For 2 Violins, Viola and Violoncello. By Felix Mendelssohn. Edited by E. Herttri...(+)
For 2 Violins, Viola and
Violoncello. By Felix
Mendelssohn. Edited by E.
Herttrich. STUDY EDITION.
Pages: VII and 49. Study
score-no details.
Published by G. Henle.
(Dance of the Clowns). By Felix Bartholdy Mendelssohn (1809-1847). Arranged by C...(+)
(Dance of the Clowns). By
Felix Bartholdy
Mendelssohn (1809-1847).
Arranged by Christina
Hans. Orchestra. Score;
String Orchestra. Belwin
Intermediate String
Orchestra. Masterwork
Arrangement; Romantic.
Grade 2.5. 8 pages.
Published by Belwin Music
(AP.38
For Violoncello and Piano. By Felix Mendelssohn. Edited by R. Elvers, E.-G. Hein...(+)
For Violoncello and
Piano. By Felix
Mendelssohn. Edited by R.
Elvers, E.-G. Heinemann.
Violoncello. Pages: Score
= V and 43 * Vc Part =
11. Urtext edition-paper
bound. Published by G.
Henle.
With Comments in English. By Felix Mendelssohn. Edited by H. Meister. This editi...(+)
With Comments in English.
By Felix Mendelssohn.
Edited by H. Meister.
This edition: HN237.
Organ. Henle Music
Folios. Pages: V and 94.
Urtext edition-paper
bound. 96 pages.
Published by G. Henle.
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Todd Stalter. Concert Ba...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Arranged by Todd Stalter.
Concert Band. Concert
Band; Masterworks;
Part(s); Score.
Challenger Band Series.
Form: March;
Transcription. Masterwork
Arrangement; Romantic.
Grade 1.5. 120 pages.
Published by Alfred
Composed by Felix Bartholdy Mendelssohn (1809-1847). Masterworks; Quartet; Solo ...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Masterworks;
Quartet; Solo Small
Ensembles; String
Ensemble - Mixed. Kalmus
Edition. Masterwork;
Romantic. Book. 76 pages.
Kalmus Classic Edition
#00-K09719. Published by
Kalmus Classic Edition
(Schirmer's Library of Musical Classics Vol. 2117 For Violin and P). Composed by...(+)
(Schirmer's Library of
Musical Classics Vol.
2117 For Violin and P).
Composed by Max Bruch
(1838-1920), Felix
Bartholdy Mendelssohn
(1809-1847), and Peter
Ilyich Tchaikovsky
(1840-1893). For Violin,
Piano Accompaniment
(Score and Solo Part).
String. Softcover. 176
pages. G. Schirmer
#LB2117. Published by G.
Schirmer
Composed by Felix Mendelssohn (1809-1847), edited by Yehudi Menuhin. Set of perf...(+)
Composed by Felix
Mendelssohn (1809-1847),
edited by Yehudi Menuhin.
Set of performance parts
(includes separate
pull-out violin part) for
violin and piano. With
solo part, piano
reduction and
introductory text. 52
pages. Published by C.F.
Peters.
By Felix Mendelssohn. Arranged by John DeBueris. For Clarinet. Woodwind - Clarin...(+)
By Felix Mendelssohn.
Arranged by John
DeBueris. For Clarinet.
Woodwind - Clarinet
Quartet. Level: (IV)
(grade IV). 32 pages.
Published by Alfred
Publishing.
13 Well-Known Original Pieces in Progressive Order. Composed by Felix Bartho...(+)
13 Well-Known Original
Pieces in Progressive
Order.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Sylvia Hewig-
Tröscher. At
the Piano.
Softcover. 54 pages. G.
Henle #HN1813. Published
by
G. Henle
SKU: BR.SON-437 Complete Works. Composed by Felix Bartholdy Mendel...(+)
SKU: BR.SON-437
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Clemens
Harasim. Linen. Complete
Works. Romantic period.
Complete Works. 392
pages. Breitkopf and
Haertel #SON 437.
Published by Breitkopf
and Haertel (BR.SON-437).
ISBN 9790004803158. 10
x 12.5 inches.
Nine
variegated Sacred Vocal
Works with Orchestra by
Mendelssohn have been
compiled in this volume.
They stem not only from
various creative phases
of the composer, but also
in view of their vocal
settings show up marked
differences and thus
reflect the variety of
Mendelssohns creative
oeuvre. One shared aspect
is that all nine works
remained unprinted during
the composers lifetime.
Only the Lauda Sion
achieved celebrity; it
was published with the
posthumously attributed
opus number 73 and took
its place next to other
choral works by
Mendelssohn already in
the 19th century. Now
published within the
Mendelssohn Complete
Edition, it boasts a
text-critically revised
score available in many
cases for the first time,
and from which impulses
for musical practice are
sure to arise.
Violoncello - Level 5 SKU: BA.BA11043 A Song without Words for Violonc...(+)
Violoncello - Level 5
SKU: BA.BA11043
A Song without Words
for Violoncello Solo.
Composed by Manfred
Trojahn. Stapled.
Performance score.
Composed 2012. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11043_00. Published by
Baerenreiter Verlag
(BA.BA11043).
ISBN
9790006543229. 33.5 x
25.5 cm
inches.
Manfred
Trojahn on the origin and
title of his impressive
virtuoso solo
work: Admittedly I do
not know if he had
seagulls, but since
Mendelssohn was born in
Hamburg, he will not have
gone through life without
at least the impression
of the cry of seagulls.
Nor do I know if seagulls
played any part in his
life in Rome. I myself
was astonished when, one
or two years ago in the
Villa Massimo, I was, not
exactly annoyed but
disturbed by the strong
rhythmical cry of
seagulls. I was just
about to write a bassoon
solo when the seagulls
started. Then the
idea came to me that
precisely this sequence
of notes could serve as
the basis of the work.
And the sequence for the
bassoon solo is, in turn,
the basis of the piece
for violoncello - this is
how titles are born... Of
course the violoncello
meanders with virtuosic
ease from the seagull
motif to the 'elf-like'
skittering brought to
music by Mendelssohn and
used time and again in
his compositions, finally
becoming a cabaletta.
Now, cabalettas are not
very representative of
Mendelssohn, but as I was
composing I definitely
wanted to put a cabaletta
in this passage. I am
sure Mendelssohn and I
will easily agree on
this, especially since
later justice is done to
him in the rapid passages
and, of course in the
tonal cadenza at the very
end, which is more
indicative of his time
than of mine ... isn't
it?
(HC) SKU: HL.49033205 Carl Maria von Weber und die Schauspielmusik sei...(+)
(HC)
SKU:
HL.49033205
Carl
Maria von Weber und die
Schauspielmusik seiner
Zeit. Composed by
Peteris Vasks. Edited by
Dagmar Beck and Frank
Ziegler. This edition:
Hardback/Hard Cover.
Book. Edition Schott. 332
pages. Schott Music #ED
9623. Published by Schott
Music (HL.49033205).
ISBN 9783795703837.
German.
Bis vor
wenigen Jahren wurde der
Schauspielmusik,
abgesehen von einzelnen
herausragenden Werken,
von der Musikwissenschaft
kaum Beachtung geschenkt;
eine historiographische
Gesamtdarstellung bzw.
editorische
Auseinandersetzung steht
noch aus. Gerade das
letzte Drittel des 18.
und das erste Drittel des
19. Jahrhunderts konnen
als eine Blutezeit der
Schauspielmusik angesehen
werden. In diesen
Jahrzehnten entstand
nicht nur eine
unuberschaubare Menge
solcher Kompositionen;
die Problematik der
musikalischen Untermalung
bzw. Bereicherung des
Sprechtheaters wurde auch
im asthetischen Diskurs,
anknupfend an Gottsched,
Scheibe und Lessing,
immer wieder
thematisiert. Am Beispiel
ausgewahlter Buhnenwerke,
beginnend mit
Kompositionen von Johann
Andre, G. J. Vogler und
J. F. Reichardt bis hin
zu Mendelssohn, Lortzing
und Wagner, wird
deutlich, wie
verschiedenartig die
Anspruche von Autoren und
Theaterleitern in Bezug
auf die Schauspielmusik
sein konnten, und wie die
unterschiedlichen
Moglichkeiten der
Theater-Ensembles die
Komponisten
beeinflussten. Die Spanne
reicht von weitgehend
beliebigen Arrangements
mit grosstmoglichem
'Wiederverwendungswert'
bis hin zu gross
angelegten 'analogen', d.
h. ausschliesslich auf
ein bestimmtes Schauspiel
bezogenen, vorbildhaften
Kompositionen (z. B.
Beethovens Egmont, Webers
Preciosa, Mendelssohns
Sommernachtstraum-Musik).
Besonderes Interesse gilt
der Problematik der
Edition von
Schauspielmusiken, die
durch ihre enge Bindung
an das Drama einen
fachubergreifenden
Austausch unter
Literatur-, Theater- und
Musikwissenschaftlern
erforderlich macht. Hier
zeigt sich, dass kaum
eine 'Patentlosung' zu
finden ist; vielmehr
stellt jeder Komponist,
jedes Werk andere
Anspruche an den Editor.
Ausgehend von einem
Grundkonsens, der die
wechselseitige
Bedingtheit von Drama und
Musik unterstreicht,
fuhren nur individuelle,
vom einzelnen Werk
ausgehende Strategien zu
einer adaquaten
Wiedergabe in der
Edition.
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Annette Birgit
and Thein Muller. Linen.
Complete Works. Romantic
period. Complete Works.
304 pages. Breitkopf and
Haertel #SON 419.
Published by Breitkopf
and Haertel (BR.SON-419).
ISBN 9790004803059. 10
x 12.5 inches.
The
year 1828 was a Durer
Year (300th anniversary
of death), and the Berlin
Durer Festival was
looking for a suitable
composer to write the
festival cantata. The
renowned Carl Friedrich
Zelter turned down the
offer and recommended his
pupil instead, the
18-year-old Felix
Mendelssohn Bartholdy. He
accepted, and, within a
few weeks, the Festmusik
MWV D1, was finished, his
first full-scored sacred
vocal work. Mendelssohns
Festmusik subsequently
fell into oblivion
despite its
much-applauded world
premiere. The specific
context and the rather
wooden libretto most
likely proved too
prohibitive even though
the young composer had
given his best. This can
now be confirmed for the
first time by consulting
the new printed
edition.
Christus Soli, choeur mixte et accompagnement Carus Verlag
(Oratorienfragment. Teil I: Die Geburt Christi Teil II: Das Leiden Christi). By ...(+)
(Oratorienfragment. Teil
I: Die Geburt Christi
Teil II: Das Leiden
Christi). By Felix
Bartholdy Mendelssohn
(1809-1847). Edited by R.
Larry Todd. For tenor
solo voice, SATTBB choir,
2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets, 3
trombo
Weihnachtskantate. By Felix Mendelssohn. Edited by Lehmann, Karen. For Soli SBar...(+)
Weihnachtskantate. By
Felix Mendelssohn. Edited
by Lehmann, Karen. For
Soli SBar, SSATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets,
Timpani, 2 Violins, 2
Violas, 2 Cellos,
Contrabass. Full score
available separately -
see item CA.4018900.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Christmas. Study score.
Language: German/English.
Composed 1831. 72 pages.
Duration 16 min.
Published by Carus Verlag
(German import).
Choralkantate. By Felix Mendelssohn. Edited by Bill, Oswald. For SATB Choir, 2 V...(+)
Choralkantate. By Felix
Mendelssohn. Edited by
Bill, Oswald. For SATB
Choir, 2 Violins, Viola,
Cello/Contrabass, [Flute
or Oboe or Clarinet].
Cantatas, Mass Sections;
Stuttgart Urtext
editions; Occasions:
Eucharist, Communion; Use
during church year: Lent
and Passiontide, Holy
Week. Score. Language:
German/English. Composed
1827. 20 pages. Duration
7 min. Published by Carus
Verlag (German import).
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
This edition: Paperbound.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst walten.
Cantatas. Level 3. Full
score. Language:
German/English. Composed
1829. A 7. 32 pages.
Duration 12 minutes.
Published by Carus Verlag
Choralkantate. By Felix Mendelssohn. Edited by Bill, Oswald. For SATB Choir, 2 V...(+)
Choralkantate. By Felix
Mendelssohn. Edited by
Bill, Oswald. For SATB
Choir, 2 Violins, Viola,
Cello/Contrabass, [Flute
or Oboe or Clarinet].
Full score available
separately - see item
CA.4018400. Cantatas,
Mass Sections; Stuttgart
Urtext editions;
Occasions: Eucharist,
Communion; Use during
church year: Lent and
Passiontide, Holy Week.
Organ reduction.
Language: German/English.
Composed 1827. 12 pages.
Duration 7 min. Published
by Carus Verlag (German
import).