Tenor Saxophone

SKU: HL.44010721

Methode de Saxophone Tenor. Composed by Jean Castelain and Michiel Oldenkamp. De Haske Play-Along Book. Educational Tool. Book and CD. Composed 1999. 56 pages. De Haske Publications #0991820. Published by De Haske Publications (HL.44010721).

ISBN 9789043107501. UPC: 884088530891. 9.0x12.0x0.185 inches. French.

Pour tous ceux qui recherchent un nouvel outil pedagogique pour apprendre a jouer d'un instrument a vent, les Editions De Haske proposent la methode Ecouter, lire and jouer. Ecouter, lire and jouer se compose d'une methode richement illustree en trois volumes avec compact disc et d'ouvrages educatifs et ludiques fondes sur les principes actuels de la theorie musicale. Tout en se conformant aux exigences de l'apprentissage classique, cette collection utilise une approche resolument ouverte, motivante et moderne de l'enseignement musical permettant aux eleves de decouvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices d'ecoute, morceaux et compositionsoriginales permettent d'acquerir un savoir-faire tout en s'amusant. Ecouter - lire - jouer : trois elements incontournables de la pratique musicale, trois concepts reunis dans une collection enrichissante et simple a utiliser.

Flute

SKU: HL.44010676

Methode de Flute Traversiere. By Matthijs Broers. By Jean Castelain and Michiel Oldenkamp. De Haske Play-Along Book. Educational Tool. Softcover with CD. Composed 1999. 56 pages. De Haske Publications #0991815400. Published by De Haske Publications (HL.44010676).

ISBN 9789043107457. UPC: 884088516567. 9.0x12.0x0.176 inches. French.

Pour tous ceux qui recherchent un nouvel outil pedagogique pour apprendre a jouer d'un instrument a vent, les Editions De Haske proposent la methode Ecouter, lire and jouer. Ecouter, lire and jouer se compose d'une methode richement illustree en trois volumes avec compact disc et d'ouvrages educatifs et ludiques fondes sur les principes actuels de la theorie musicale. Tout en se conformant aux exigences de l'apprentissage classique, cette collection utilise une approche resolument ouverte, motivante et moderne de l'enseignement musical permettant aux eleves de decouvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices d'ecoute, morceaux et compositionsoriginales permettent d'acquerir un savoir-faire tout en s'amusant. Ecouter - lire - jouer : trois elements incontournables de la pratique musicale, trois concepts reunis dans une collection enrichissante et simple a utiliser.

Trumpet

SKU: HL.44010679

Methode de Trompette. By Tijmen Botma. By Jean Castelain and Michiel Oldenkamp. De Haske Play-Along Book. Educational Tool. Softcover with CD. Composed 2000. 52 pages. De Haske Publications #1002358400. Published by De Haske Publications (HL.44010679).

ISBN 9789043111454. UPC: 884088516598. 9.0x12.0x0.152 inches. French.

Pour tous ceux qui recherchent un nouvel outil pedagogique pour apprendre a jouer d'un instrument a vent, les Editions De Haske proposent la methode Ecouter, lire and jouer. Ecouter, lire and jouer se compose d'une methode richement illustree en trois volumes avec compact disc et d'ouvrages educatifs et ludiques fondes sur les principes actuels de la theorie musicale. Tout en se conformant aux exigences de l'apprentissage classique, cette collection utilise une approche resolument ouverte, motivante et moderne de l'enseignement musical permettant aux eleves de decouvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices d'ecoute, morceaux et compositionsoriginales permettent d'acquerir un savoir-faire tout en s'amusant. Ecouter - lire - jouer : trois elements incontournables de la pratique musicale, trois concepts reunis dans une collection enrichissante et simple a utiliser.

Trombone

SKU: HL.44010725

Methode de Trombone - Cle de Sol. By Jilt Jansma. By Jean Castelain and Michiel Oldenkamp. De Haske Play-Along Book. Educational Tool. Book and CD. Composed 2000. 52 pages. De Haske Publications #1002354. Published by De Haske Publications (HL.44010725).

ISBN 9789043111447. UPC: 884088530938. 9.0x12.0x0.221 inches. French.

Pour tous ceux qui recherchent un nouvel outil pedagogique pour apprendre a jouer d'un instrument a vent, les Editions De Haske proposent la methode se compose d'une methode richement illustree en trois volumes avec compact disc et d'ouvrages educatifs et ludiques fondes sur les principes actuels de la theorie musicale. Tout en se conformant aux exigences de l'apprentissage classique, cette collection utilise une approche resolument ouverte, motivante et moderne de l'enseignement musical permettant aux eleves de decouvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices d'ecoute, morceaux et compositionsoriginales permettent d'acquerir un savoir-faire tout en s'amusant. Ecouter - lire - jouer : trois elements incontournables de la pratique musicale, trois concepts reunis dans une collection enrichissante et simple a utiliser.

Piano

SKU: BT.ME0350

Play Music France. Tuition. Book and DVD. Composed 2018. Play Music Publishing #ME0350. Published by Play Music Publishing (BT.ME0350).

English.

This coursebook explains in a clear and practical way how chords should be handled. This first volume, dedicated to the principal three- and four-tone major, minor and seventh (maj7, 7, m7 and dim7) chords, contains numerous pedagogically valuable, meticulously precise and nonetheless melodic examples, which will lead you through harmony, chord progressions, accompanying and composing. By practicing the examples proposed in this coursebook, you will gradually familiarize yourself with the basics of harmony and will discover step by step the astoundingly malleable world of chords. You will thus approach the theme in an empirical way, and by doing so, you will understand howindividual components should be put together to form a well-made musical piece. The accompanying data disk (with mp3 audios and mp4 videos) provides demonstration videos of all the examples played on the piano, as well as numerous audio recordings, which will allow you to play along to backing tracks specially designed for each of them.

(8 Favorite Arias for Flute and Clarinet). By Giacomo Puccini (1858-1924). Arranged by Daniel Dorff. Woodwind Duo. For Flute, Clarinet. Score and part(s). Standard notation. 20 pages. Published by Theodore Presser Company

SKU: HL.48185683

Composed by Jo Gougat. Leduc. Classical. CD. Alphonse Leduc #AL29379. Published by Alphonse Leduc (HL.48185683).

What's the time, Mr Wolf? - Volume 1 is the first volume of a theory method for children aged from 6, written by Jo Gougat. To be used during the first year of learning, this volume includes the discovery of the notes, their positioning on the stave and an initiation to rhythm. It features the lessons 1 to 10. Accompanied by two CDs, it is really pedagogic and includes a copy book, explanations, children melodies and illustrations. This method also requires the use of a carillon for the child to play and sing along the notes. What's the time, Mr Wolf?</song> is a great method to teach music theory to young children while developing their musical ear..

Chorus a cappella (Choir: SATB - 3(A-fl/Picc.B-fl).3(cor ang.musette).3(bassetthn. db-clar).S-sax.T-sax.2.db l bsn - 4.3.3.1 - timp.perc(4) - hp - pno.xel - str: 14.12.10.8.6 - BM: clar - trp.bsn - perc- harm - vl.va.db - live-electronics)

SKU: BR.CHB-5389-02

Opera. Composed by Johannes Maria Staud. Choir; stapled. Chor-Bibliothek (Choral Library). Music theatre; New music (post-2000). Sheet Music. Composed 2016-2022. Duration 135'. Breitkopf and Haertel #ChB 5389-02. Published by Breitkopf and Haertel (BR.CHB-5389-02).

ISBN 9790004413906. 9 x 12 inches. German.

The Gesang der Weiden (Song of the Willows) is a slightly revised and reworked excerpt from the 6th scene of the opera Die Weiden. The work is for chorus a cappella (minimum 16 voices).The opera Die Weiden is a journey 'into the heart of darkness' along a great river in Central Europe today, which, if you will, can undoubtedly be identified as the Danube. The story oscillates between a travel journey of two lovers who fall in and out of love and, a surreal distorted observation of today's current threatening developments. Keywords: the Angry Citizen, the Vigilante, the increasing isolation from the outside and the brutalization of the social center - all this despite our heavily burdened history. This is achieved through pandemonium-like hallucinations of one of the protagonists as well as through the transformation motif man-to-fish.(Johannes Maria Staud)

Slightly revised excerpt from the sixth picture.

Oboe

SKU: HL.44010728

Methode de Hautbois. By Nynke Jaarsma. By Jean Castelain and Michiel Oldenkamp. De Haske Play-Along Book. Educational Tool. Book with CD. Composed 2002. 52 pages. De Haske Publications #1023155400. Published by De Haske Publications (HL.44010728).

ISBN 9789043115193. UPC: 884088530969. 9x12 inches. French.

Pour tous ceux qui recherchent un nouvel outil pedagogique pour apprendre a jouer d'un instrument a vent, les Editions De Haske proposent la methode Ecouter, lire and jouer. Ecouter, lire and jouer se compose d'une methode richement illustree en trois volumes avec compact disc et d'ouvrages educatifs et ludiques fondes sur les principes actuels de la theorie musicale. Tout en se conformant aux exigences de l'apprentissage classique, cette collection utilise une approche resolument ouverte, motivante et moderne de l'enseignement musical permettant aux eleves de decouvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices d'ecoute, morceaux et compositionsoriginales permettent d'acquerir un savoir-faire tout en s'amusant. Ecouter - lire - jouer : trois elements incontournables de la pratique musicale, trois concepts reunis dans une collection enrichissante et simple a utiliser.

Tenor Saxophone, Clarinet (Tenor Sax)

SKU: HL.14016916

Music Sales America. Blues. Book with CD. 52 pages. Editions Musicales Francaises #EMF100074. Published by Editions Musicales Francaises (HL.14016916).

9.0x12.0x0.173 inches.

Les titres de ce recueil sont issus du grand repertoire des Standards de jazz et de Blues. Ce volume est concu en deux parties. La premiere partie presente tous les themes, tels que joues par le saxophoniste tenor sur le CD Audio fourni avec ce recueil. La seconde partie offre a l'instrumentiste les cles pour une improvisation reussie. Au debut de chaque partie, une notice pedagogique donne des pistes de travail a explorer ainsi que des conseils sur la maniere d'utiliser au mieux ce livre. Les professeurs trouveront aussi dans ce volume un bon repertoire de base pour initier leurs eleves a l'etude des musiques improvisees que sont le jazz et le blues. Concernant l'utilisation du CD audio, une plage est laissee a l'accord de l'instrument, puis chaque oeuvre est developpee de la maniere suivasnte: Le theme de base est jour par le saxophoniste tenor (accompagne par le trio Claviers-Basse-Batterie) afin de 'montrer le chemin' au musicien Le theme original n'est plus joue par le saxophoniste et laisse entierement place a l'instrumentiste qui, accompagne de la section rhythmique, pourra laisser libre cours a sa creativite (exposition du theme puis improvisationsur la structure harmonique). Nous vous souhaitons un excellent voyage au pays du jazz du blues et esperons vous apprter un reel plaisir a jouer ces oeuvres. The titles in this collection are abstracts from the great repertory of the Standards of Jazz and Blues. This book is made of two parts. The first one presents all the themes such as perfromed by the Tenor Saxophonist on the Audio CD play along furnished with this volume. The second part offers the performer keys for a succesfull improvisation. At the beginning of each part, a pedagogical content gives work trails to explore so as advice on how to use at best this book. Music teachers will also find in this volume a good basic repertory to introduce improvised music styles such a Jazz and Blues to their students. The first track on the Audio CD is for tuning, then each title is developed as follows: The basic theme is played by the tenor saxophonist, accompanied by the keyboard/bass/drum trio, to show the method to the musician The original theme is no more interpreted by the saxophonist and place is left entirely at the performer's disposal who, accompanied by the rhythm section, will give free reins to his creativity (theme exposition followed by an improvisation on the harmonic structure).

By Giovanni Battista Viotti. Edited by Fritz Kreisler. For violin and piano. The Masters Collection. Published by Carl Fischer.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

Clarinet

SKU: HL.44010392

Methode de Clarinette. By Joop Boerstoel. By Jean Castelain and Michiel Oldenkamp. De Haske Play-Along Book. Educational Tool. Book and CD. Composed 2002. 52 pages. De Haske Publications #1023156. Published by De Haske Publications (HL.44010392).

ISBN 9789043115209. UPC: 884088397951. 9.0x12.0x0.243 inches. French.

Pour tous ceux qui recherchent un nouvel outil pedagogique pour apprendre a jouer d'un instrument a vent, les Editions De Haske proposent la methode Ecouter, lire and jouer.Ecouter, lire and jouer se compose d'une methode richement illustree en trois volumes avec compact disc et d'ouvrages educatifs et ludiques fondes sur les principes actuels de la theorie musicale. Tout en se conformant aux exigences de l'apprentissage classique, cette collection utilise une approche resolument ouverte, motivante et moderne de l'enseignement musical permettant aux eleves de decouvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices d'ecoute, morceaux et compositionsoriginales permettent d'acquerir un savoir-faire tout en s'amusant. Ecouter - lire - jouer : trois elements incontournables de la pratique musicale, trois concepts reunis dans une collection enrichissante et simple a utiliser.

(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris Gazda. Arranged by Doris Gazda. For Viola. Book. 48 pages. Published by Carl Fischer

By Groeber, Hoge, Sanchez, Welch. For Guitar. This volume expands the three-string chords (introduced in Exploring Chords Book 1) to form complete chords. Guitar. Level: Late Elementary. Book. Published by The FJH Music Company Inc.

Piano, vocal, guitar

SKU: GH.GE-12051

En musikbok om vara sinnen. Composed by Ensemble Yria. Fall ut dina vingar och flyg ivag i en balansdans! Onska en frukt som smakar bra, ut och sniffa med din luktmackapar och klia loss fran topp till ta! Educational. Book & CD. With Language: Swedish. Melody, lyrics and chords. Gehrmans Musikforlag #GE 12051. Published by Gehrmans Musikforlag (GH.GE-12051).

ISBN 978-91-7748-329-8.

Valkomna med pa ett Sinnenas Spektakel! I denna musikbok bjuder vannerna Keniso och Sinsabell in till ett fargsprakande och fartfyllt musikaventyr som uppmanar till kreativa upptag med samtliga sinnen pa spann. Materialet riktar sig framst till barn i forskolealder och de lagre skol-aren och har en tydlig forankring i laroplanen. Nyskrivna latar varvas med aktivitetstips och fakta som vacker forundran och nyfikenhet kring vara sinnen. Titta, lyssna, smaka, lukta och kann pa bade fantasi och verklighet i en utforskande miljo. Med boken foljer en CD med alla sangerna och sing--along--spar.

Sinnenas Spektakel ar ett rytmikpedagogiskt helhetskoncept skapat av Ensemble Yria. Ensemblen bestar av Britta Forslund, Sara Ohlzon, Karin Westberg och Madeleine Wittmark, som alla ar verksamma musiker och rytmiklarare utbildade vid Kungl. Musikhogskolan i Stockholm.

Tara Books (Tara: The Best in Jewish Music). Jewish. 128 pages. Published by Tara Publications.