Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Timpani, Triangle,
Trombone, Trumpet 1 and
more. - Grade 2
SKU:
CF.YPS238F
Composed
by William Harbinson.
Full score. 20 pages.
Carl Fischer Music
#YPS238F. Published by
Carl Fischer Music
(CF.YPS238F).
ISBN
9781491159569. UPC:
680160918157.
Rugby
Heritage was commissioned
and premiered by Rugby
Middle School in
Hendersonville, North
Carolina, Anthony Ammons,
conductor. The Andante
passage is based on
Floreat Rugbeia, the
school hymn composed in
1870 by Reverend C. E.
Moberley of the famed
Rugby School (UK). A
rousing rendition of the
hymn, performed by
students and staff of the
Rugby School during the
Covid-19 lockdown of
2020, may be viewed at
https://www.youtube.com/w
atch?v=Zhaup27XyAY. The
composition opens with a
fanfare that foreshadows
the opening motive of
Floreat Rugbeia (compare
Tpt. 1, m. 1 and m. 31).
A stately, British-style
march section follows.
The march theme is drawn
from a second motive of
the original tune
(compare Tpt. 1, m. 7 and
Cl. 1, m. 62). The
Andante presents a
lyrical, harmonically
rich setting of the
original tune in its
entirety. A brief
retransition leads to a
varied restatement of the
march that brings the
composition to a
close.
Rugby Heritage
was commissioned and
premiered by Rugby Middle
School in Hendersonville,
North Carolina, Anthony
Ammons, conductor. The
Andante passage is based
on Floreat Rugbeia, the
school hymn composed in
1870 by Reverend C. E.
Moberley of the famed
Rugby School (UK). A
rousing rendition of the
hymn, performed by
students and staff of the
Rugby School during the
Covid-19 lockdown of
2020, may be viewed at
https://www.youtube.com/w
atch?v=Zhaup27XyAY.The
composition opens with a
fanfare that foreshadows
the opening motive of
Floreat Rugbeia (compare
Tpt. 1, m. 1 and m. 31).
A stately, British-style
march section follows.
The march theme is drawn
from a second motive of
the original tune
(compare Tpt. 1, m. 7 and
Cl. 1, m. 62). The
Andante presents a
lyrical, harmonically
rich setting of the
original tune in its
entirety. A brief
retransition leads to a
varied restatement of the
march that brings the
composition to a
close.