Piano Technique. By Ferdinand Beyer. Arranged by William Scharfenberg. Piano Method. Size 9x12 inches. 80 pages. Published by G. Schirmer, Inc.

Viola 1 (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1.)

SKU: BR.OB-5533-19

Urtext. Composed by Giovanni Battista Pergolesi. Edited by Reinhard Fehling. Stapled. Orchester-Bibliothek (Orchestral Library).

The present setting of the Seven Last Words of Jesus Christ grippingly depicts the story of Christ's Crucifixion in fourteen Musical Dialogues. Listen to the world premiere recording of this major work of the Neapolitan Baroque, performed by the Akadem. Solo concerto; Baroque. Part. 28 pages. Breitkopf and Haertel #OB 5533-19. Published by Breitkopf and Haertel (BR.OB-5533-19).

ISBN 9790004341193. 10 x 12.5 inches.

Hermann Scherchen, who was the first to take up the cause of the one-hour-plus long, colorfully scored work, came to the conclusion: One of the most heartfelt works of art, full of gentleness and profound sensitivity. Since 1936, when two manuscripts of monastic provenance were discovered, musical scholars have been asking themselves whether the Septem verba is authentic or solely attributable to Sig. Pergolese. It is only thanks to the scholarly comparison of all manuscripts and to the discovery of two new sources which impressively confirm the existence of an active reception of this work in the mid 18th century, that the authorship and transmission can be newly evaluated.

Violin 1 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.OB-5558-15

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-15. Published by Breitkopf and Haertel (BR.OB-5558-15).

ISBN 9790004344651. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

SST(A)TBarB vocal soli, AT(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo

SKU: CA.2100605

Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Choral Score. 16 pages. Duration 20 minutes. Carus Verlag #CV 21.006/05. Published by Carus Verlag (CA.2100605).

ISBN 9790007161415. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100600.

Choirs, soloists and orchestra

SKU: FZ.4306

Composed by Michel-Richard de Lalande. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Sacred. Score. Published by Anne Fuzeau Productions - France (FZ.4306).

ISBN 9790230643061. 24.00 x 33.00 cm inches.

This facsimile of an original and the manuscript by Michel-Richard Delalande is part of our French classical music collection. The facsimile brings together three versions of this motet : the Philidor copy of 1689, the Boyvin edition of 1729, and the Cauvin manuscript of 1741. Preface by Jean Saint-Arroman and Philippe Lescat: sources and scores - comparison between the Concert Spirituel copy and the engraved version of 1729.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Municipal Library of Versailles (France). Anne Fuzeau Classique propose period copies of classical music scores.

Two Pianos, Four Hands. By Bela Bartok. (Piano). Boosey and Hawkes Piano. Book only. 90 pages. Published by Boosey and Hawkes.

Guitar

SKU: UT.CH-387

Composed by Ferdinando Carulli. Edited by Romolo Calandruccio. Classical. Score. Ut Orpheus #CH 387. Published by Ut Orpheus (UT.CH-387).

ISBN 9790215328235. 9 x 12 inches.

Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.
The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.
This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.

(for Flute and Piano). By Scott Joplin (1868-1917). Arranged by Wolfgang Birtel. Woodwind. Softcover. 20 pages. Schott Music #ED20461. Published by Schott Music

String Quartet (Study Score)

SKU: HL.51487272

Study Score. Composed by Alexander Zemlinsky. Edited by Dominik Rahmer. Henle Music Folios. Classical. Softcover. G. Henle #HN7272. Published by G. Henle (HL.51487272).

UPC: 840126989366. 6.75x9.5x0.245 inches.

Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the “more progressive” Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg, he never did take the latter's radical step into dodecaphony. At the same time, he composed works that were no less original or fully fledged. Composed between 1913 and 1915, his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1,200 measures, this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited a critical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time, too, the metronome markings that survive only in one of Zemlinsky's letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
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Violin, piano (solo: vl - 2.2.cor ang.2.B-clar.A-sax.2.dbl bsn - 4.2.2.1 - timp.perc(2) - hp - str)

SKU: BR.EB-10821

In Memory of an Angel - Urtext. Composed by Alban Berg. Edited by Michael Kube. Arranged by Jan Philip Schulze. Solo instruments; Softbound. Edition Breitkopf.

In Cooperation with G. Henle Verlag

Solo concerto; Early modern. Piano reduction. 120 pages. Duration 25'. Breitkopf and Haertel #EB 10821. Published by Breitkopf and Haertel (BR.EB-10821).

ISBN 9790201808215. 9.5 x 12 inches.

The tragic circumstances surrounding the origin of the concerto are well known: Manon Gropius, the daughter of Berg's friend Alma Mahler, died of polio after the composer had written the first sketches to his violin concerto. In remembrance of her, he dedicated the work to the memory of an angel. Later, Berg decided to incorporate into the score the Bach chorale Es ist genug as a quote. He also worked on the solo part directly and intensely with the American violinist Louis Krasner, who had commissioned the work. Berg was no longer able to witness the first performance and the first edition of the concerto since he passed away in late 1935. This new edition is the first Urtext version of Berg's work, which was created in the midst of a spate of epoch-making violin concertos by Stravinsky (1931), Schoenberg (1936), Prokofiev (1937), Bartok (1938), Hindemith (1939) a. o. Errors from the first edition were corrected after an in-depth comparison with the autograph score, the short score and, in some cases, with the twelve-tone row structure.The entire performance material can be purchased; however, due to copyright reasons, the score and orchestral parts are not available the United States.Werden die Urtextausgaben von Breitkopf & Hartel aufgrund ihres hellblauen Umschlags augenzwinkernd die Himmlischen genannt, so ist dies in Bezug auf die neu vorgelegte Partitur Programm. (Florian Henri Besthorn, neue musikzeitung).

Chorus (with soloists) and orchestra (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc)

SKU: BR.PB-32090

Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque; Renaissance/early Baroque. Full score. 60 pages. Duration 12'. Breitkopf and Haertel #PB 32090. Published by Breitkopf and Haertel (BR.PB-32090).

ISBN 9790004215708. 10 x 12.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too. Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).

Composed by Bill Calhoun. Score and part(s). 12 120 pages. Duration 2 minutes, 58 seconds. Carl Fischer #FPS0130. Published by Carl Fischer (CF.FPS130).

You Can Play Trumpet Now Volume 1 DVD. By Eloy Adame. For Trumpet. Method. All. Level: Beginning. DVD. Size 5.25x7.5. Duration 60 minutes. Published by Mayas Music.

First violin,second violin,viola,cello (1. Violin, 2. Violin, Viola, Violoncello) - Level 3

SKU: BA.BA11523

Composed by Antonin Dvorak. Edited by Hartmut Schick. This edition: urtext edition. In a folder. Barenreiter Urtext. Set of parts. Opus 51. 14/13/11/13 pages. Baerenreiter Verlag #BA11523_00. Published by Baerenreiter Verlag (BA.BA11523).

ISBN 9790260108578. 31 x 24.3 cm inches. Key: E-flat major.

When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the “Slavonic” style, quickly achieved international renown and has remained among one of the most popular string quartets by Dvorák.

The authoritative Dvorák scholar Hartmut Schick has consulted all accessible sources, most notably the printed score published by Simrock and the autograph. Now, after many decades, a definitive Urtext edition of this major work can be presented. In comparison to the old Supraphon edition of 1955, the new publication includes a detailed Critical Commentary (Eng) as well as edited early versions of the middle movements in the appendix. A detailed Foreword (Ger/Cz/Eng) by the editor is also contained.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (2 flutes/soprano flute/2 oboes/english horn/clarinet/2 bassoons/5 contrabassoons/2 trumpets/horn/2 trombones/tuba/percussion /celeste/2 harps/strings). This edition: Urtext edition. Paperback. Study score. Text Language: English/French/German. Duration 10 minutes. Published by Baerenreiter Verlag

Chorus (with soloists) and orchestra (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.PB-5663

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; Linen. Partitur-Bibliothek (Score Library). Symphony; Late-romantic. Full score. 288 pages. Duration 110'. Breitkopf and Haertel #PB 5663. Published by Breitkopf and Haertel (BR.PB-5663).

ISBN 9790004216002. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Organ

SKU: CA.1817900

Composed by Charles Marie Widor. Edited by Georg Koch. Free organ music. Full score. Op. 42,1. 80 pages. Duration 35 minutes. Carus Verlag #CV 18.179/00. Published by Carus Verlag (CA.1817900).

ISBN 9790007188979. Language: all languages.

It is no coincidence that the Toccata from Widor's Vth Organ Symphony is his best-known composition. Who can resist its thrilling verve? Not only this, but also the other movements of this unique work of the organ repertoire win you over immediately - the first with its march-like, majestic, much-varied theme; the second with its wonderfully elegiac oboe melody, flowing along over staccato sixteenth notes; and the two slow movements, of which the melancholy, almost static Adagio forms the greatest contrast imaginable to the following triumphal Toccata. The Carus Urtext edition is based on the Paris edition of 1928/29, the last one to be published during Widor's lifetime. The corrections which the composer made after the publication of this edition have also been taken into consideration. As well as this, earlier editions have been consulted for comparison to clarify individual variant readings. Editorial suggestions on the performance of individual passages complete the new edition. Great organ works: Series A: - Symphony II op. 13 no. 2 - Symphony IV op. 13 no. 4 - Symphony V op. 42 no. 1 - Symphony VI op. 42 no. 2 - Symphony Romane op. 73 in preparation Subscription offer for Series A: 20% discount off the retail price.

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Secular. Published by Faber Music

By Jascha Heifetz. By Peter Ilyich Tchaikovsky (1840- 1893). Edited by Endre Granat. LKM Music. Softcover. Lauren Keiser Music Publishing #S511034. Published by Lauren Keiser Music Publishing

Written by Charles S. Peters, Paul Yoder. Format: instructional book. With instructional text and musical examples. General Theory. 32 pages. 9x12 inches. Published by Neil A. Kjos Music Company.

Violin & piano

SKU: HH.HH424-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and part. Edition HH Music Publishers #HH424-FSP. Published by Edition HH Music Publishers (HH.HH424-FSP).

ISBN 9790708146254.

Amon g Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op.35, his last of seven sonatas with violin, was composed around 1805 and dedicated to Maria Walburga, the Princess Bretzenheim. This was one Eberl’s last works, as he died prematurely, at the age of forty-one, in 1807. Unlike many of Eberl’s lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.35 shares much of the musical ambition and quality of Beethoven’s works in this genre.

Alto voice solo, boys chorus, female chorus, orchestra Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler (1860-1911). Edited by Christian Rudolf Riedel. Vocal score. Breitkopf and Haertel #EB 9363. Published by Breitkopf and Haertel

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes/2 oboe d'amore, taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3114607

Cantata for the Sunday Jubilate. Composed by Johann Sebastian Bach. Edited by Anja Morgenstern. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir mussen durch viel Trubsal. Sacred vocal music, Cantatas, Easter and Eastertide. Study score. Composed circa 1728? BWV 146. 80 pages. Duration 40 minutes. Carus Verlag #CV 31.146/07. Published by Carus Verlag (CA.3114607).

ISBN 9790007092467. Key: D minor. Language: German/English.

It is evident from the sources that the cantata was written for the 3rd Sunday after Easter. The text, the identity of whose author is unknown, is based on the comparison between sadness and joy prescribed in the Gospel for that Sunday. This cantata has survived only in copies made after 1750, but undoubtedly the cantata dates from Bachs's years in Leipzig. Score available separately - see item CA.3114600.

SATB Choir - Level 4

SKU: CA.3122792

Composed by Johann Sebastian Bach. Stuttgart Urtext Edition: Bach vocal; Carus CD series: Carus Choir Coach. Mp3, Practice-CD, alto. Sacred vocal music, Motets. Compact Disc. BWV 227. Duration 25 minutes. Carus Verlag #CV 31.227/92. Published by Carus Verlag (CA.3122792).

Key: E minor. German. Text: Johann Frank.

For many choral singers Jesu, meine Freude is not just a motet by Bach, but the motet par excellence. Bach's motets as a whole have to be described as exceptional works, but even amongst these this is an exceptional work which is out of the ordinary not only in terms of its length. The formal conception, with its alternating chorale and Bible verses in 11 sections in a symmetrical structure, is also unique. The motet was very probably composed for a funeral, but no further details about this are known. By comparison, there are clear indications that the motet, as we now know it, was probably not composed in one go, but was composed over a long period of time. Score available separately - see item CA.3122700.

Concert Band - Grade 4.5

SKU: AP.41968S

Composed by Craig Fitzpatrick. Concert Band; Performance Music Ensemble; Single Titles. Alfred Concert Band. Score. 32 pages. Duration 4:00. Alfred Music #00-41968S. Published by Alfred Music (AP.41968S).

UPC: 038081482705. English.

The title of this piece is derived from the word juxtaposed, meaning to place side by side, especially for comparison or contrast, and the name Jungst. It is dedicated to the memory of Rudy Jungst, the first band director of Morton Jr. High School, and is a rhythmic, high-energy, multi-meter showcase for band. (4:00).