Piano/Vocal/Guitar. Composed by various artists and composers. This edition: Pia...(+)
Piano/Vocal/Guitar.
Composed by various
artists and composers.
This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords;
Worship Resources.
Contemporary Christian;
Sacred. 256 pages.
Published by Alfred Music
Choir SKU: CA.212000 Composed by Various. Edited by Reiner Schuhenn, Rich...(+)
Choir
SKU:
CA.212000
Composed by
Various. Edited by Reiner
Schuhenn, Richard
Mailander, Walter
Sengstschmid, and
Winfried Bonig. Hymns by
Martin Luther: Ausgaben
mit mehreren
Luther-Liedern; Choral
collections for Coro SAM.
Chorbuch A Tre. Edition
Fur Den Chorleiter.
Sacred vocal music, Hymn
settings, Whole church
year / Omni tempore,
Daily hours. Choir Book.
Carus Verlag #CV
02.120/00. Published by
Carus Verlag (CA.212000).
ISBN
9790007094393.
Toda
y an increasing number
church choirs are
lamenting the lack of
male voices. The present
Chorbuch a tre (choir
book a tre), anticipated
by many, addresses this
situation. It contains
160 three-part settings
for two female voices and
one male voice (some with
accompaniment). The
collection, designed for
ecumenical use, offers a
broad selection of choral
settings for the church
year, times of the day,
praise and thanks, the
Ordinary, etc. It
includes works from from
the 17th century to the
present, and presents a
range of various styles
(including gospel and
sacred pop). About 50
settings were written for
this choir book by
renowned composers and
church musicians.
Choirmasters can now
enjoy having a current,
comprehensive collection
of three-part choral
settings with a variety
of ideas for singing and
making music in worship
services.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
Piano SKU: AP.36-M191391 Composed by Charles Tomlinson Griffes. Method/In...(+)
Piano
SKU:
AP.36-M191391
Composed by Charles
Tomlinson Griffes.
Method/Instruction;
Reference Textbooks;
Solo; Solo Small
Ensembles. Master Piano
Series. Book.
LudwigMasters
Publications #36-M191391.
Published by
LudwigMasters
Publications
(AP.36-M191391).
ISBN
9781628765588. UPC:
746241292575.
English.
Charles
Tomlinson Griffes
(1884-1920) was an
American composer whose
later works made him the
most famous American to
contribute to musical
Impressionism, the
movement associated with
French composers such as
Debussy. His FANTASY
PIECES, Op. 6 for piano
includes three works,
each preceded by a poem
or text: Barcarolle,
Notturno, and Scherzo.
Reprinted from the
original edition, this
important music is made
available once again.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Carole
Neuen-Rabinowitz.
Performance Music
Ensemble; String Quartet.
Latham Music. Christmas;
Winter. Score and
Part(s). Latham Music
Enterprises #36-52703013.
Published by Latham Music
Enterprises
(AP.36-52703013).
ISBN
9781628761054. UPC:
746241229717.
English.
Six more
Christmas favorites for
string quartet: Still,
Still, Still; Pat a Pan;
What Child is This?;
Coventry Carol/Break
Forth, O Beauteous
Heavenly Light; O Holy
Night and God Rest Ye
Merry, Gentlemen/Carol of
the Bells.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano/Keyboard - intermediate SKU: HL.49019589 15 Jazz Pieces for Pian...(+)
Piano/Keyboard -
intermediate
SKU:
HL.49019589
15
Jazz Pieces for
Piano. Composed by
Julia Hü and lsmann.
This edition: Saddle
stitching. Sheet music.
Piano Collection. Jazz.
Softcover. 38 pages.
Duration 18'. Schott
Music #ED21610. Published
by Schott Music
(HL.49019589).
ISBN
9790001192866. UPC:
884088984458.
9.0x12.0x0.172
inches.
'Piano
Songs' shows what makes
up current jazz in
Germany: melodies free of
cliches and exciting
grooves, moving between
classical and modern
music without fearing
contact. Julia Hulsmann
ranks among the
best-known German jazz
pianists and has released
several CDs. The newly
composed 'Piano Songs'
are her first sheet music
edition.
Auld Lang Syne Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-000820-020 Arranged by Menno Haantje...(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-000820-020
Arranged by Menno
Haantjes. Set (Score &
Parts). 75 pages. Gobelin
Music Publications #GOB
000820-020. Published by
Gobelin Music
Publications
(BT.GOB-000820-020).
Whereas ‘Auld
Lang Syne’ may be
considered the best-known
Scottish song ever, yet
at the same time it is an
obscure one, for there
are but few people who
know the complete text by
heart. After the
familiar ‘Should auld
acquaintance be forgot
.....‘ many people take
their refuge to lyrics
like ‘rum tee dum ta
dee ..... lah, lah, lah
........... for auld lang
syne’. Even in
Scotland only a handful
of persons know the
entire text and are able
to give a correct
rendering of it. The
current lyrics have been
attributed to the
Scottish poet Robert
Burns. Burns, however, he
did not write the whole
poem : after he had heard
an old man sing the
centuries-old
Scotchballad, he wrote it
down and added a number
of stanzas (1788).
Historical research
teaches us that the
ballad served many
purposes, both political
and religious.
Nowadays, ‘Auld Lang
Syne’ is sung as a
Christmas Carol and it is
also sung on New Year’s
Eve at the turning of the
year. Apart from that,
though, the song is also
sung on many other
occasions sometimes with
different lyrics, which
usually have Love,
Friendship and/or Parting
as their themes, as these
go well with the
fascinating melody.
In this arrangement
a low-sounding solo
instrument is central.
The harmonization in the
accompaniment fits in
perfectly with the
sentiments this song will
evoke.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
be forgot. And days
of auld lang syne?
For auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Misschien wel het
meest bekende Schotse
lied, maar tegelijkertijd
ook het minst bekende, er
zijn er maar weinig
mensen die de tekst mee
kunnen zingen. Na het
bekende ‘Should auld
acquaintaintance be
forgot and .....‘
vervallenvelen in ‘rum
tee dum ta dee ..... lah,
lah, lah ........... for
auld lang syne’.
Zelfs in Schotland is
maar een enkeling in
staat de tekst correct
weer te geven. De
huidige versie wordt
toegeschreven aan de
Schotse dichterRobert
Burns. Burns heeft echter
niet de hele tekst
gemaakt. Toen hij de
eeuwen oude Schotse
ballade door een oude man
hoorde zingen, heeft hij
enkele verzen toegevoegd
(1788). Historisch
onderzoek leert dat de
ballade voorveel
doeleinden gebruikt werd,
voor politieke als ook
religieuze doelen.
Tegenwoordig wordt
‘Auld Lang Syne’
gebruikt als Christmas
Carol en wordt het
gezongen tijdens de
jaarwisseling op
oudejaarsavond.Het lied,
soms meteen andere tekst,
wordt echter op veel meer
plaatsen gebruikt.
Liefde, Vriendschap en
Afscheid zijn dan meestal
de sentimenten die
gecombineerd worden met
de meeslepende
melodie.
In dit
arrangement staat een
‘laag’
solo-instrumentcentraal.<
br> De harmonisatie in de
begeleiding sluit
naadloos aan bij deze
gevoelens die dit lied
oproepen.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
beforgot And days of
auld lang syne? For
auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Guitar SKU: GI.G-006004 Sacred. With guitar chord names. GIA Publications...(+)
Guitar
SKU:
GI.G-006004
Sacred.
With guitar chord names.
GIA Publications #006004.
Published by GIA
Publications
(GI.G-006004).
This is the
guitar accompaniment for
One in Faith. It is
formatted to reduce page
turns and is 8.5 x 11
portrait size,
spiral-bound in two
volumes. One in Faith is
a beautiful hardbound
hymnal with a broad
spectrum of music for
your singing assembly:
chant, classic hymnody,
gospel hymns, spirituals,
contemporary and
bilingual pieces, and a
generous selection of the
best service music.
Permanence One in Faith
is a permanent resource.
With more than 900 hymns,
songs, psalms, and
acclamations and fourteen
Mass settings, One in
Faith provides you with a
repertoire that will
stand the test of time.
Flexibility One in Faith
provides a wide range of
accompaniment options to
fit your needs: Keyboard
Accompaniments in
portrait and landscape
editions, a spiral-bound
Guitar Accompaniment, and
Bâ™ and C Instrument
Books. We also offer a
helpful planning index
book and coordinating
portrait and landscape
service music binders.
Craftsmanship One in
Faith is a magnificently
designed book, created
with the best
book-manufacturing
techniques and processes.
One in Faith will enhance
the beauty of your
worship space. Good Value
One in Faith without
readings is a great value
at $14.50. Add it to your
current periodical
missal, or choose the
edition with readings for
just $1.00 more per book
at $15.50 each. We offer
36-month interest-free
financing, making it
possible for any parish
to have One in Faith in
their pews.
Voice and piano SKU: BR.EB-8872 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8872
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf. Aria; Opera;
Classical; Late-romantic.
Piano/Vocal Score. 152
pages. Breitkopf and
Haertel #EB 8872.
Published by Breitkopf
and Haertel (BR.EB-8872).
ISBN 9790004184622. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Composed by Carole
Neuen-Rabinowitz.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score.
Latham Music Enterprises
#36-52702360. Published
by Latham Music
Enterprises
(AP.36-52702360).
ISBN
9781621569879. UPC:
679360693803.
English.
Includes:
Dance to Your Shadow; My
Love Is Like a Red, Red
Rose; Flow Gently, Sweet
Afton; Morgan Magan;
Highland Cathedral; Lily
of the West and Mick
McGuire. Includes
optional violin 2 for
viola.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band - Grade 1 SKU: AP.36-50100340 Composed by David M. Martin. C...(+)
Concert Band - Grade 1
SKU:
AP.36-50100340
Composed by David M.
Martin. Concert Band;
Performance Music
Ensemble. Beginning Band.
Score and Part(s).
Duration 2:00.
LudwigMasters
Publications
#36-50100340. Published
by LudwigMasters
Publications
(AP.36-50100340).
UPC:
659359629242.
English.
Imagine
yourself on a camel ride
through the desert. Your
ride, the ship of the
desert, has an awkward,
rolling gait, and as you
sway back and forth you
gaze upon the mysteries
and wonders of the arid
land. If that doesn't
convince your students to
want to play David
Martin's Desert Secrets!,
the clever writing will!
(2:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
12
Pop-Hits in Easy
Arrangements with
additional 2nd part.
Edited by Uwe Bye.
Woodwind Ensemble.
Classical, Pop. Softcover
Audio Online. 36 pages.
Schott Music #ED23228.
Published by Schott Music
(HL.49046455).
ISBN
9781540095749. UPC:
840126927757.
The
most beautiful pop songs,
well-known film melodies
and timeless evergreens:
Volume 3 of the Pop for
Clarinet series contains
12 easy-to-play
arrangements for 1-2
clarinets with matching
playbacks for every song.
Current chart hits such
as Shallow or High
Hopesstand alongside the
pop classics Every Breath
You Take, Africa, You
Cant Hurry Love and many
more. Musical fans get
their money's worth with
I Could Have Danced All
Night from My Fair
Lady.
Final
Version 1910 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; Linen.
Partitur-Bibliothek
(Score Library).
final
version 1910
Symphony; Romantic;
Late-romantic. Full
score. 212 pages.
Duration 54'. Breitkopf
and Haertel #PB 5661.
Published by Breitkopf
and Haertel (BR.PB-5661).
ISBN 9790004215982.
10.5 x 14
inches.
The
Symphony No. 1
(originally in five
movements) was first
performed in Budapest in
1889, but the premiere as
well as two further
performances in Hamburg
and Weimar turned out to
be a fiasco. After 1894
Mahler removed the
Blumine-movement. Until
the last performance
under his direction in
New York in 1909, Mahler
made revisions again and
again. This edition
strives to present a, for
the performance practice,
reliable music text of
the final extant version
that in 1910 Mahler
corrected and deemed
accurate for the new
print. The Editorial
Report gives detailed
information on the
provenance and evaluation
of the sources as well as
authentic annotations on
performance practice.
Individual comments
document editorial
interventions and
deviations from current
editions.The cloth-bound
volume PB 5661 contains
next to the final version
of the four-movement
Symphony, the Blumine
movement.Le format permet
une lisibilite parfaite;
le materiel a ete realise
en tenant compte des
conseils des
bibliothecaires de grands
orchestres.
Particulierement precieux
pour les non-germanistes,
on trouve en fin de
volume un glossaire
traduisant les
indications de Mahler de
l'allemand vers l'anglais
(ou l'italien). (Alain
Paris, La Lettre du
Musicien).
Dialogus von der Geburt Christi Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
(Weihnachtsoratorium in drei Teilen). By Reinhard Keiser (1674-1739). Edited by ...(+)
(Weihnachtsoratorium in
drei Teilen). By Reinhard
Keiser (1674-1739).
Edited by Christine
Blanken. For Soli SATB,
SSAATTBB Choir, 3
Contrabassons, Timpani, 3
Oboes, 3 Bassoon, 2
Violin, Viola, Basso
Continuo. This edition:
paperbound. Full score
available separately -
see item CA.1038600.
Oratorios; Use during
church year: Christmas.
Piano/Vocal score.
Language: German. 48
pages. Duration 40 min.
Published by Carus Verlag
Free World Fantasy Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0870089-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0870089-140
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music.
Score Only. Composed
1987. 42 pages. De Haske
Publications #DHP
0870089-140. Published by
De Haske Publications
(BT.DHP-0870089-140).
Free World
Fantasy was
commissioned in Holland
for celebrations
commemorating the
liberation of Groningen,
and therefore symbolises
the dream of a world
without war. It is the
first piece of a series
in which composer, Jacob
de Haan, combines concert
band music with a pop
style.
Dit werk
componeerde Jacob de Haan
in 1987 in opdracht van
de provincie Groningen.
Aanleiding was de
Bevrijdingsdag. De muziek
symboliseert de droom van
een wereld zonder oorlog.
Het is het eerste werk
uit een reeks waarin
Jacob deHaan
amusementsmuziek en
serieuze muziek vermengd
tot een muziekstijl die
aan filmmuziek doet
denken.
Dieses
Werk komponierte Jacob de
Haan 1987 im Auftrag der
niederländischen
Provinz Groningen
anlässlich des
Befreiungstages. Die
Musik symbolisiert den
Traum von einer Welt ohne
Krieg. Es handelt sich um
das erste Werk einer
Reihe, in welcher Jacob
de Haan
Unterhaltungsmusik und
ernste Musik zu einer
Stilart vermischt, die an
Filmmusik erinnert.
Jacob de
Haan compose questo brano
nel 1987 su incarico
della provincia olandese
di Groningen per
celebrare il giorno della
liberazione. La musica
simboleggia il sogno di
un mondo senza guerre.
Free World Fantasy è
il primo brano di una
serie firmata da Jacob de
Haan, nella quale il
compositore olandese
mischia sapientemente
musica da intrattenimento
a musica più seria, in
uno stile che ricorda la
musica da film.
Organ Solo SKU: AP.36-M334891 Composed by Camille Saint-Saens. Organ, Sol...(+)
Organ Solo
SKU:
AP.36-M334891
Composed by Camille
Saint-Saens. Organ, Solo,
Unaccompanied, Solo Book.
Master Organ Series.
Book. LudwigMasters
Publications #36-M334891.
Published by
LudwigMasters
Publications
(AP.36-M334891).
ISBN
9798892702157. UPC:
659359663536.
English.
Camille
Saint-Saëns (1835-1921),
while most well-known for
his chamber and
orchestral works, also
composed much for the
organ, having himself
been appointed organist
at both Saint Merri
(1853-1857) and Madeleine
(1857-1877), the latter
post he held for 20
years. He is one of the
19th century's most
important composers and
performers for the organ,
counted together with
other greats such as
Gigout, Guilmant, and
Widor. Saint-Saëns wrote
BÉNÉDICTION NUPTIALE in
F Major for organ in
1859.
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SSA Chorus SKU: FG.55011-569-9 Composed by Alex Freeman. Fennica Gehrman ...(+)
SSA Chorus
SKU:
FG.55011-569-9
Composed by Alex Freeman.
Fennica Gehrman
#55011-569-9. Published
by Fennica Gehrman
(FG.55011-569-9).
ISBN
9790550115699.
Alex
Freeman's I Feel the Same
Way, Three songs of
Lilian Moore (2015) for
children's chorus (SSA)
captures little moments
of childhood wonder.
Lilian Moore (1909-2004)
was a poet and editor,
who helped make
children's books more
affordable and worked to
combat racial stereotypes
in children's literature.
In the printed
collection, the ambiance
of each poem is enhanced
by the artwork of Robert
Quackenbush. His
illustrations for each of
the poems that Freeman
has set to music here are
reproduced within this
score with the aim of
transporting young
singers into the micro
universes of Moore's
poems. Alex Freeman (b.
1972) grew up in Raleigh,
North Carolina. Around
the age of 13 he became
interested in composing.
In 1998 he moved to New
York to begin his
Doctoral studies at the
Juilliard School,
studying with Christopher
Rouse. The focus of his
doctoral document led him
to Finland. The recipient
of a Fulbright Full
Fellowship, he moved to
Helsinki in 2001 to
research Sibelius's
sketches and study
composition with Eero
Hameenniemi at the
Sibelius Academy. Dr.
Freeman is currently
composing full-time and
lives with his wife and
children in Finland.
Composed by Johann
Sebastian Bach. Arranged
by Lynne Latham.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score and
Part(s). Latham Music
Enterprises #36-52703138.
Published by Latham Music
Enterprises
(AP.36-52703138).
ISBN
9781628761023. UPC:
679360713846.
English.
Bach's
famous "Brandenburg
Concerti" are
considered by many to be
the pinnacle of the
Baroque Concerto Grosso
style. These arrangements
of the
"Brandenburgs"
for string quartet by
Lynne Latham have become
much-used by
professionals and
students alike.
These products
are currently being
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publisher. While many
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ship on time, some others
may see delays of several
months.
Composed by Paul Seitz.
Performance Music
Ensemble; String
Orchestra. Ludwig
Masters. Score and
Part(s). Latham Music
Enterprises #36-52250362.
Published by Latham Music
Enterprises
(AP.36-52250362).
ISBN
9781621568742. UPC:
679360701188.
English.
If Copland
had written for easy
level strings, it would
have been something like
this. There's a
wide open sound here,
thanks to the rich
writing that includes
open strings, open
fifths, simple harmonics
and just the right amount
of silence. Very
nicely done!
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may see delays of several
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Piano Solo - Intermediate-Advanced SKU: FP.FSC05 Composed by Cyril Scott....(+)
Piano Solo -
Intermediate-Advanced
SKU: FP.FSC05
Composed by Cyril Scott.
Sheet Music and Books.
Three pieces for piano by
Cyril Scott, one of the
most influential
composers of the early
20th century. Classical.
Collection. Forsyths
Publications #FSC05.
Published by Forsyths
Publications (FP.FSC05).
ISBN
9790570504169.
Cyri
l Scott’s music is
currently the subject of
major revival, having
lain largely ignored for
much of the 20th Century.
Once described as 'the
father of modern British
music' by Eugene
Goossens, and admired by
Claude Debussy, Richard
Strauss, Igor Stravinsky
and his lifelong friend
Percy Grainger, he
composed four hundred
works including: four
Symphonies, three Operas,
two Piano Concertos, four
Oratorios, Concertos for
Violin, Cello, Oboe and
Harpsichord, several
Overtures, Tone Poems,
many Chamber works and
innumerable
songs.
There is a
story that when Bernard
Shaw commented to Elgar
on the (then) daring
harmonies of his Second
Symphony Elgar replied
'You mustn’t
forget, it was Cyril
Scott started all
that!'.
'a pioneer
of British piano music,
producing more piano
works in the period
1903-1914 than any other
British composer and any
other international one,
with the exception of
Scriabin... (He) was a
key figure before World
War I in helping Britain
to break away from
musical conservatism and
the prevailing Germanic
influences.' (Lisa Hardy,
The British Piano Sonata
1870-1945).
Piano SKU: HL.254189 [Pchli Targ: Utwory na fortepian solo - Zeszyt 1]...(+)
Piano
SKU:
HL.254189
[Pchli
Targ: Utwory na fortepian
solo - Zeszyt 1].
Composed by Zbigniew
Bargielski. PWM. Recital.
Softcover. 32 pages.
Polskie Wydawnictwo
Muzyczne #12028010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.254189).
9.25x12
inches.
Composer
Note: I treat the piano
as an instrument in no
way different from others
in the rich music
collection. On the one
hand, I feel
excitedabout, for
instance, the possibility
to write something in a
style of a piano
concerto, on the other -
I have some doubts about
shedding new light or
sparking significant
impulses from that great
three-legged animal
without hitting the
obvious. But there does
exist something lighter -
a play, a game, a
distorting mirror,
reflecting a noble
appearance of a fatso.
Not refined games, but
volatile and smooth
treatment of the matter.
Not a game on wedges, but
in trainers. A wink of an
eye at an obese
instrument arousing
emotions in the listeners
and sufferings in young
music lovers practising
scales and passages. A
remedy for continuing to
compose for the piano may
be a conscious
“anti-activity&rdqu
o;, presenting current
artistic achievements for
this instrument as if in
a distorting mirror.
Concert Band - Grade 4 SKU: AP.36-50105324 Composed by Alan Shulman. Arra...(+)
Concert Band - Grade 4
SKU:
AP.36-50105324
Composed by Alan Shulman.
Arranged by Adam Michlin.
Concert Band; Performance
Music Ensemble. Symphonic
Band. Score. Duration
3:00. LudwigMasters
Publications
#36-50105324. Published
by LudwigMasters
Publications
(AP.36-50105324).
ISBN
9798892703147. UPC:
659359503184.
English.
In the
late 1960s, Alan Shulman
composed four works for
symphonic winds.
Interstate 90 dates from
a 1962 sketch depicting a
drive heading west on the
Massachusetts Turnpike
and New York State
Thruway. It was completed
in August 1968 and
received its first
performance in 1969 by
the Gloria Concert Band
conducted by Don
Butterfield. This
arrangement was written
by Adam Michlin.
(3:00).
These products
are currently being
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publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Voice and Piano SKU: AP.36-M369891 Composed by Amy Marcy Beach. Edited by...(+)
Voice and Piano
SKU:
AP.36-M369891
Composed by Amy Marcy
Beach. Edited by Joseph
E. Maddy. Arranged by
Felix Guenther and ed.
Joseph E. Maddy.
Performance Music
Ensemble; Solo Voice with
Piano. Ludwig Masters.
Score and Part(s). Alfred
Music #36-M369891.
Published by Alfred Music
(AP.36-M369891).
ISBN
9781633617698. UPC:
660355174681.
English.
Songs
included: 1. O Mistress
Mine, 2. Take, O take
those lips away, and 3.
Fairy Lullaby.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Marshall
Fine. Performance Music
Ensemble; String Quartet.
Latham Music. Christmas;
Winter. Score and
Part(s). Latham Music
Enterprises #36-52703194.
Published by Latham Music
Enterprises
(AP.36-52703194).
ISBN
9781628762662. UPC:
746241284587.
English.
Contents:
Riu, Riu, Chiu, Suo Gn,
Sweet was the Song the
Virgin Sung, Crib Song,
We Wish You a Merry
Christmas.
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Solo Piano SKU: AP.36-M304191 Composed by Samuel Coleridge-Taylor. Piano ...(+)
Solo Piano
SKU:
AP.36-M304191
Composed by Samuel
Coleridge-Taylor. Piano
Supplemental; Solo Piano.
Master Piano Series.
Classical. Score and
Part(s). 52 pages.
LudwigMasters
Publications #36-M304191.
Published by
LudwigMasters
Publications
(AP.36-M304191).
ISBN
9781621563266. UPC:
660355022432.
English.
The
transcription of melodies
contained in this
collection has been
praised as the most
complete expression of
Mr. Coleridge-Taylor's
native bent and power.
Using native songs of
Africa and the West
Indies with those that
came into being in
America during slavery,
he has preserved their
distinctive
characteristics and
individuality, while
giving them an art form
fully infused with their
musical essence.
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publisher. While many
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Choral (ShowTrax CD) SKU: HL.293124 By The Beatles. By John Lennon and Pa...(+)
Choral (ShowTrax CD)
SKU: HL.293124
By
The Beatles. By John
Lennon and Paul
McCartney. Arranged by
Mark A. Brymer. Pop
Choral Series. Pop, Show
Choir, Sixties. CD.
Duration 200 seconds.
Published by Hal Leonard
(HL.293124).
UPC:
888680933685.
5.0x5.0x0.161
inches.
Often
regarded as one of the
top 10 pop songs of all
time, Hey Jude was number
one on the charts longer
than any other Beatles
song. The message never
grows old and this
soulful arrangement makes
everything current and
contemporary.
Choir SKU: LP.765762159921 An Easter Musical for Unison/2-part. Ar...(+)
Choir
SKU:
LP.765762159921
An
Easter Musical for
Unison/2-part.
Arranged by Camp
Kirkland, Marty Parks,
Dave Williamson & Daniel
Semsen. Musical. Worship
in Unison. Sacred. Stereo
& split-channel
accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762159921).
UPC:
765762159921.
He
Rises! is a remarkable 20
minute Easter musical
that has been arranged
for 2-part or unison
choirs making it
accessible for most
choirs that have limited
numbers or short
rehearsal times. The
musical has been created
using treasured hymns
current worship songs and
new songs from some of
Christian music's most
prolific writers.
Arrangers Camp Kirkland
Marty Parks Daniel Semsen
and Dave Williamson have
each shared their skills
to make this musical an
instant classic.