By Paul McCartney. Easy Piano Personality. Pop. Softcover. 168 pages. Published by Hal Leonard (HL.243954).

By Mary J. Blige. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 112 pages. Published by Hal Leonard.

Piano Pop and Vocal. Animation Songs. Sheet music. Yamaha Music Media #GTP01096465. Published by Yamaha Music Media

(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edward Elgar (1857-1934). Edited by Claus Kanngiesser, Rolf Koenen, and Rupert Marshall-Luck. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 8 pages. G. Henle #HN1189. Published by G. Henle

Guitar - Intermediate

SKU: MB.30957M

Celtic, Perfect binding. Festival. Book and online audio. 244 pages. Mel Bay Publications, Inc #30957M. Published by Mel Bay Publications, Inc (MB.30957M).

ISBN 9781513466101. 8.75 x 11.75 inches.

This collection shows a wide variety of musical approaches in open and alternate tunings. The arrangements come from the playing of Davey Graham, Pat Kirtley, Tony McManus, John Renbourn, John Fahey, Sandy Shalk, Dave Evans, Martin Carthy, El McMeen, Leo Wijnkamp and Stefan Grossman. The music ranges from the medieval La Rotta to Willie Brown?s Future Blues from the deep Mississippi delta; from O?Carolan?s Lord Inchiquin to Waterbound, an old-time folksong. From Celtic airs and jigs to gospel and blues you will explore the world of tunings. Hopefully, this collection will help you to discover new approaches and techniques to playing your instrument. Along the way you?ll have fingerpicking challenges and fun.

(Solo Version (Printed Edition)). By Sergei Rachmaninoff (1873-1943). Arranged by Peng-Peng Gong. LKM Music. Hal Leonard #X410103. Published by Hal Leonard

Soprano voice and orchestra (3(3.pic).1.ca.3.2.cbsn-4 .3.3.1-timp.2perc(crot, vib, xyl, mar, bells, tri, 4sus cym, sizz cym, tam-t, h.h, 2 s.d, b.d, tamb, 4templebl)-cel.hp-str(12. 12.10.8.6 or 14.14.12.10.8))

SKU: HL.49018365

For soprano and orchestra. Composed by Ryan Wigglesworth. This edition: Saddle stitching. Sheet music. Edition Schott. Keep your eyes open when you kiss, a sonnet by John Berryman ends this evocative and rich song cycle, premiered by Claire Booth and the BBC Symphony Orchestra conducted by the composer at the Barbican Hall, London in November 2009. Geoff Brown in The Time. Study score. Composed 2009. 56 pages. Duration 15'. Schott Music #ED13367. Published by Schott Music (HL.49018365).

ISBN 9790220132407. UPC: 884088601270. 8.25x11.75x0.241 inches. English - French - German.

Recently awarded a British Composer Award, Ryan Wigglesworth's orchestral song cycle 'Augenlieder' is now available as a study score. Setting poems by Robert Browning, Egon Schiele, Arthur Rimbaud and John Berryman, Augenlieder or Eye Songs was described as 'glittering with skill' by Geoff Brown in the Times. Masterfully orchestrated and with beautiful vocal writing, Wigglesworth is a composer to watch out for in the future.

Keep your eyes open when you kiss, a sonnet by John Berryman ends this evocative and rich song cycle, premiered by Claire Booth and the BBC Symphony Orchestra conducted by the composer at the Barbican Hall, London in November 2009. Geoff Brown in The Times describes Ryan Wigglesworth as having a 'bright ear for glinting textures, [a] flair for taut motivic interplay [and] his conjuror's ability to cast a spell. This is a strong new work.' The Sonnet depicts a five month love affair and is set alongside a little known poem by Egon Schiele Visionen and poems by Robert Browning and Arthur Rimbaud.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3

SKU: CF.CPS245

Composed by Benjamin Yeo. Folio. Cps. Set of Score and Parts. 8+2+8+8+2+4+4+4+4+2+4+4+4 +4+6+6+4+4+8+2+2+1+4+1+2+ 24 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CPS245. Published by Carl Fischer Music (CF.CPS245).

ISBN 9781491158128. UPC: 680160916726. 9 x 12 inches.

ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.
ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.
ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1- 4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo.

Arranged by Michael Sweeney. Essential Elements Band Folios. Book only. Size 9x12 inches. 24 pages. Published by Hal Leonard

26 Pieces for Violin Players Violin and Piano with Online Audio. Composed by Hugh Colledge and Katherine Colledge. Boosey & Hawkes Chamber Music. Children, Classical. Softcover Audio Online. 48 pages. Boosey & Hawkes #M060135538. Published by Boosey & Hawkes

21 Pieces for Cello Players Cello and Piano. Composed by Katherine and Hugh Colledge. Edited by Sheila Nelson. Boosey and Hawkes Chamber Music. Classical. Softcover Audio Online. 44 pages. Boosey and Hawkes #M060135453. Published by Boosey and Hawkes

26 Pieces for Cello Players Cello and Piano. Composed by Katherine and Hugh Colledge. Boosey and Hawkes Chamber Music. Classical. Softcover Audio Online. 32 pages. Boosey and Hawkes #M060135484. Published by Boosey and Hawkes

26 Pieces for Violin Players Violin and Piano. Composed by Katherine & Hugh Colledge. Boosey & Hawkes Chamber Music. Classical. Softcover Audio Online. 24 pages. Boosey & Hawkes #M060135507. Published by Boosey & Hawkes

26 Pieces for Viola Players Viola and Piano with Online Audio. Composed by Hugh Colledge and Katherine Colledge. Boosey & Hawkes Chamber Music. Classical. Softcover Audio Online. 19 pages. Boosey & Hawkes #M060135491. Published by Boosey & Hawkes

Piano (KL) - easy

SKU: HL.49030568

Three easy suites. Composed by Haas. This edition: Saddle stitching. Sheet music. Edition Schott. Composed 1927. Op. 69. 20 pages. Schott Music #ED 1405. Published by Schott Music (HL.49030568).

ISBN 9790001142588. 9.0x12.0x0.092 inches.

'Stucke fur die Jugend' intends to carefully introduce the piano pupils to new music. At the time that the piano pieces were created in 1927, Joseph Haas sat on the jury at the Donaueschingen Music Festival together with Paul Hindemith. In his typical manner, the pieces looked forward to the future without burning bridges to the past. The stylistic elements to be mentioned in particular are the sparing use of harmonies which give special emphasis to the linear, the staccato, the arpeggios, and the frequently used progressions of fourths. The influence of his teacher Max Reger can be noticed as well from time to time.The rhythmic energies running through the pieces are of great appeal and educational value.This new edition combines the pieces originally published in two volumes in one volume.

30 Streaming Favorites. By Various. Piano/Vocal/Guitar Songbook. Pop. Softcover. Duration 330 seconds. Published by Hal Leonard

Performed by Mitch Woods. DVD. DVD (Digital Video Disk). Size 5.25x7.5 inches. Published by Hal Leonard.

Children's choir, SATB choir, piano accompaniment - Intermediate

SKU: MN.56-0042

Composed by Howard Goodall. 21st Century. Octavo. MorningStar Music Publishers #56-0042. Published by MorningStar Music Publishers (MN.56-0042).

UPC: 688670220470. English.

Commission ed by The Voices Foundation in commemoration of the 50th anniversary of the ending of World War II, this most somber and dramatic piece uses texts from David Geraint Jones and William Shakespeare to chronicle the recollections and reflections of a soldier, which are not for the faint of heart. Thinking back on a more carefree past, the “speakerâ € assures his love that the future will again hold quiet and wonder. However, the price to be paid in between the past and the future is in blood and death. The soldier predicts poppies swaying over him as he lies freed of pain, yes, but also of passion. And he concludes, “Your peace is bought with mine, if but the echo of your laughter reaches me in hell.”.

21 Pieces for Viola Players Viola and Piano with Online Audio. Composed by Katherine and Hugh Colledge. Boosey and Hawkes Chamber Music. Children, Classical, Educational, Recital. Softcover Audio Online. 60 pages. Boosey and Hawkes #M060135460. Published by Boosey and Hawkes