15 Pieces for Piano. Composed by Jakub Metelka. Stapled. Performance score, an...(+)
15 Pieces for Piano.
Composed
by Jakub Metelka.
Stapled.
Performance score,
anthology.
23 pages. Baerenreiter
Verlag
#BA11569. Published by
Baerenreiter Verlag
Bilitis - 6 Epigraphes Antiques by Claude Debussy (1862-1918). For flute and har...(+)
Bilitis - 6 Epigraphes
Antiques by Claude
Debussy (1862-1918). For
flute and harp or piano.
Classical. Score. 26 10
pages. Published by
Editions Henry Lemoine
Soprano voice, flute, violin, bass clarinet, horn and harp SKU: HL.49006465(+)
Soprano voice, flute,
violin, bass clarinet,
horn and harp
SKU:
HL.49006465
Kantate nach Worten
des spaten Holderlin.
Composed by Wolfgang
Fortner. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Piano
reduction. Composed 1951.
16 pages. Duration 14'.
Schott Music #ED 6595.
Published by Schott Music
(HL.49006465).
Clarinet; Harp Accompaniment; Piano Accompaniment (Clarinet) SKU: HL.48186292...(+)
Clarinet; Harp
Accompaniment; Piano
Accompaniment (Clarinet)
SKU: HL.48186292
Composed by Armando
Ghidoni. Leduc. Celtic,
Jazz. Softcover. 34
pages. Alphonse Leduc
#AL30482. Published by
Alphonse Leduc
(HL.48186292).
UPC:
888680840358.
9.0x12.0x0.141
inches.
Contemporar
y Italian-French
composer, Armando Ghidoni
brings together
influences of both Italy
and France in his music.
Also, as an expert on
jazz, the harmonies and
rhythms of the composer's
works reflect a huge
diversity, Jazzy Celtic
Suite for Clarinet and
Piano or Harp being no
exception. Ghidoni is
significant within the
contemporary French music
school and his works are
regularly chosen as set
pieces for leading
national and
international
competitions. Jazzy
Celtic Suite reflects
Ghidoni's mastery of a
range of instruments,
suitable for intermediate
players. With a typical
performance lasting about
thirteen minutes, Jazzy
Celtic Suite is an
exciting addition to the
intermediate clarinet
repertoire, with the
option of piano or harp
accompaniment.
Dansaron Chorale SATB SATB, Harpe [Octavo] - Intermédiaire Santa Barbara Music Publishing
By Ben Allaway. For SATB choir, with harp (piano), flute and percussion. Choral ...(+)
By Ben Allaway. For SATB
choir, with harp (piano),
flute and percussion.
Choral octavo only.
Instrumental
accompaniment sold
separately (SBMP 136.1,
SBMP 136.2, and SBMP
136.3). Christmas,
Choral. Medium. Octavo.
Published by Santa
Barbara Music Publishing
Dadme Albricias Chorale SATB SATB, Harpe [Octavo] - Intermédiaire Santa Barbara Music Publishing
By Ben Allaway. For SATB choir, with harp (piano), flute and percussion. Choral ...(+)
By Ben Allaway. For SATB
choir, with harp (piano),
flute and percussion.
Choral octavo only.
Instrumental
accompaniment sold
separately (SBMP 134.1,
SBMP 134.2, and SBMP
134.3). Christmas,
Choral. Medium. Octavo.
Published by Santa
Barbara Music Publishing
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.
Composed by Mary McDonald. Arranged by Bryan Sharpe. For SATB choir, piano (with...(+)
Composed by Mary
McDonald. Arranged by
Bryan Sharpe. For SATB
choir, piano (with
optional 2 trumpets, 2
trombones, rhythm, tenor
saxophone, alto
saxophone). Sacred
Anthem, Eastertide,
General, Lent. Octavo.
Lorenz Publishing Company
#10/4722L. Published by
Lorenz Publishing Company
Harp SKU: FG.55011-885-0 Composed by Lotta Wennäkoski. Classical, cont...(+)
Harp
SKU:
FG.55011-885-0
Composed by Lotta
Wennäkoski. Classical,
contemporary. Part.
Fennica Gehrman
#55011-885-0. Published
by Fennica Gehrman
(FG.55011-885-0).
Whizzing,
growling and rattling
– you can produce
all kinds of sounds with
the harp, not just the
fairy-tale shimmer and
glissandos that you first
think of. Lotta
Wennäkoski composed
Sigla for harp and
orchestra (2021-2022) in
close collaboration with
the harpist Sivan Magen,
to whom the concerto is
dedicated. The title of
the concerto, Sigla, has
different meanings in
different languages. In
Italian, it means a
jingle; in Icelandic, it
means sailing; and in
Tagalog, spoken in the
Philippines, it means
vivaciousness or
enthusiasm. Wennäkoski
has not specifically
referenced these in the
movements of the concerto
as such, but she does
allow that the various
meanings of the word may
be identified with the
music according to the
listener’s
perception.
The
recording of the work
(Ondine ODE1420-2) was
premiered with the
Gramophone award as the
the best release in the
contemporary category in
October 2023.
This
product is the solo
part.
The
orchestral material is
available for hire from
the
publisher.
Duratio
n:
19' Instrumentation:Harp solo –
equipped with paint
brush, tuning key and a
plastic hair clip 2
Flutes (2nd doubling
piccolo) 2 Oboes 2
Clarinets in Bb 2
Bassoons 2 Horns in
F 2 Trumpets in C
– trumpets and
trombone doubling an egg
slicer Bass trombone
attached to a piece of
wood or a flat cardboard
box Percussion (2
players) Percussion I:
crotales, vibraphone, 5
gongs (a#, bn, c’,
e’, f’),
bass drum, cymbal, guiro,
bell tree, shell chimes,
whip, lion’s roar
and different beaters
including a bow,
superball stck and wire
brushes Percussion II:
tam-tam, cymbal, snare
drum, 2 cowbells, 2
temple blocks (med/lg),
triangle (small/med),
vibraslap and different
beaters including a bow,
wire brushes and
superball stick Piano
– equipped with a
plectrum, wire brushes
and 2 soft percussion
beaters Strings.