(Per questa bella mano, K. 612 - see Seven Concert Arias ). By Wolfgang Amadeus...(+)
(Per questa bella mano,
K. 612 - see Seven
Concert Arias ). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Sergius Kagen. For voice
and piano (bass voice).
Language: Italian and
English. Published by
International Music
Company
Anthem. Composed
by George Frideric
Handel. German title: O
praise the Lord. Sacred
vocal music, Cantatas,
Praise and thanks. Set of
Orchestra Parts. HWV 254.
Duration 25 minutes.
Carus Verlag #CV
40.911/19. Published by
Carus Verlag
(CA.4091119).
ISBN
9790007138233. Language:
German/English.
As
in many of his other
works, Handel drew upon
earlier compositions of
his own for O praise the
Lord with one consent.
The arias in this anthem
are brief and
straightforward by
comparison with the arias
in Handel's Italian
operas. Score and parts
available separately -
see item CA.4091100.
SKU: HL.48185731 Composed by Armando Ghidoni. Leduc. Classical. CD. Alpho...(+)
SKU: HL.48185731
Composed by Armando
Ghidoni. Leduc.
Classical. CD. Alphonse
Leduc #AL29443. Published
by Alphonse Leduc
(HL.48185731).
Favourite
Operatic Arias ? Vol. 1
for Flute or Oboe and
Piano is an anthology of
famous pieces arranged by
Armando Ghidoni. Written
for intermediate players,
this first volume
features five pieces
which can be played along
with the CD which
includes the Piano part
for each song. The five
pieces are: - ?Habanera?,
from Carmen by Bizet -
?Che faro senza Euridice?
from Orfeo Ed Euridice by
Gluck - ?E lucevan le
stelle? from Tosca by
Puccini - ?Questa o
quella per me pari sono?
from Rigoletto by Verdi -
?Brindisi? from La
Traviatta by Verdi
Armando Ghidoni is an
Italian musician who is
very famous in France. He
composed and arranged a
large variety of pieces,
influenced by the
impressionism a la
francaise and
incorporating jazz
rhythms to his music. He
composed religious
pieces, operas and
numerous pieces of
chamber music among
others..
High Voice. Edited by John Glenn Paton. Masterworks; Vocal Collection. Opera, Ba...(+)
High Voice. Edited by
John Glenn Paton.
Masterworks; Vocal
Collection. Opera,
Baroque and Classical
Period. Collection. With
vocal melody, lyrics,
piano accompaniment,
translations,
pronunciation guide,
performance notes and
introductory text. 160
pages. Alfred Music
#00-4976. Published by
Alfred Music
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Eleanor Steber, Rita ...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791), edited by
Eleanor Steber, Rita
Beatie. For soprano voice
and piano. Format:
Vocal/piano book. With
vocal melody, italian
text (english
translations included),
introductory text,
individual opera
overview, piano
accompaniment and
performance notes.
Classical period. 80
pages. 9x12 inches.
Leduc.
Classical. Softcover.
Alphonse Leduc #AL29091.
Published by Alphonse
Leduc (HL.48185495).
Favourite
Operatic Arias ? Vol. 1
for Flute or Oboe and
Piano is an anthology of
famous pieces arranged by
Armando Ghidoni. Written
for intermediate players,
this first volume
features five pieces
which can be played along
with the CD which
includes the Piano part
for each song. The five
pieces are: - ?Habanera?,
from Carmen by Bizet -
?Che faro senza Euridice?
from Orfeo Ed Euridice by
Gluck - ?E lucevan le
stelle? from Tosca by
Puccini - ?Questa o
quella per me pari sono?
from Rigoletto by Verdi -
?Brindisi? from La
Traviatta by Verdi
Armando Ghidoni is an
Italian musician who is
very famous in France. He
composed and arranged a
large variety of pieces,
influenced by the
impressionism a la
francaise and
incorporating jazz
rhythms to his music. He
composed religious
pieces, operas and
numerous pieces of
chamber music among
others..
Voix haute, Piano [Partition] IMC (International Music Co.)
(Volume I) Composed by George Frideric Handel (1685-1759), edited by Sergius Kag...(+)
(Volume I) Composed by
George Frideric Handel
(1685-1759), edited by
Sergius Kagen. Collection
for high voice and piano
accompaniment. With vocal
melody, piano
accompaniment, lyrics,
translations and
introductory text. Text
language Italian and
English. 61 pages.
Published by
International Music Co.
Piano, Voix [Partition] IMC (International Music Co.)
(Volume III - Low Voice) Composed by George Frideric Handel (1685-1759). Songboo...(+)
(Volume III - Low Voice)
Composed by George
Frideric Handel
(1685-1759). Songbook for
voice and piano. Text
language Italian and
English. Published by
International Music Co.
Voix haute, Piano [Partition] IMC (International Music Co.)
(Volume II) Composed by George Frideric Handel (1685-1759), edited by Sergius Ka...(+)
(Volume II) Composed by
George Frideric Handel
(1685-1759), edited by
Sergius Kagen. Collection
for high voice and piano
accompaniment. With vocal
melody, piano
accompaniment, lyrics,
translations and
introductory text. Text
language Italian and
English. 64 pages.
Published by
International Music Co.
Piano, Voix [Partition] IMC (International Music Co.)
(Low Voice - Volume II) Composed by George Frideric Handel (1685-1759). Songbook...(+)
(Low Voice - Volume II)
Composed by George
Frideric Handel
(1685-1759). Songbook for
voice and piano. Text
language Italian and
English. Published by
International Music Co.
Piano, Voix [Partition] IMC (International Music Co.)
(Volume III - High Voice) Composed by George Frideric Handel (1685-1759). Songbo...(+)
(Volume III - High Voice)
Composed by George
Frideric Handel
(1685-1759). Songbook for
voice and piano. Text
language Italian and
English. Published by
International Music Co.
Voix basse, Piano [Partition] IMC (International Music Co.)
(Volume I) Composed by George Frideric Handel (1685-1759), edited by Sergius Kag...(+)
(Volume I) Composed by
George Frideric Handel
(1685-1759), edited by
Sergius Kagen. Collection
for low voice and piano
accompaniment. With vocal
melody, lyrics, piano
accompaniment,
translations and
introductory text. Text
language Italian and
English. 63 pages.
Published by
International Music Co.
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Michael Pacholke. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II
Band 23. Complete
edition, Score. HWV 26.
Baerenreiter Verlag
#BA04074_00. Published by
Baerenreiter Verlag
(BA.BA04074).
ISBN
9790006497850. 33.1 x
25.6 cm
inches.
Handelâ€
™s opera Lotario was
first heard at the
King’s Theater in
the Haymarket on 2
December 1729 and had a
run of nine performances.
Though never revived in
the composer’s
lifetime, Handel reused
many of its arias in his
later operas, sometimes
altering the words.
The historical background
of the plot is the
conflict between Otto I
(912–973) and
Berengar of Ivrea for the
Italian crown and
Otto’s marriage to
the Italian queen
Adelaide in 951. In the
course of composition,
the name of the hero
(“ Ottone â€
in Salvi’s
libretto) was altered to
“ Lotario â€
since Handel had already
written an opera entitled
Ottone on the life of
Otto II (955–983)
in 1722.
The
vocal score contains the
version composed for the
performances of December
1729 and January 1730. It
is based on the Urtext of
the Halle Handel
Edition.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera in three
acts. Composed by
George Frideric Handel.
Edited by Bernd Baselt.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie
II-Supplement/1. Oper,
Barock (Opera, Baroque).
Complete edition, Score.
HWV A. Duration 2 hours.
Baerenreiter Verlag
#BA04045_00. Published by
Baerenreiter Verlag
(BA.BA04045).
ISBN
9790006443536. 33 x 26.1
cm inches. Text Language:
Italian.
Anonymus.
In 1734
Handel provided the
pasticcio “ Oreste
†for his third
operatic enterprise
which, following the
bankruptcy of the Royal
Academy and its successor
academy, felt threatened
by competition from the
newly-founded Opera of
the Nobility. Hence, the
composer did not compile
the work from favourite
movements from his own
and other composer's
pieces as was usual at
that time; rather in
“ Oreste †he
presented a selection of
the most beautiful arias
and ensembles exclusively
from his own operas. In
addition, he expanded the
ballet and choral scenes
which he thought would
make a great impact after
the move into the newly
built Covent Garden
Theatre. As most of
the singers in his
Italian company had been
enticed away by the
competition, Handel
increasingly began to
engage English virtuosi.
He probably even worked
on the new version of the
libretto himself in order
to place the new stars in
the limelight to the best
effect.
The new
vocal score is based on
Volume 1 of the
Supplement to Series II
of the “Halle
Handel†Edition
edited by Bernd Baselt
.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti.
A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma per musica in tre atti. By Georg Friedrich Handel. Edited by Jones, Andre...(+)
Dramma per musica in tre
atti. By Georg Friedrich
Handel. Edited by Jones,
Andrew V. Arranged by Rot
Michael. For Recorder 1,
Recorder 2, Flute, Oboe
1, Oboe 2, Horn 1, Horn
2, Violin 1, Violin 2,
Violin 3, Viola,
Violoncello, Contrabass,
Bassoon, Lute,
Harpsichord. Piano
Reduction/Vocal Score;
Urtext Edition
(paperbound). HWV 19.
Published by
Baerenreiter-Ausgaben
(German import).
Opera
seria in three acts.
Composed by George
Frideric Handel. Edited
by Terence Best. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 9,2. 2nd version.
Complete edition, Score.
HWV 12. Duration 3
minutes. Baerenreiter
Verlag #BA04066_00.
Published by Baerenreiter
Verlag (BA.BA04066).
ISBN 9790006495832. 33
x 26 cm inches. Text
Language: Italian. Nicola
Francesco
Haym.
This volume
of the “Halle
Handel Editionâ€
presents the music of the
second version of the
opera which was premiered
on 28 December 1720 at
the King's Theatre,
Haymarket, London as well
as the amendments made
for November 1721
revival. The appendix
includes the amendments
for the January/February
1728 version.
The
first season of the Royal
Academy ended on 25 June
1720. The new vocal
soloists arrived in
London in September. As
the first version of
“Radamistoâ€
had been a great success
during the first season,
Handel revised the opera
for the oncoming season
to accommodate it to his
new more proficient
cast.
The revision
was extensive. It
included: 1) Changes
to the vocal range of
Radamisto (soprano to
alto for the singer
Senesino), Zenobia (alto
to soprano for the female
singer Durastanti) and
Tiridate (tenor to bass
for the singer
Boschi), 2)
compositions of new arias
and ensembles, 3)
significant changes to
the plot consisting of
the reduction of
Fraartes’ role
from brother to servant
Tiridates and the
omission of his not so
original love affair to
Zenobia.
For most
of Handel's operas it can
be said that the first
version is the best
version. This is due to
the fact that when a work
was performed again in
later seasons, Handel was
often forced to make
changes due to casting
constraints which often
affected the equilibrium
and the dramatic context
of the work.
“Radamistoâ€
is an exception to this
rule – the
December 1720 adaptation
is a much more superior
composition than the
version performed in
April of the same
year.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding