Bassoon, piano - Level 5 Composed by Ferdinand David. Edited by Waterhouse. Shee...(+)
Bassoon, piano - Level 5
Composed by Ferdinand
David. Edited by
Waterhouse. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 2170.
Published by Friedrich
Hofmeister Musikverlag
Bassoon, orchestra - Level 5 Composed by Ferdinand David. Edited by Waterhouse. ...(+)
Bassoon, orchestra -
Level 5
Composed by Ferdinand
David. Edited by
Waterhouse. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 8102.
Published by Friedrich
Hofmeister Musikverlag
Cadenzas to Beethoven's Violin Concerto fur Violin and Orchestra op. 61 by Ludwi...(+)
Cadenzas to Beethoven's
Violin Concerto fur
Violin and Orchestra op.
61 by Ludwig van
Beethoven (1770-1827).
Edited by Martin
Wulfhorst. For violin
solo (violin and
orchestra). This edition:
Stapled. For piano
reduction and performance
material see BA 9019.
Performance score,
Anthology. Opus 61. 59
pages. Published by
Baerenreiter Verlag
Oother solo insts. and orchestra (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp....(+)
Oother solo insts. and
orchestra (solo: B-tbne -
2(picc).2.2.2 - 2.2.0.0 -
timp. str)
SKU:
BR.PB-33001
Urtext. Composed
by Christian Gottlieb
Muller. Edited by Nick
Pfefferkorn. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Romantic
period. Full score. 56
pages. Duration 15'.
Breitkopf and Haertel #PB
33001. Published by
Breitkopf and Haertel
(BR.PB-33001).
ISBN
9790004215821. 10 x 12.5
inches.
The present
Concertino in E-flat
major, Op. 5, was
composed especially for
the Leipzig trombone
virtuoso Carl Traugott
Queisser (1800-1846), to
whom the work is also
dedicated. The Concertino
was first reviewed by the
critic Gottfried Wilhelm
Fink (1783-1846) in the
Leipzig Allgemeine
Musikalische Zeitung
(AMZ), issue no. 38,
September 1832. The
critic discussed the work
in detail, calling it a
milestone of the trombone
literature, ... its
public performance should
thus be determined by
only true masters. The
rest, however, may wish
to utilize it, in
silence, that is not
overheard by expectant
listeners, to strive with
it to strengthen their
powers....The
Concertino's premiere can
be dated to 1828, with
Queisser himself as
soloist, and the composer
conducting. Queisser
repeatedly performed the
Concertino up to 1843.
The work was published
under catalogue number
5227 in 1832 by Breitkopf
& Hartel. Sometime in the
1940s the work was lost
to sight and no
performances known to
come from then. Together
with the Concertino, Op.
4, later composed by
Ferdinand David, Muller's
contribution to this
genre is among the most
often played and most
demanding of the trombone
literature. The score
includes, besides a
preface detailing the
work's genesis and
reception history, also
facsimile pages to round
out the edition. You may
browse our piano vocal
score here.
Composed by Ludwig van Beethoven (1770-1827). Arranged by Ferdinand David. This ...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Ferdinand
David. This edition:
pamphlet. Score and
parts. Published by
Library Commerce
(LC.39087004901072OP23).
Orchestra 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vn in set SKU:...(+)
Orchestra 2.2.2.2:
2.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Vn in set
SKU:
AP.36-A170602
Composed by Felix
Bartholdy Mendelssohn.
Full Orchestra, Solo
Strings with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A170602.
Published by
LudwigMasters
Publications
(AP.36-A170602).
UPC:
659359722448.
English.
Felix
Mendelssohn (1809-1847)
wrote his Violin Concerto
in E minor over a
six-year period from 1838
to 1844 for his childhood
friend, the violinist
Ferdinand David, who
contributed the cadenza
in the version of the
concerto most performed
today. The concerto
premiered on March 13,
1845 in Leipzig, but
Mendelssohn himself was
unable to conduct due to
illness. Unlike most
concerti of the time,
Mendelssohn has the
violin enter immediately
without any orchestral
introduction, and its
cadenza is unusually
placed after the
development of the first
movement instead of at
the end of the movement.
The concerto remains one
of the most ubiquitous
pieces in the violin
repertoire.
Instrumentation: 2.2.2.2:
2.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Vn in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Trombone and 1 other inst. (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp. str) ...(+)
Trombone and 1 other
inst. (solo: B-tbne -
2(picc).2.2.2 - 2.2.0.0 -
timp. str)
SKU:
BR.EB-33001
Urtext. Composed
by Christian Gottlieb
Muller. Edited by Nick
Pfefferkorn. Arranged by
Gunter (KA) Ludwig. Solo
instruments; stapled.
Edition Breitkopf.
Romantic period. Piano
reduction. 32 pages.
Duration 15'. Breitkopf
and Haertel #EB 33001.
Published by Breitkopf
and Haertel
(BR.EB-33001).
ISBN
9790004186800. 9 x 12
inches.
The present
Concertino in E-flat
major , Op. 5, was
composed especially for
the Leipzig trombone
virtuoso Carl Traugott
Queisser (1800-1846), to
whom the work is also
dedicated. The Concertino
was first reviewed by the
critic Gottfried Wilhelm
Fink (1783-1846) in the
Leipzig Allgemeine
Musikalische Zeitung
(AMZ), issue no. 38,
September 1832. The
critic discussed the work
in detail, calling it a
milestone of the trombone
literature, ... its
public performance should
thus be determined by
only true masters. The
rest, however, may wish
to utilize it, in
silence, that is not
overheard by expectant
listeners, to strive with
it to strengthen their
powers.... The Concertino
's premiere can be dated
to 1828, with Queisser
himself as soloist, and
the composer conducting.
Queisser repeatedly
performed the Concertino
up to 1843. The work was
published under catalogue
number 5227 in 1832 by
Breitkopf & Hartel.
Sometime in the 1940s the
work was lost to sight
and no performances known
to come from then.
Together with the
Concertino , Op. 4, later
composed by Ferdinand
David, Muller's
contribution to this
genre is among the most
often played and most
demanding of the trombone
literature. The score
includes, besides a
preface detailing the
work's genesis and
reception history, also
facsimile pages to round
out the edition. You may
browse our piano vocal
score here.
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Set of parts. 68 pages.
Duration 25'. Breitkopf
and Haertel #OB 15132-30.
Published by Breitkopf
and Haertel
(BR.OB-15132-30).
ISBN
9790004341995. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Concertino Euphonium [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
By Ferdinand David. Arranged by John G. Mortimer. For euphonium & wind band. Swi...(+)
By Ferdinand David.
Arranged by John G.
Mortimer. For euphonium &
wind band. Swiss import.
Original Composition.
Level: 4+. Score and
parts. Published by
Editions Marc Reift. (EMR
1403B)
Piano SKU: BT.EMBZ13361A Liederkreis von L. van Beethoven, 24 Stück...(+)
Piano
SKU:
BT.EMBZ13361A
Liederkreis von L. van
Beethoven, 24 Stücke
für Violine und
Klavier von Ferdinand
David, etc.. EMB New
Listz Edition. Book
Hardcover. Composed 1998.
200 pages. Editio Musica
Budapest #EMBZ13361A.
Published by Editio
Musica Budapest
(BT.EMBZ13361A).
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-16.
Published by Breitkopf
and Haertel
(BR.OB-15132-16).
ISBN
9790004341957. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Composed by Ludwig van Beethoven (1770-1827), edited by Carl Hermann, Ferdinand ...(+)
Composed by Ludwig van
Beethoven (1770-1827),
edited by Carl Hermann,
Ferdinand David, Paul
Grummer. Set of
performance parts for
violin, viola, cello and
flute. With standard
notation, bowings and
thematic index. 183
pages. Published by C.F.
Peters.
Piano SKU: BT.BVP1250 10 Petit Pieces Tres Faciles Pour Piano. Com...(+)
Piano
SKU:
BT.BVP1250
10
Petit Pieces Tres Faciles
Pour Piano. Composed
by Theodore Lack. Book
Only. Broekmans en Van
Poppel #BVP1250.
Published by Broekmans en
Van Poppel (BT.BVP1250).
An Anlehnung
von Ferdinand Davids
Fassung für 2 Violinen
und Klavier ein
gelungener Versuch,
Mozarts
Vierhändig-Sonate
für 2 Flöten und
Klavier zu adaptieren.
Lohnend.
Cello - Late Intermediate to Advanced SKU: FH.VCE1 Cello Series, 2013 ...(+)
Cello - Late Intermediate
to Advanced
SKU:
FH.VCE1
Cello
Series, 2013 Edition.
Composed by The Royal
Conservatory. Cello
Series, 2013 Edition.
Book. The Frederick
Harris Music Company
#VCE1. Published by The
Frederick Harris Music
Company (FH.VCE1).
ISBN
978-1-55440-548-0.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Reaching beyond the realm
of examination
preparation, this series
offers one comprehensive
volume of Orchestral
Excerpts to prepare
developing cellists for
standard orchestral
literature and audition
requirements. Bowing and
fingering suggestions
follow established
principles of orchestral
playing and are provided
to assist students in
making stylistically
informed performance
decisions. Level
5: Prelude - Cohen,
Mary Etude in D Minor
- Noelck, August arr.
Francis Grant Etude in
E Minor - Kummer,
Friedrich
August Spanish
Pizzicato - Legg,
Pat Etude in C Major,
op. 76a, no. 5 - Popper,
David Busy Bees -
Mooney, Rick Etude in
D Minor - Feuillard,
Louis R. Etude in A
flat Major - Matz,
Rudolf Polly Wolly
Doodle - American
minstrel song arr. Rick
Mooney Etude in A
Major - Schroeder,
Carl Level 6: Etude
in D Major, op. 76a, no.
7 - Popper,
David Looping the Loop
- Cohen, Mary Metal
Cellos - Mooney,
Rick Scherzo, op. 31,
no. 4 - Lee,
Sebastian Etude in D
Minor - Matz,
Rudolf Etude in E
Minor - Dotzauer,
Friedrich March, op.
68, no. 2 - Kabalevsky,
Dmitri Vocalise in G
Minor - Bordogni,
Marco Etude in F Minor
- Kummer, Friedrich
August Level
7: Gigue Positions -
Legg, Pat Ride Like
the Wind! - Cohen,
Mary Russian Song -
Mooney, Rick Dance,
op. 68, no. 3 -
Kabalevsky,
Dmitri Etude in G
Major - Feuillard, Louis
R. Light Bowing, op.
31, no. 15 - Lee,
Sebastian Etude in F
Minor - Matz,
Rudolf Etude in G
Major - Dotzauer,
Friedrich Etude in B
flat Major, op. 75a, no.
10 - Popper,
David Vocalise in G
Major - Bordogni,
Marco Etude in G
Minor, op. 57, no. 6 -
Kummer, Friedrich
August Level
8: Etude in D Major -
Matz, Rudolf Exercise
on the Trill, op. 31, no.
20 - Lee,
Sebastian The Coyote's
Bark - Mooney,
Rick Etude in D Minor
- Dotzauer,
Friedrich Vocalise in
C Major, op. 8, no. 6 -
Bordogni, Marco Etude
in D Major, op. 35, no. 2
- Franchomme,
Auguste-Joseph Etude
in D Minor - Grant,
Francis Etude in A
flat Major, op. 21, no.
12 - Buechler,
Ferdinand Scherzo, op.
68, no. 5 - Kabalevsky,
Dmitri Chromatic Etude
- Schroeder, Carl.
SATB and Soprano Vocal
Score. Composed by
David Lancaster. Choral.
Classical. Softcover. 71
pages. University of York
Music Press #M570368563.
Published by University
of York Music Press
(HL.294425).
UPC:
888680941901.
Apoca
lypse by David Lancaster
for SATB choir with
Soprano soloist. This
work sets the fourteenth
century poem 'Pricke of
Conscience'(modern
translation by Daniela
Nunnari and David
Lancaster). Vocal
score.
Saddle-stitched, Solos.
Sonatinas. Book. 152
pages. Mel Bay
Publications, Inc #30989.
Published by Mel Bay
Publications, Inc
(MB.30989).
ISBN
9781513466705. 8.75x11.75
inches.
In this
book, guitarist and music
historian David Grimes
presents 20 â??small
sonatasâ? or
sonatinas, complete
with detailed performance
notes and bio sketches of
each of the contributing
composers: Leonhard von
Call, Matteo Carcassi,
Ferdinando Carulli, Mauro
Giuliani, Francesco
Molino, and Antonio
Nava. While flexible,
the early 19th-century
sonatina form usually
consists of 2 - 4
contrasting movements,
here in guitar-friendly
keys, making these pieces
ideal for performance by
intermediate-level
students.Â
In
all but the most
challenging passages,
Grimes has intentionally
kept fingering to a
minimum to allow students
to form their own concept
of this critical skill.
Then, as many bass notes
in these pieces are
played on open strings,
the player must develop a
sense of when to
selectively damp
dissonant tones or
observe a restâ??
exposing and overcoming
yet another shortcoming
in the education of many
guitarists.  Most classic guitar
teachers are familiar
with the easy didactic
studies by Carcassi,
Carulli and Giuliani;
Favorite
Sonatinas offers
more highly developed,
but not yet virtuoso
pieces by the same
Italian triumvirateâ??
plus three more composers
in a similar veinâ??
promoting confident,
enjoyable sight-reading
by guitarists of all
levels. .