Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr, Richard Jones. For piano (or harpsichord). Urtext of the New Bach Edition. Format: piano solo book. With introductory text. Baroque. 113 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).

Oboe

SKU: PR.ZM26290

Based on BWV 1013. Composed by Johann Sebastian Bach. With Standard notation. 10 pages. Zimmermann #ZM26290. Published by Zimmermann (PR.ZM26290).

Solo Flute. By Johann Sebastian Bach. Arranged by Robert Stallman. (Flute). Woodwind. Size 9x12 inches. 48 pages. Published by Schirmer.

Masterwork Edition. Baroque; Masterwork. Intermediate; Late Intermediate. Book. 64 pages. Published by Alfred Music Publishing

By Johann Sebastian Bach. For Piano. Piano Collection. Kalmus Edition. Masterwork. Level: Intermediate / Advanced. Book. 44 pages. Published by Alfred Publishing.

106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, S. Schumann, C. Siagian. Composed by Various. Edited by Charmaine Siagian. Willis. Classical, Recital, Solos. Softcover. Published by Willis Music

By Arthur Bayas (Arranger). For Piano. Classical. 64 pages. Published by Music Sales.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

Composed by Johann Sebastian Bach (1685-1750). Collection for solo piano. Published by Alfred Publishing.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Josquin Des Pres. This edition: saddle-stitch. Book and online audio. 48 pages. Published by Mel Bay Publications, Inc

Chamber Music Piccolo

SKU: PR.114422450

Composed by Johann Sebastian Bach. Arranged by Nicola Mazzanti. Sws. Full score. 20 pages. Duration 17 minutes. Theodore Presser Company #114-42245. Published by Theodore Presser Company (PR.114422450).

ISBN 9781491134986. UPC: 680160685974. 9 x 12 inches.

Bach’s colossal Partita No. 2 for Solo Violin has been crowned by many masters as one of music’s greatest achievements, and even its famous Chaconne movement alone is a mountain many performers dare not scale. While the literature of several other instruments has been enriched by transcriptions of the Chaconne, Mazzanti’s heroic adaptation of the complete Partita is the culmination of many years’ work, and the only transcription specifically for the piccolo’s unique range.
THE INSPIRATIONEver since my childhood, Johann Sebastian Bach’s solo violin music (like his works for solo cello) has always held a charm and mystery for me. There’s something about this repertoire that sparks an inextinguishable questioning in my musical and human soul.It is music without spatial limits or temporal cages, a music as essential as it is masterfully complex, in which the solitary voice of man meets the all-encompassing voice of God. It is a music whose vertical and horizontal dimensions, already admirably fused, are faceted into new and mysterious realities. For every violinist, the study of these compositions is at the apex of tenacious technical study and interpretative effort.Violinist Joshua Bell has said the Ciaccona (Bach did write the Partita’s movement titles in Italian) is “not just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history. It’s a spiritually powerful piece, emotionally powerful, structurally perfect.”Transcribin g and performing Bach’s PARTITA NO. 2, BWV 1004 on piccolo was a feat that took years of work. The famous Ciaccona movement is, of course, the piece that alone occupied most of this time. How does one honor and elevate such high music with such a “small” instrument, devoid of the enormous expressive potential of the violin, devoid of its chords and its polyphony? How might I transform the piccolo into an instrument with, like the violin, full-bodied low notes and subtle high notes? Above all, why undertake such a demanding and extraordinary journey?The first reason is obvious: by transcribing, studying, and performing such an admirable piece, we assimilate it, it becomes part of us, it enormously enriches our musical interior.In addition, it forces us technically to expand the colors, agility, and flexibility of the instrument; it makes us think in a polyphonic way.Finally, the daily study, especially of the Ciaccona, is an extraordinary gymnasium in which to consolidate and strengthen our general technique.THE TRANSCRIPTIONThe whole Partita was transcribed in the key of A minor, a fifth above the original in D minor. This was necessary for the lowest note of the violin (G) to correspond to the lowest note of the piccolo (D). This version exploits the full range of the piccolo, from the D of the first octave to the B of the third octave. However some octave adjustments were needed.The chords, particularly in the Sarabanda and the Ciaccona, have been left with the same notational system used by Bach in his version for violin. I chose to respect Bach’s presentation and did not transcribe these into grace notes breaking the chords. I advocate that we must at least try to think of this music in its vertical dimension, trying to make the notes resonate as if they were being played together, deciding the speed of the arpeggio based on musical needs.While some woodwind editions of Bach’s string solos do indicate broken chords as grace notes, this implies that the most important note is necessarily the highest one, while sometimes it is precisely in the lower pitches that the theme is voiced.In this piccolo adaptation, many of Bach’s original articulations have been respected. Some have been changed, when needing to adapt them to the specific needs of flute playing.The two passages in the Ciaccona where Bach indicates “arpeggio” were rendered trying to respect the most consolidated and virtuous violin traditions, and at the same time the possibilities that the piccolo offers us. For this purpose, in some cases, different revoicings of the chords have been used.I thank all those who patiently listened to me and were close to me during this period, for their observations and advice. In particular, I thank my daughter Sara for her assistance and skill in entering this edition into music writing software.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Johann Sebastian Bach. Keyboard. Level: Intermediate/Late Intermediate (4/5/6). Published by Alfred Publishing.

By Alexandra Shealy (Editor). For Piano. Classical. 192 pages. Published by Music Sales.

By George Frideric Handel. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Johann Sebastian Bach. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Level: Early Intermediate / Early Advanced (grade 3/4/5/6/6 ). Book. 248 pages. Published by Alfred Publishing.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By J.S. Bach, Handel, Scarlatti. Edited by Helen Marlais. For Piano. Succeeding with the Masters. Baroque Period. Level: Late Elementary through Intermediate. Book. Published by The FJH Music Company Inc.

Composed by Johann Sebastian Bach (1685-1750), edited by Willard A. Plamer. Instrumental solo book and performance CD for piano solo. With introductory text, performance notes, fingerings and explained ornamentation. Series: Alfred Masterwork Library CD Editions. 64 pages. Published by Alfred Publishing.

Edited by Willard A. Palmer and Judith K. Linder Schneider. Johann Sebastian Bach. For Piano. Piano Collection. Masterwork. Level: Intermediate / Advanced (grade 4/5/6/6 ). Book. 160 pages. Published by Alfred Publishing.

Guitar

SKU: HL.50148750

Guitar Solo. Composed by Johann Sebastian Bach. Edited by G. Schwarz. Guitar Collection. Baroque, Classical, Collection. 32 pages. Sikorski #SIK340. Published by Sikorski (HL.50148750).

UPC: 073999779769. 9.25x12.25x0.123 inches.

Contents: Allegro Moderato • Aria (Willst Du Dein Herz Mir Schenken) • Bourrée • Chorale • Double • Entree (Overture in F) • Gavotte • Gavotte • Gigue • Giguetta (Partita in C) • Kleiner Kanon • March in D Major • Menuett • Moderato • Polonaise in A Minor • Prelude in A Minor • Prelude in C • Prelude in C Minor • Sarabande • Scherzo.

By Johann Sebastian Bach (1685-1750). Arranged by John Bullard. For Banjo (5-String). Solos. Baroque. Intermediate-Advanced. Book. 72 pages

Organ

SKU: HL.14034957

Composed by Finn Videro. Music Sales America. Classical, Instruction, Technique. Book [Softcover]. 136 pages. Edition Wilhelm Hansen #WH24091. Published by Edition Wilhelm Hansen (HL.14034957).

ISBN 9788774552475. 12.25x8.25x0.7 inches. English.

Includes works by Bach, Buxtehude, Couperin, Pachelbel. Exercises and short pieces for the improvement of overall technique.

(100 of the World's Most-Beloved Masterpieces In Two Volumes). Edited by E. L. Lancaster and Kenon D. Renfrow. For Piano. Book; Masterworks; Piano Collection. Masterwork; Recital. 196 pages. Published by Alfred Music Publishing

(The Music of Johann Sebastian Bach: 25 of His Most Loved Masterpieces). By Johann Sebastian Bach (1685-1750). Arranged by Jerry Ray. For Piano. Piano Collection. Simply Series. Masterwork. Easy Piano. Book. 80 pages. Published by Alfred Music Publishing

By Johann Sebastian Bach (1685-1750). Piano Personality. Softcover. 128 pages. Published by Cherry Lane Music

The Partita for Treble Recorder based on the Partita for Flauto traverso solo. By Johann Sebastian Bach. Edited by Manfred Harras. For Alto recorder (f,g). Blockflotenmusik. Playing Score. BWV 1013. Published by Baerenreiter-Ausgaben (German import).

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).