(TB BR)

SKU: HL.49041679

Einfuhrung und Kommentar. Composed by Giuseppe Verdi. Edited by Kurt Pahlen. This edition: Paperback/Soft Cover. Paperback. Serie Musik. Text book/libretto. 235 pages. Schott Music #SEM 8023. Published by Schott Music (HL.49041679).

ISBN 9783254080233. Italian - German.

Having composed five operas in the 1850s, Verdi, while looking for a suitable libretto, came across a manuscript of Eugene Scribe which had already been the subject of works by other composers. Although the political aspect only played a minor role in the plot, the censor's office demanded that the locale be moved outside Europe. The world premiere in Rome on 17 February 1859 was a huge triumph for Verdi and 'Un Ballo in Maschera' with is brilliant arias and effective choral scenes.Kurt Pahlen juxtaposes the Italian text with the translation of the libretto frequently used at German theatres, adding information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Published by Subito Music.

Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.))

SKU: BA.BA04050

Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050).

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“A lmira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ� �.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

For Voice and Piano. By Franz Joseph Haydn. Edited by M. Helms. Voice. Pages: V and 23. Urtext edition without fingering-paper bound. Published by G. Henle.

Orchestra Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 4

SKU: CA.2732203

Composed by Gaetano Donizetti. Edited by Guido Johannes Joerg. Vocal score. Composed 1835. 124 pages. Duration 65 minutes. Carus Verlag #2732203. Published by Carus Verlag (CA.2732203).

ISBN 9790007248413. Latin.

Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. These solo cantilenas are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble.Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts.. Score available separately - see item CA.2732200.

Orchestra Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 4

SKU: CA.2732200

Composed by Gaetano Donizetti. Edited by Guido Johannes Joerg. Carus digital: Extra digital products. Full Score. Composed 1835. 304 pages. Duration 65 minutes. Carus Verlag #2732200. Published by Carus Verlag (CA.2732200).

ISBN 9790007248406. Latin.

Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. These solo cantilenas are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble.

Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts.

Orchestra Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 4

SKU: CA.2732205

Composed by Gaetano Donizetti. Edited by Guido Johannes Joerg. Choral Score. Composed 1835. 36 pages. Duration 65 minutes. Carus Verlag #2732205. Published by Carus Verlag (CA.2732205).

ISBN 9790007248420. Latin.

Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. These solo cantilenas are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble.Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts.. Score available separately - see item CA.2732200.

(Arias from Operas). By Wolfgang Amadeus Mozart (1756-1791). Edited by Sergius Kagen. For soprano voice and piano. This edition: Text Language: Italian and English. Voice and piano

(Celebrated Arias Selected From Operas By Old And Modern Composers In Five Volumes) Compiled by Kurt Adler. For voice (Mezzo-Soprano, Alto) and piano. Format: piano/vocal songbook (two copies needed for performance). With vocal melody, lyrics and piano reduction. Vocal standards. Text language English, Cyrilic*, Russian (Phonetic)*, French*, Italian*, German*. 277 pages. 7.5x10.7 inches. Published by G. Schirmer, Inc..