A coup sûr, les éditions Durand vont contenter tous les pianistes avec cette fabuleuse partition de Ravel Maurice et qui a pour titre THE BEST OF: MAURICE RAVEL EN QUINZE MORCEAUX POUR PIANO. En la commandant aujourd'hui, cette partition qui a pour référence DF01571600 et pour catégorie Classique peut être en votre possession dans quelques jours. / Piano / Partition

This collection contains 39 easy-to-play piano pieces from the Baroque to the Early Modern period and presents an ideal repertoire for music schools and private music-making.Conceived as a current supplement to Bärenreiter's popular anthology 'Easy Classics for Piano? (BA 8758), it offers a wide-ranging repertoire which includes popular classical pieces but also small gems such as Chopin's 'Contredanse? in G-flat major as well as Satie's 'Berceuse? and 'Méditation?. Tried and tested fingering by the experienced pianist and piano teacher Annette Töpel help players to learn the pieces more quickly.- Ideal for students, music-lovers and piano teachers- Tried and tested fingering - Practical page-turnsFrom the contents:Chopin, 'Préludes? in A major and C minor (op. 28 nos. 7 and 20), Contredanse in G-flat major, Schumann, 'Bärentanz and Haschemann? / Bach, 'Preludes? / Debussy, 'The little shepherd? from 'Children's Corner? / Mendelssohn, 'Wedding March? / Brahms, 'Waltz? in E major (op. 39 #5), Theme from the 'Paganini Variations? (op. 35), 'Verstohlen geht der Mond auf? from Piano Sonata op. 1 (movt. 2) / Ravel, Prélude / Satie, 'Berceuse? and 'Méditation? / Piano

For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ Répertoire / Piano et Orchestre

Dieses Werk das Ravel 1899 ursprünglich für Klavier solo komponierte und das bei Demets verlegt wurde erzielte rasch großen Erfolg und gilt seitdem als eines der beliebtesten Werke im klassischen Kanon.Die kritische Edition der „ Pavane “ von Regina Back und Douglas Woodfull-Harris berücksichtigt die diversen Nachdrucke der originalen Klavierfassung ebenso wie die handschriftliche Partitur der Orchesterfassung von 1909 und die zahlreichen Nachdrucke bis Ravels Tod 1937. Im Vorwort zeichnen die Herausgeber die Geschichte der Komposition nach. Auch die Klaviereinspielung des Komponisten und die zu seinen Lebzeiten unterseiner Leitung entstandenen Orchesteraufnahmen wurden herangezogen.Ein Vorwort in Englisch Französisch und Deutsch Faksimileseiten und ein Kritischer Bericht runden diese wichtige neue Ergänzung des Bärenreiter Urtext-Programms ab.- Erste kritische Edition von Ravels Meisterwerk- Faksimileseiten- Dreisprachiges Vorwort (engl./ franz./dt)

Maurice Ravel's Gaspard De La Nuit is one of the most important Piano works of the 20th century and constitutes the height of the extension of the pianistic playing techniques and tonal possibilites which was already begun by Chopin and Liszt in the 19th century. The three movements Ondine Le Gibet and Scarbo are based on poems by Aloysius Bertrand which Ravel put in front of each of the three pieces. Thus too the work is in a tradition represented by composers such as Schumann and Liszt in the 19th century that combines instrumental music with literary models. For the new edition published by the Wiener Urtext Edition the editorsconsulted not only the first edition used almost exclusively up to now but also Ravel's autograph as well as his personal copy of the first edition on the basis of which numerous passages in the musical text could be corrected and brought closer to Ravel's original intention. In addition the editors included corrections from personal copies of various students of Ravel. Entries of the composer going well beyond mere text corrections and practical performance tips handed down by his students are analysed in the Notes of Interpretation. The reader-friendly large-format Wiener Urtext edition is completed by a trilingual glossary of the French performance instructions used by Ravel as well as English and German translations of Bertrand's three poems.

Niveau Moyenne. Par . Un voyage musical à travers les pièces les plus emblématiques des prestigieux catalogues Durand-Salabert-Eschig, de Claude Debussy, Maurice Ravel et Erik Satie à Désiré-Émile Inghelbrecht, Constantin Silvestri et Alexandre Tansman. Les pièces sont classées par ordre de difficulté et constituent une édition indispensable pour un voyage dans l'univers du piano à travers le répertoire à quatre mains du siècle dernier. / Date parution : 2023-06-01/ Recueil / Piano 4 Mains

Par RAVEL MAURICE. Maurice Ravel's Menuet En Ut Diese Mineur (Menuet Antique) for solo piano./ Répertoire / Piano

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. / Piano

Maurice Ravel wrote his Menuet Sur Le Nom D'Haydn in September 1909 to commemorate the Viennese classicist who died 100 years before on 31 May 1809. The piece was published for the first time in connection with an 'Hommage à Joseph Haydn' in the Revue musicale to which several contemporaries of Ravel contributed as well. The original edition still in use today was published shortly after. A comparison with the composer's autograph currently in France and privately owned clearly shows the errors and shortcomings of the two first editions so that Ravel's musical intentions can now be published in full measure for the first timein the present new critical edition.

Music Minus One Cello-Written in 1941 Maurice Ravel's piano trio was premiered on January 28 1915 in Paris with distinguished pianist Alfredo Casella playing the piano part. Filled with Basque themes and Ravel's unique impressionist effects the four-movement trio is a wonderful piece which is in its own way reminiscent at times of his famous Gaspard de la Nuit. Highly recommended for any devotée of the famous French composer. Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Performed by Alan Shulman violoncello Accompaniment: The Vardi Trio: Emanuel Vardi violin Edwin Hymovitz piano

Pour piano à quatre mains, d'une durée de 15 minutes, Le Tombeau de Ravel résulte d'une commande du Festival de Montfort-L'Amaury à l'occasion du centenaire de la naissance de Maurice Ravel, célébré les 23, 24 et 25 mai 1975. Olivier Greif et Henri Barda en assurent la première exécution le 24 mai au Centre des loisirs. Sous la responsabilité de Siao Ping Fan, ancienne condisciple d'Olivier Greif au Conservatoire de Paris, la séquence Ravel et les compositeurs d'aujourd'hui regroupe Le Tombeau de Ravel d'Olivier Greif et Un paysage serein, Cloches d'Orient d'Alain Kremski. (auteur) Extraits sonores Un enregistrement sur disque compact du Tombeau de Ravel est disponible sous le label Saphir productions. extrait n° 1 extrait n° 2

Maurice Ravel semble avoir été particulièrement attiré par l'atmosphère musicale de Vienne. Entre le commencement d'une 'uvre, en 1906, qui devait s'intituler Wien et son achèvement sous le titre de La Valse, en 1920, il écrivit les Valses nobles et sentimentales pour piano en 1911. Ravel orchestra les Valses en 1912 qui, du même coup, se transformèrent en ballet au titre de Adélaïde ou le langage des fleurs. / Partitions classique / Piano - instruments à clavier / Piano / DURAND