-All characters have been written to be played by either boy or girl actors

By Hal H. Hopson. For unison/2-part choir and piano (with optional 2 octave handbells (2 octave handchimes)). Sacred Anthem. Octavo. Published by Chorister's Guild

SKU: WD.080689378775

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. Modern Christian. Bulletins (100-pak). Word Music #080689378775. Published by Word Music (WD.080689378775).

UPC: 080689378775.

Take a rollicking ride to Snowflake County-a place where Christmas celebrations have become so extravagant they threaten to over shadow the simplicity of Christmas'true meaning. It seems the only one who understands the secret of Jesus' simple birth is little Suzy Hallmark-but no one is listening. It will take a series of crazy mishaps during the community's annual seasonal program before the noise stops and everyone realizes that Christmas isn't about how brightly lights and decorations shine-it's about Jesus, the light of the world. Christy Semsen has once again combined her tuneful songs and clever dialogue with a strong spiritual theme in this delightful musical that is as contemporary as today's headlines. Daniel Semsen's sparkling accompaniment tracks feature musical styles that range from pop to rock to rap and polka. (There are even country line dancing angels and tap dancing wise men!) A full-color Teacher's Resource Kit and a performance IVD are available, providing all the production help you'll need. In addition to long-sleeve and short-sleeve T-shirts, you can also purchase Fun Paks for your choir to use in performance and keep as a souvenir. Your children and congregation are going to love their visit to Snowflake County, where the secret is out: Christ is the center of Christmas!

Choral (Listening CD)

SKU: HL.200801

Composed by Edwin M. Willmington. Fred Bock Publications. Children, General Worship, Sacred. CD. Jubal House Publications #JH-1311. Published by Jubal House Publications (HL.200801).

UPC: 888680651817. 5.25x5.0x0.069 inches.

The Five Solas are principles of Christian faith that originated in the 16th century. There are five songs in this series, each expressing an aspect of the sola themes.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.