Bass Builders Series.
Bass Instruction.
Instructional and Funk.
Softcover Audio Online.
With standard bass
notation, bass tablature,
introductory text,
instructional text,
instructional photos and
discography. 96 pages.
Published by Hal Leonard
Composed by Jon Egan.
Arranged by Cliff Duren.
Anthems. Praise & Worship
and Sacred. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762178502).
UPC:
765762178502.
This
lovely and captivating
worship ballad is simply
gorgeous. Meaningful
lyrics, together with
accessible vocal
harmonies, lay the
foundation for a truly
memorable worship
experience, and
arranger/orchestrator
Cliff Duren combines
contemporary worship band
parts with soaring
strings to create a
stunningly beautiful and
unique orchestral
accompaniment. Overcome
is sure to resonate deep
in your soul.
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with g...(+)
By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 216 pages.
Published by Word Music.
SATB choir and accompaniment - Moderate SKU: LP.765762131026 Composed by ...(+)
SATB choir and
accompaniment - Moderate
SKU:
LP.765762131026
Composed by Jon Egan.
Arranged by Cliff Duren.
Anthems. Praise & Worship
and Sacred. Stereo &
split-channel
accompaniment CD with
demo. Published by
Lillenas Publishing
Company
(LP.765762131026).
UPC:
765762131026.
This
lovely and captivating
worship ballad is simply
gorgeous. Meaningful
lyrics, together with
accessible vocal
harmonies, lay the
foundation for a truly
memorable worship
experience, and
arranger/orchestrator
Cliff Duren combines
contemporary worship band
parts with soaring
strings to create a
stunningly beautiful and
unique orchestral
accompaniment. Overcome
is sure to resonate deep
in your soul.
SKU: WD.080689546235 Composed by Tim Paul. Choral. Sacred Anthem. Octavo....(+)
SKU:
WD.080689546235
Composed by Tim Paul.
Choral. Sacred Anthem.
Octavo. Word Music
#080689546235. Published
by Word Music
(WD.080689546235).
UPC:
080689546235.
Here in Your
presence all things are
new… here in Your
presence everything bows
before You. Taken
from the collection
Emergent, and beautifully
arranged and orchestrated
by the talented Tim Paul,
Here in Your
Presence is
an emerging contemporary
song of worship from New
Life Worship’s Jon
Egan. Tender,
soul-stirring lyrics and
beautiful harmonies
combine to create this
sacred invitation to
enter into the holy
presence of God. Create a
special moment in time
for your church with
Here In Your
Presence.
span>
SATB chorus and piano - Medium SKU: JK.00074 Composed by (O Waly Waly) Sc...(+)
SATB chorus and piano -
Medium
SKU:
JK.00074
Composed by
(O Waly Waly) Scottish
1670. Arranged by Jon W.
Meilstrup. Choral SATB,
Difficulty Medium, Piano
Choir, Faith, Plan of
Salvation, Premortal
Life, Priesthood,
Sacrament. Christian,
Inspirational. Duration
2:00. Jackman Music
Corporation #00074.
Published by Jackman
Music Corporation
(JK.00074).
Doctrine
and Covenants 45:3-5, 1
Peter
2:24.
Arranged
for mixed chorus (SATB)
and piano, based on the
Scottish tune Waly, Waly.
Sopranos' high note:
D. Composer: Scottish
(O Waly, Waly), 1670
Arranger: Jon W.
Meilstrup Lyricist:
Charles Wesley
Difficulty: Medium
Performance time:
2:00 Reference:
Doctrine and Covenants
45:3-5, 1 Peter 2:24.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Clarinet" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
Learn From A Pro - Flute Flûte traversière [Partition + CD] - Débutant Santorella Publications
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Flute" From A
Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-0991578-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-0991578-015
Composed by Edvard Grieg.
Arranged by Jacob De
Haan. Flexible 4 Series.
Concert Piece. Set (Score
& Parts). Composed 1999.
De Haske Publications
#DHP 0991578-015.
Published by De Haske
Publications
(BT.DHP-0991578-015).
Norwegian
composer Edvard Grieg
(1843-1907) wrote a lot
of songs, several of
which Jacob de Haan has
arranged for ensemble of
variable strength. The
songs are: Fremad!
Fremad!, Stille Nu! and
Fola, Fola, Blakken. It
has been arranged for
beginner bands and can be
played with a minimum of
four players (+
percussion).
Edvard Grieg
heeft een onuitwisbare
invloed op de
Scandinavische muziek
gehad. De drie Noorse
liederen die in dit stuk
zijn verwerkt -
Fremad! Fremad!,
Stille Nu! en
Fola,Fola,Blakken-
zijn representatief voor
het Noorsemuzikale
karakter. Jacob de Haan
heeft de liederen
vakkundig bewerkt voor
esembles met een
variabele instrumentatie.
Omdat ze zorgvuldig zijn
georkestreerd voor
moeilijkheidsgraad 2, is
Norwegian Songs
ook voor jonge
orkestentoegankelijk. De
rijke instumentale
kleuren blazen deze
aansprekende nummers
nieuw leven
in!
Jacob de Haan
arrangierte drei Lieder
von Edvard Grieg und
fasste sie in einer
dreiteiligen Suite für
ein vierstimmig variables
Ensemble oder
Blasorchester mit
optionalen Mallet- und
Klavierstimmen zusammen.
Die verschiedenen
Charaktere der einzelnen
Teile - von
majestätisch über
melancholisch-traurig bis
zu
ausgelassen-fröhlich -
stellen Ihr Orchester auf
die Probe. Ein höchst
interessantes Werk, in
dem viele Facetten
Norwegens musikalisch
dargestellt
werden!
Online videos
included. Composed by
Various. Arranged by Sayo
Komada. Tsugaru-Shamisen.
Combination. Book+Audio
Online. Yamaha Music
Media #GTL01101053.
Published by Yamaha Music
Media (YM.GTL01101053).
ISBN
9784636107449.
The
complete Tsugaru-Shamisen
instructional book by the
fast-rising shamisen star
Sayo Komada is now out!
Looking back on her early
days of playing the
instrument, she created
this book out of a desire
to have a more enjoyable
teaching book and sheet
music. While the book
covers the basics of the
Tsugaru Shamisen, it also
includes many pop and
rock songs in its
repertoire, making it
engaging and enjoyable
for learning the
instrument. In addition
to the shamisen notation
called Bunka-fu, one of
the common shamisen
tablatures, the book
includes TAB notations
that are familiar to
guitarists and ukulele
players for playing pop
songs with complex
rhythms. It is easy to
read intuitively, so
there is no need to be
afraid of reading sheet
music. With instructional
videos that support your
practice as well as
actual performance
videos, this is a
substantial book that
will keep you going
without giving up!
--About the author: Sayo
Komada began playing the
Tsugaru shamisen at a
very young and has held
the titles of Tsugaru
Shamisen Japan No.1 and
Tsugaru Shamisen World
Tournament. She now has
Shamisen schools mainly
at three locations in
Tokyo, Kyoto, and Mie,
Japan.
Sarabande Piano seul - Avancé De Haske Publications
Piano - advanced SKU: BT.DHP-1165709-401 Piano Reduction. By Paul ...(+)
Piano - advanced
SKU:
BT.DHP-1165709-401
Piano Reduction.
By Paul Mann. By Jon
Lord. Piano Reduction.
Composed 2016. 80 pages.
De Haske Publications
#DHP 1165709-401.
Published by De Haske
Publications
(BT.DHP-1165709-401).
ISBN
9789043150231.
Jon
Lord’s
Sarabande was
composed during 1975 and
released as a solo album
the following year. This
new revised edition of
the composer’s
2010 concert version
represents the first
appearance of the work in
print in anyform. Lord
intended it for his own
use in live performance,
as a companion to his
celebrated Concerto
for Group and
Orchestra. It is a
brilliant showpiece for
the combined forces of
rock band and orchestra,
takinginspiration from
the keyboard suites of
J.S. Bach. This new full
score is edited by Jon
Lord’s long-time
musical collaborator, the
conductor Paul Mann, and
makes use of many
previously unavailable
sources including
themanuscriptscores of
the original version and
a copy of the score
corrected in consultation
with the composer
following the 2010
premiere. It can
therefore be said to
represent as closely as
possible Jon
Lord’s final
thoughts onthe work.
Jon Lords
Sarabande werd
gecomponeerd in 1975 en
het jaar daarop
uitgebracht als
soloalbum. Deze nieuwe,
herziene uitgave van de
concertversie die de
componist zelf in 2010
vervaardigde, is de
eerste editie op papier
dieooit van het werk is
verschenen. Lord
gebruikte de basisversie
zelf bij live optredens,
wanneer hij het werk
uitvoerde naast zijn
gevierde Concerto for
Group and Orchestra.
Het is een geweldig stuk
voor een combinatie
vanrockband en orkest, ge
nspireerd op de
klavecimbelsuites van
Johann Sebastian Bach.
Deze nieuwe partituur is
bewerkt door dirigent
Paul Mann, met wie de
componist op muzikaal
gebied al jaren
samenwerkt. Er zijn
veelvoorheenontoegankelij
ke bronnen voor gebruikt,
waaronder de
handgeschreven partituren
van de originele versie
en een partituur die na
de première in 2010 is
verbeterd in overleg met
de componist. Daarom kan
worden gesteld datdeze
bewerking de laatste
gedachten van Jon Lord
over dit werk zo
nauwkeurig mogelijk
weergeeft.
Partitur und
Klavierauszug der
Sarabande können
käuflich erworben
werden. Das
Einzelstimmen-Set ist
ausschließlich
Leihmaterial. Auskunft
über Leih-Bedingungen
und Preise erhalten Sie
auf Nachfrage. Bitte
kontaktierenSie:
HalLeonard Europe BV -
Rental
department E-Mail: rental@hall
eonardeurope.nl Jon Lords
Sarabande entstand
1975 und wurde im
darauffolgenden Jahr
alsSoloalbum
veröffentlicht. Die
überarbeitete Ausgabe
der Konzertversion des
Komponisten aus dem Jahr
2010 erscheint hiermit
zum ersten Mal in
gedruckter Form. Lord
hattediese Version für
seine eigenen
Live-Auftritte gedacht,
alseine Art Ergänzung
zu seinem berühmten
Concerto for Group and
Orchestra. Das Werk
ist ein brillantes
Paradebeispiel für die
vereinte Kraft von
Rockband und Orchester
und wurde von denSuiten
J. S. Bachs inspiriert.
Dieseneue Ausgabe der
Partitur wurde von Paul
Mann, Jon Lords
langjährigem
musikalischem Freund,
herausgegeben. Sie
basiert auf zahlreichen
bisher nicht
zugänglichen Quellen
wie dem Manuskript der
Originalversion undeiner
Kopie der inAbsprache mit
dem Komponisten
korrigierten Partitur
nach der Aufführung im
Jahr 2010. Es werden
somit Jon Lords letzte
Gedanken zu diesem Werk
so genau wie möglich
dargestellt.
51 Favourite Songs. By Various. Arranged by Margery Hargest Jones. (Voice and P...(+)
51 Favourite Songs. By
Various. Arranged by
Margery Hargest Jones.
(Voice and Piano). Boosey
and Hawkes Voice. Size
8.25x11.75 inches. 107
pages. Published by
Boosey and Hawkes.
Choral TBB choir, piano SKU: CF.CM9751 Composed by Andrew Steffen. Durati...(+)
Choral TBB choir, piano
SKU: CF.CM9751
Composed by Andrew
Steffen. Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9751.
Published by Carl Fischer
Music (CF.CM9751).
ISBN 9781491162392.
UPC: 680160921140. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Choral SAB choir, piano SKU: CF.CM9730 Composed by Andrew Steffen. 16 pag...(+)
Choral SAB choir, piano
SKU: CF.CM9730
Composed by Andrew
Steffen. 16 pages.
Duration 2 minutes, 48
seconds. Carl Fischer
Music #CM9730. Published
by Carl Fischer Music
(CF.CM9730).
ISBN
9781491161098. UPC:
680160919697. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jonas Halgrimsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him. The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
illicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven.... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.
https://digicoll.library.
wisc.edu/Jonas/Alheim/Alh
eim.html A good friend
asked if I would write a
song for her ensemble.
The parameters were that
it had to be three-part
with a limited range in
the Bass part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson's writings.
There is such a need for
three-part music that is
both exciting,
accessible, and
challenging. Director's
Note Truly consider how
the work can come to
'life' off the page. Rise
and fall with phrase and
sometimes each note. The
magic exists beyond the
ink on the page!
Consideration to range,
tessitura, and content
was all considered as
part of this process in
creating music that is
accessible to all
programs and ensembles
Accompaniment Note The
accompaniment can look
intimidating, but please
feel free to alter the
pulsing eighth notes in
the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. AboutJónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
illicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven....  The pure
and almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.  ÂÂ
https://digicoll.library.
wisc.edu/Jonas/Alheim/Alh
eim.htmlA good friend
asked if I would write a
song for her
ensemble. The
parameters were that it
had to be three-part with
a limited range in the
Bass part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings.  There
is such a need for
three-part music that is
both exciting,
accessible, and
challenging. DirectorÃ
¢â‚¬â„¢s NoteTruly
consider how the work can
come to
‘life’ off
the page. Rise and
fall with phrase and
sometimes each note.ÂÂ
The magic exists beyond
the ink on the
page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensemblesAccompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Violin - intermediate SKU: BT.DHP-1033473-400 For Violin. Composed...(+)
Violin - intermediate
SKU:
BT.DHP-1033473-400
For Violin.
Composed by Sijtse
Wagenmakers. Arranged by
Nico Dezaire. Educational
Tool. Book with CD.
Composed 2003. 28 pages.
De Haske Publications
#DHP 1033473-400.
Published by De Haske
Publications
(BT.DHP-1033473-400).
ISBN 9789043118804.
International.
Tang
o Variety is an ideal
book for violin players
who want to explore
playing the popular
tango. Written in keys
suitable for the violin
-with uncomplicated
position changes up to
the third position - this
volume provides lots of
playing fun. Enjoy this
wonderful tango music!
The piano accompaniment
is available separately
but you also have the
option of using the
accompaniment on the
enclosed CD if you have
no accompanist available.
De meeslepende
Zuid-Amerikaanse
tangomuziek is sensueel,
melancholisch, trots en
elegant. Tango
Variety is een ideaal
boek voor wie houdt van
de fascinerende klanken
van de tango. Omdat de
positiewisselingen - tot
de derdepositie - niet al
te ingewikkeld zijn, is
het speelplezier voor de
jonge violist groot.
Letâ??s
tango!
Tango:
bezwingende
südamerikanische Musik
voll Sinnlichkeit, Stolz,
Schwermut und Eleganz.
Der Komponist dieser zehn
Stücke lie� sich vom
Tango- und Rumbaorchester
Malando inspirieren.
Tango Variety
enthält verschiedene
Stücke für alle
Geiger, die die dritte
Lage beherrschen und ihr
Herz für die
faszinierenden Klänge
des Tango entdeckt haben.
Tango
Variety è la
raccolta ideale per ogni
violinista che desideri
partire alla scoperta del
mondo affascinante del
tango classico.
Lyric Fairy Tale in
Three Acts. Composed
by Antonin Dvorak. Edited
by Jonáš Hájek
and Robert Simon. This
edition: urtext edition.
Hardback. Performance
score. Opus 114.
Baerenreiter Verlag
#BA10438. Published by
Baerenreiter Verlag
(BA.BA10438).
ISBN
9790260109384. 31.7 x
25.5 cm inches. Text
Language: Czech, English,
German. Preface: Simon,
Robert. Text: Jaroslav
Kvapil.
Der neue
Klavierauszug einer der
meistgespielten
tschechischen Opern,
Dvoráks Rusalka,
bildet einen Bestandteil
der neuen Urtextedition
des Werkes, in der nach
mehr als sechzig Jahren
der Notentext den
gegenwärtigen
Editionsregeln angepasst
wurde. Anders als bei der
vorangegangenen
kritischen Ausgabe von
Jarmil Burghauser aus dem
Jahre 1960, dokumentiert
der Herausgeber Robert
Simon alle redaktionellen
Eingriffe. Die neue
Edition widmet auch dem
Libretto gebührende
Aufmerksamkeit, unter
sorgfältiger
Auswertung aller
erhaltenen Quellen,
darunter des
Klavierauszuges von Josef
Famera (1883–1914),
der nach Dvoráks Tod
veröffentlicht (1905)
und dessen Manuskript
noch vom Komponisten
autorisiert worden
war.
Dieser
historische Klavierauszug
wurde einer
gründlichen Revision
durch den Arrangeur Petr
Koronthály unterzogen,
der ihn unter maximaler
Berücksichtigung des
Originals und der
Beibehaltung von dessen
Qualitäten in eine
Bearbeitung gebracht hat,
die einer neuen
Urtextedition und den
aktuellen Bedürfnissen
der Aufführungspraxis
entspricht. Die
Neuausgabe enthält das
Vorwort des Herausgebers
zur Entstehung der Oper
und ihres historisch
ersten Klavierauszugs,
außerdem werden in der
Einleitung Hinweise zur
Aussprache des
tschechischen
Gesangstextes
veröffentlicht.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
If I Loved You Chorale TTBB TTBB A Cappella Barbershop Harmony Society
Composed by Richard Rodgers and Oscar Hammerstein. Arranged by Don Gray. Barb...(+)
Composed by Richard
Rodgers
and Oscar Hammerstein.
Arranged by Don Gray.
Barbershop Harmony
Society.
Barbershop, Broadway,
Standard. Octavo. 8
pages.
Barbershop Harmony
Society
#209098. Published by
Barbershop Harmony
Society