Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709436
Individual part,
trombone 2. Composed
by Anton Bruckner. Edited
by Felix Loy. Individual
part. Composed 1893. WAB
28. 12 pages. Duration 60
minutes. Carus Verlag
#2709436. Published by
Carus Verlag
(CA.2709436).
Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709431
Individual part, horn
1. Composed by Anton
Bruckner. Edited by Felix
Loy. Individual part.
Composed 1893. WAB 28. 12
pages. Duration 60
minutes. Carus Verlag
#2709431. Published by
Carus Verlag
(CA.2709431).
Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709415
Individual part,
double bass. Composed
by Anton Bruckner. Edited
by Felix Loy. Individual
part. Composed 1893. WAB
28. 24 pages. Duration 60
minutes. Carus Verlag
#2709415. Published by
Carus Verlag
(CA.2709415).
ISBN
9790007312343. Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709433
Individual part,
trumpet 1. Composed
by Anton Bruckner. Edited
by Felix Loy. Individual
part. Composed 1893. WAB
28. 8 pages. Duration 60
minutes. Carus Verlag
#2709433. Published by
Carus Verlag
(CA.2709433).
Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709434
Individual part,
trumpet 2. Composed
by Anton Bruckner. Edited
by Felix Loy. Individual
part. Composed 1893. WAB
28. 8 pages. Duration 60
minutes. Carus Verlag
#2709434. Published by
Carus Verlag
(CA.2709434).
Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709409
Composed by Anton
Bruckner. Edited by Felix
Loy. Set of Orchestra
Parts. Composed 1893. WAB
28. Duration 60 minutes.
Carus Verlag #2709409.
Published by Carus Verlag
(CA.2709409).
ISBN
9790007250003. Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709404
Composed by Anton
Bruckner. Edited by Felix
Loy. Vocal score.
Composed 1893. WAB 28.
Duration 60 minutes.
Carus Verlag #2709404.
Published by Carus Verlag
(CA.2709404).
ISBN
9790007303884. Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709411
Individual part,
violin 1. Composed by
Anton Bruckner. Edited by
Felix Loy. Individual
part. Composed 1893. WAB
28. 32 pages. Duration 60
minutes. Carus Verlag
#2709411. Published by
Carus Verlag
(CA.2709411).
ISBN
9790007312305. Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709423
Individual part, oboe
1. Composed by Anton
Bruckner. Edited by Felix
Loy. Individual part.
Composed 1893. WAB 28. 16
pages. Duration 60
minutes. Carus Verlag
#2709423. Published by
Carus Verlag
(CA.2709423).
Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709412
Individual part,
violin 2. Composed by
Anton Bruckner. Edited by
Felix Loy. Individual
part. Composed 1893. WAB
28. 28 pages. Duration 60
minutes. Carus Verlag
#2709412. Published by
Carus Verlag
(CA.2709412).
ISBN
9790007312312. Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709414
Individual part,
violoncello. Composed
by Anton Bruckner. Edited
by Felix Loy. Individual
part. Composed 1893. WAB
28. 24 pages. Duration 60
minutes. Carus Verlag
#2709414. Published by
Carus Verlag
(CA.2709414).
ISBN
9790007312336. Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709435
Individual part,
trombone 1. Composed
by Anton Bruckner. Edited
by Felix Loy. Individual
part. Composed 1893. WAB
28. 12 pages. Duration 60
minutes. Carus Verlag
#2709435. Published by
Carus Verlag
(CA.2709435).
Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709426
Individual part,
clarinet 2. Composed
by Anton Bruckner. Edited
by Felix Loy. Individual
part. Composed 1893. WAB
28. 20 pages. Duration 60
minutes. Carus Verlag
#2709426. Published by
Carus Verlag
(CA.2709426).
Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709432
Individual part, horn
2. Composed by Anton
Bruckner. Edited by Felix
Loy. Individual part.
Composed 1893. WAB 28. 12
pages. Duration 60
minutes. Carus Verlag
#2709432. Published by
Carus Verlag
(CA.2709432).
Key: F
minor.
Latin.
Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024!
By Claudio Monteverdi. Edited by David Randolph. For Choir. (SSATB). Choral Ext...(+)
By Claudio Monteverdi.
Edited by David Randolph.
For Choir. (SSATB).
Choral Extended Work.
Lawson-Gould Edition.
Masterwork. 40 pages.
Published by Alfred
Publishing.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-225-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-225-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2007. 44 pages.
Anglo Music Press #AMP
225-140. Published by
Anglo Music Press
(BT.AMP-225-140).
9x12
inches.
English-German-French-Dut
ch.
The choir parts
are seperately available
(order no. AMP 227-050).
Hoewel de
Engelsen een lange
traditie kennen in het
zingen van carols zijn
veel van de melodieën
die er worden gezongen
afkomstig van het
Europese vasteland - of
uit Amerika. Desondanks
heeft Philip Sparke een
gevarieerde selectievan
Engelse melodieën
kunnen samenstellen voor
dit prachtige
‘Festival of
Carols’ - dat
zowel met als zonder koor
kan worden
uitgevoerd.
Weihna
chten, wie es heute in
England gefeiert wird,
ist eine relativ junge
Tradition aus dem 19,
Jahrhundert, die der
deutsche Ehemann von
Königin Victoria mit
in seine neue Heimat
brachte. Viele
gebräuchliche
Weihnachtslieder stammen
ebenfalls nichtaus
England. Philip Sparke
gelang es jedoch, eine
abwechslungsreiche
Sammlung von Liedern aus
seiner Heimat zu diesem
schönen englischen
Weihnachtslieder-Festival
“ zu formen.Die
optional einsetzbaren
Chorstimmen sind unter
der Artikelnummer
AMP227-050 separat
erhältlich.
Brass Band (Full Score) - Grade 3 SKU: HL.44012731 Composed by Philip Spa...(+)
Brass Band (Full Score) -
Grade 3
SKU:
HL.44012731
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Softcover.
Composed 2007. Anglo
Music Press #AMP225130.
Published by Anglo Music
Press (HL.44012731).
9x12 inches.
English-German-French-Dut
ch.
The choir parts
are seperately available
(order no. AMP 227-050).
Hoewel de
Engelsen een lange
traditie kennen in het
zingen van carols zijn
veel van de melodieen die
er worden gezongen
afkomstig van het
Europese vasteland - of
uit Amerika. Desondanks
heeft Philip Sparke een
gevarieerde selectievan
Engelse melodieen kunnen
samenstellen voor dit
prachtige 'Festival of
Carols' - dat zowel met
als zonder koor kan
worden
uitgevoerd.
Weihna
chten, wie es heute in
England gefeiert wird,
ist eine relativ junge
Tradition aus dem 19,
Jahrhundert, die der
deutsche Ehemann von
Konigin Victoria mit in
seine neue Heimat
brachte. Viele
gebrauchliche
Weihnachtslieder stammen
ebenfalls nichtaus
England. Philip Sparke
gelang es jedoch, eine
abwechslungsreiche
Sammlung von Liedern aus
seiner Heimat zu diesem
schonen englischen
Weihnachtslieder-Festival
zu formen.Die optional
einsetzbaren Chorstimmen
sind unter der
Artikelnummer
AMP227-050 separat
erhaltlich.
<< La
plupart des traditions de
Noel en Angleterre sont
relativement recentes.
Montee sur le trone en
1837, la reine Victoria
(nee de Hanovre) regnera
jusqu'a sa mort en 1901.
En 1840, elle epousa son
cousin, le prince Albert
de Saxe-Cobourg-Gotha.
Leprince consort,
originaire d'Allemagne,
importa bon nombre de
traditions de Noel
allemandes au
Royaume-Uni. Ainsi, il
fit decouvrir aux Anglais
la coutume du sapin et
les cartes de Noel, entre
autres, contribuant
largement au Noel
typiquement anglaistel
que nous le connaissons
aujourd'hui.Bien que les
chants de Noel font
l'objet d'une longue
tradition en Angleterre,
de nombreuses melodies
que nous chantons
proviennent ducontinent
europeen ou des
Etats-Unis. Je savais
bien que le
celebrissimeSilent
Night (Douce nuit)
etait d'origine
autrichienne et que
Hark, the Herald
Angels Sing (Ecoutez le
chant des Anges)
etait d'origine
allemande. Pourtant,
quelle ne fut pas ma
surprise d'apprendre
qu'Away in a Manger
(Sur la
paillefraiche) ou
encore We Three
Kings nous venaient
des Etats-Unis et que
Ding, Dong Merrily on
High etait un noel
d'origine francaise.
Quoiqu'il en soit, j'ai
reussi a constituer un
canevas de melodies
anglaises pour realiser
cefestival de chants de
Noel. >>Philip
SparkeRemarques sur
l'interpretation : Cet
arrangement est adapte
pour une interpretation
avec ou sans Chœur.
S'il est joue par un
Brass Band, les parties
vocales seront doublees
par des
partiesinstrumentales.Les
tempi indiques
correspondent a une
interpretation par un
Brass Band seul. Si
l'œuvre est donnee
avec un Chœur, il
est sans doute necessaire
de baisser le tempo en
fonction du nombre de
choristes et de
l'acoustique du lieude
concert.Les parties de
Chœur (en anglais)
sont disponibles
separement (Ref. : AMP
227-050).
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231).
ISBN
9781491153314. UPC:
680160910816.
Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley.
Brano
commissionato dalla
Federazione Musicale di
Faucigny (Alta
Savoia)Nel corso
delle lunghe serate
d’inverno, le
famiglie della Savoia
raccontano storie e
vicende dei tempi
passati. Maxime Aulio si
è ispirato al libro
eponimo di Monique de
Huertas che raccoglie fi
abe e leggende
provenienti da tutte le
regioni savoiarde. La
musica è un potente
vettore
d’immaginazione
dei testi scritti. Come
per incanto attraverso la
musica, ci appaiono
personaggi ed atmosfere
dei tempi passati. Il
tempo sembra essersi
fermato.
Brano
commissionato dalla
Federazione Musicale di
Faucigny (Alta
Savoia)Nel corso
delle lunghe serate
d’inverno, le
famiglie della Savoia
raccontano storie e
vicende dei tempi
passati. Maxime Aulio si
è ispirato al libro
eponimo di Monique de
Huertas che raccoglie fi
abe e leggende
provenienti da tutte le
regioni savoiarde. La
musica è un potente
vettore
d’immaginazione
dei testi scritti. Come
per incanto attraverso la
musica, ci appaiono
personaggi ed atmosfere
dei tempi passati. Il
tempo sembra essersi
fermato.
Songs of the Plains Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7261-00 Composed by La Plante. Concert Band. Score an...(+)
Grade 3
SKU:
CL.LDP-7261-00
Composed by La Plante.
Concert Band. Score and
set of parts. Composed
2015. Duration 4 minutes,
57 seconds. Daehn
Publications
#LDP-7261-00. Published
by Daehn Publications
(CL.LDP-7261-00).
A wonderful
tribute to American
folksong featuring
Nineteenth century farm
songs, sweetheart songs
and silly songs - all
affectionately combined
in a grand love letter to
America! A great cross
curricular opportunity,
as well! Delightful!
Songs of the Plains Orchestre d'harmonie [Conducteur] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7261-01 Composed by La Plante. Concert Band. Extra fu...(+)
Grade 3
SKU:
CL.LDP-7261-01
Composed by La Plante.
Concert Band. Extra full
score. Composed 2015.
Duration 4 minutes, 57
seconds. Daehn
Publications
#LDP-7261-01. Published
by Daehn Publications
(CL.LDP-7261-01).
A wonderful
tribute to American
folksong featuring
Nineteenth century farm
songs, sweetheart songs
and silly songs—all
affectionately combined
in a grand love letter to
America! A great cross
curricular opportunity,
as well! Delightful!
6 soloists, choir and orchestra (Study Score) SKU: HL.49034215 Opera(+)
6 soloists, choir and
orchestra (Study Score)
SKU: HL.49034215
Opera. Composed by
Wolfgang Amadeus Mozart.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Study Score.
Composed 1789-1790. 444
pages. Eulenburg Edition
#ETP 920. Published by
Eulenburg Edition
(HL.49034215).
ISBN
9783795771225. UPC:
841886011366.
5.5x7.5x1.005 inches.
German -
Italian.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
42 best-loved classical pieces for solo piano. Composed by Various. Edited by He...(+)
42 best-loved classical
pieces for solo piano.
Composed by Various.
Edited by Heather Ramage.
Music Sales America.
Classical. Softcover with
CD. 136 pages. Music
Sales #AM990847.
Published by Music Sales
Banda Bella Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1104875-020 Composed by Peter Riedeman...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1104875-020
Composed by Peter
Riedemann. Brilliant
Marches. March. Set
(Score & Parts). Composed
2010. De Haske
Publications #DHP
1104875-020. Published by
De Haske Publications
(BT.DHP-1104875-020).
9x12 inches.
English-German-French-Dut
ch.
Banda Bella
heißt schönes
Blasorchester“. Mit
einer martialischen
Eröffnung beginnend,
treten alle Register des
Blasorchesters in diesem
frischen, lebhaften
Marsch den Beweis
dafür an: die
Holzbläser mit
charakteristischen
Sechzehntel-Mustern in
der ersten und zweiten
Reprise, das
Tenorregister mit einem
melodiösen Trio-Thema,
Holz und Blechbläser
schließlich
alternierend in einem
Intermezzo, das dem von
Holzbläsern verzierten
Schluss vorausgeht.
Banda Bella Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1104875-120 Composed by Peter Riedeman...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1104875-120
Composed by Peter
Riedemann. Brilliant
Marches. March. Score
Only. Composed 2010. 20
pages. De Haske
Publications #DHP
1104875-120. Published by
De Haske Publications
(BT.DHP-1104875-120).
9x12 inches.
English-German-French-Dut
ch.
Banda Bella
heißt schönes
Blasorchester“. Mit
einer martialischen
Eröffnung beginnend,
treten alle Register des
Blasorchesters in diesem
frischen, lebhaften
Marsch den Beweis
dafür an: die
Holzbläser mit
charakteristischen
Sechzehntel-Mustern in
der ersten und zweiten
Reprise, das
Tenorregister mit einem
melodiösen Trio-Thema,
Holz und Blechbläser
schließlich
alternierend in einem
Intermezzo, das dem von
Holzbläsern verzierten
Schluss vorausgeht.
Christmas Classics. By Various. Piano/Vocal/Chords Songbook (Arrangements for pi...(+)
Christmas Classics. By
Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 96 pages.
Published by Hal Leonard.