Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on one of his trips to Vienna. The composer published these works in 1872, with Gotthard of Vienna, in two books under the common title Sechs Charakterstücke. The present edition is based on Ludwig Doblinger?s Viennese edition (cat. no. 1221 comprises the Praeludium, Promenade and Tanz, cat. no. 1222 the Canon, Scherzo and Abschied). The compositions collected in Zelenski?s opus 17 have been unjustly forgotten. Their undeniable qualities include advanced harmonies and expressive melodic writing, as well as a wide range of textural means and composition techniques. Quite ?densely? written, these miniatures may prove challenging, but the right fingering eliminates many difficulties of performance. The second book of Wladyslaw Zelenski?s Six Character Pieces contains three miniatures: Canon, Scherzo and Farewell. They manifest characteristic features of the composer?s style, such as the use of counterpoint and a rich, organ-like texture. The Canon, with its emotional charge and build-up of tension, brings to mind miniatures from the brilliant piano cycles of Robert Schumann. A very simple phrase is imitated canonically between the top voice and the two bottom voices, passing through different keys. A touch of finesse is added by the triplet figuration in the middle plan. The next miniature is a classic Scherzo in ABA form. The outer sections, with an imitated theme, are in G minor. With its rather ominous, perhaps somewhat tragic, character, it contrasts with the middle section, Un poco più tranquillo, in the parallel key of G major, which clearly represents a more luminous, dance-like episode in this set of works. The title Farewell given to the last piece in opus 17 may stir associations with Ludwig van Beethoven?s only programme sonata, Les Adieux. This miniature is far more expansive and texturally richer than the other works in this set. The virtuosic elements are of the highest order, not overwhelming the composition, but emphasising its powerful emotional charge. Each of these miniatures can function as a separate work, but when played as two three-part cycles they fall into logical wholes, in which the climax is reached in the last, most elaborate piece. Yet a performance of all six works from both books, so the whole of Zelenski?s opus 17, allows us to discern an even larger cyclical form, developed in an equally deliberate way. - Anna Miernik/ Répertoire / Piano

Par AEBERSOLD JAMEY. See why Jamey?s concise and logical piano comping has set a standard for swinging accompaniment accessible to all musicians. Comping/chords to the changes of Impressions, Satin Doll, Maiden Voyage, Footprints, Doxy, Summertime, and many more!! See why Jamey\'s concise and logical Piano comping has set a standard for swinging accompaniment accessible to all musicians. Comping/chords to the changes of Impressions, Satin Doll, Maiden Voyage, Footprints, Doxy, Summertime, and many more!! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder \'what\'s he doing there'\' Now you\'ll know! Here, as never before, is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions, exactly as recorded, of theexciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists, there are many ways for ALL MUSICIANS to use these wonderful musical tools. Pianists: First, listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next, reading from the book, play along with him, imitating his style. Finally, TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned, you\'ll soon be improvising your own accompaniment! Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings they\'ve heard on a particular Play-A-Long track. Written clearly for two hands, even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools, they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students. / Méthode en anglais / Méthode / Piano ou Clavier

Eight classic jazz originals written by Miles Davis. This is a unique way to learn eight of the most popular songs of the Fifties. These tunes are considered jazz classics because most all jazz musicians around the world have learned them. And the reason so many jazz musicians have learned them is because they are all such interesting vehicles for improvising and interesting chord changes, altered bridges and logical melodies that have been quoted in many compositions throughout the music world. Gain an insight into early Miles and gain an understanding of the transitional bop to post-bop period. Rhythm section is Dan Haerle, piano Rufus Reid, bass Jonathan Higgins, drums. Four - Solar - Tune Up - Dig - Vierd Blues - Milestones (Old) - The Theme - Serpent's Tooth. Related Publication: Vol. 50 Magic of Miles.

If you're one of the people who have listened to Olivia's sophomore release so often that it put all 12 songs onto the Billboard Hot 100 charts, chances are you will want this songbook so that you can play all the tracks yourself! Our matching folio includes all twelve songs arranged for piano and voice with guitar chord frames. All-American Bitch Bad Idea Right? Ballad Of A Homeschooled Girl Get Him Back! The Grudge Lacy Logical Love Is Embarrassing Making The Bed Pretty Isn't Pretty Teenage Dream Vampire / Piano voix guitare / Hal Leonard

Activities, Sight Reading, and Songs to Help You Read Music with Confidence. Reading by interval is a musical, logical, and successful approach to music reading. Use this book to supplement a beginning method, or as a new way to help improve already existing reading skills. Each unit presents a simple approach to learning by providing experiences in each of these areas: Exploring - discover intervals on the keyboard: Writing - see how intervals are expressed in staff notation: Playing - understand how intervals correlate to the fingers of the hand: Reading - practice intervals with short reading examples: Creating - compose and improvise using intervals: Repertoire - discover how newly learned intervals appear in the repertoire. Students of any age, withor without the guidance of a teacher, will benefit from the activities in this book and the reading process it demonstrates using folk tunes, classic repertoire, and original compositions. / Méthode / Etude / Piano

Journey Through the Classics is a four-volume piano repertoire series designed to lead students seamlessly from the earliest classics to the intermediate masterworks. The graded pieces are presented in a progressive order and feature a variety of classical favorites essential to any piano students educational foundation. Benefits: Progressive order provides a variety of musical styles in a logical sequence - Includes a reference chart with the stylistic period and challenge elements listed for each piece - Authentic repertoire ideal for auditions and recitals - and more. Quality and value make this series a perfect classical companion for any method! / Piano

Alfred's Basic Adult All-in-One Course is designed for use with an instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, 'all-in-one' format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. The comb binding creates a lay-flat book that is perfect for study and performance. / Piano

The Classics for the Advancing Pianist series provides motivating, enjoyable literature of substantial quality for developing keyboard artists. The pieces in these books, written by Edward MacDowell and ordered in a logical progression from volume to volume, help the performer work within his or her abilities while developing playing and listening skills. This standard teaching repertoire will help build technique and musicianship, as well as offer hours of personal enjoyment. / Piano

Designed for use with an instructor, the Adult All-in-One Course is for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that includes lessons, theory, technique, and additional repertoire in a convenient all-in-one format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. The CD includes dynamic recordings of all 45 songs in the book. / Piano

Keyboard From The Beginning is a practical teaching method for younger students who are just starting to learn the instrument. Ideal for 6- to 12-year-olds, this introduction to playing the Keyboard or Piano uses a mix of original and favourite melodies, as well as fun pictures, to get pupils making music from their very first lesson.Keyboard From The Beginning uses enjoyable melodies to introduce different techniques and principles, guiding young students in the beginning of their Keyboard-playing career. No previous musical knowledge or experience is necessary, this book will take students from the absolute beginning to playing their first fun tunes with ease. Using over 30 enjoyable and simple tunes, this book will allow young beginners to express their musicality at the same time as learning the basics of playing. With timeless tunes like Au Clair De La Lune, This Old Man, London Bridge and Ode To Joy, children will learn to play these simple melodies while at the same time learning new notes and techniques like different time signatures, rests, dotted rhythms and even scales and chords. As the book progresses, new techniques are introduced, providing a structured and logical course, making this an ideal book for students to work from either on their own or as part of a larger group. Fun images throughout make this a hugely fun and enjoyable book to introduce young beginners to the joys of playing the Keyboard.Keyboard From The Beginning is a brilliant way for young pupils with no previous musical experience to learn to play the Keyboard. Musical melodies, easy-to-understand lessons and colourful images combine to create a Keyboard method that will keep children interested and start them on their way towards becoming proficient keyboardists. / Clavier

Edna Mae Burnam's popular Step-By-Step method provides students with an opportunity to learn the Piano in a unique and charming way, with each lesson presented in a logical order and at a manageable pace.This comprehensive all-in-one edition of the first volume in the series features lessons, solos, and theory exercises. This version includes material from the Step By Step method, the Write It Right theory exercises, and the Pieces to Play performance pieces. Each supplement is placed where Burnam originally intended. In addition, the price includes online audio and MIDI files that can be downloaded or streamed. / Piano

Le nouveau recueil de sonatines Vol. 1. Keep the old, but be generous with new. Fundamentally the editor of the New Sonatina Book has followed this principle. Therefore in the book are found sonatas for children which are almost 'classical', as well as other works which have long been used successfully in teaching the piano but which are not found in previous collections such as, for example, the Vienna Sonatinas of Mozart which acquired fame so quickly in the new Schott edition, the charming Spring Sonatina by Handrock, some melodious compositions of Theodor Kirchner, and as a contemporary work Gretchaninoff's Sonatina which has proved itself as a splendid display pieces for pupils' concerts. The collection is as far as possible arranged in order of difficulty, but as frequently different movements of a work demand different levels of technique, a completely logical sequence was not possible, particularly as the individual talent of the pupil plays an important part. In order to acquaint pupils with polyphonic music some easy pieces by Handel, Telemann, Krebs and Max Reger (Canons) have been included. / Répertoire d'Examen / Recueil / Piano

Par BEETHOVEN LUDWIG VAN. Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven's Complete Piano Sonatas in three volumes. This edition, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng/Ger) which covers all salient editorial issues with regard to Beethoven's notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship! / Date parution : 2019-09-06/ Répertoire / Piano

Christian Köhn is a pianist with a deep understanding of Brahms' piano music. Now he has edited a new Urtext edition of Brahms' variations (1861) on an eight-bar theme from Handel's 'Keyboard Suite #1? ('Suite de pièces de Clavecin?, Vol. 2).Köhn has drawn on every available source and incorporated the most recent musicological discoveries. With his fingering, a well-presented layout and optimum page turns, the volume meets all the demands of a practical performing edition.A detailed foreword illuminates the work's genesis and sources while presenting valuable information on contemporary performance practice. This scholarly-critical edition of the 'Handel Variations? adds a central work to Bärenreiter's comprehensive series of Brahms' piano music in Urtext editions.- Urtext edition based on all known sources and the latest musicological findings- With optimum page turns- Informative foreword (Ger/Eng) and Critical Commentary (Eng)- Includes fingering and suggestions on performance practice (Ger/Eng) / Piano