Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
From the early
years of the clarinet
concertoIn
Cooperation with G. Henle
Verlag
p> Solo concerto;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
15126-16. Published by
Breitkopf and Haertel
(BR.OB-15126-16).
ISBN
9790004341896. 10 x 12.5
inches.
Louis
Spohr's First Clarinet
Concerto was written in
winter 1808/09, at a time
when the clarinet had
just established itself
as an orchestral and solo
instrument. The concertos
of Spohr and Weber which
we know today and which
date from these pioneer
days around 1810 are due
to the in-depth
collaboration between
composer and performer.
Spohr wrote his
technically very
demanding clarinet
concertos for the
virtuoso Johann Simon
Hermstedt. After the
first successful
performances, the
composer decided to
simplify the solo part
for the printed
edition.The Breitkopf
Urtext edition is based
on the autograph of the
score and the first
printing of the parts,
which frequently differ
from it. In the solo
part, we have kept the
easier variants along
with the original
version.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
From the early
years of the clarinet
concertoIn
Cooperation with G. Henle
Verlag
p> Solo concerto;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 15126-19.
Published by Breitkopf
and Haertel
(BR.OB-15126-19).
ISBN
9790004341902. 10 x 12.5
inches.
Louis
Spohr's First Clarinet
Concerto was written in
winter 1808/09, at a time
when the clarinet had
just established itself
as an orchestral and solo
instrument. The concertos
of Spohr and Weber which
we know today and which
date from these pioneer
days around 1810 are due
to the in-depth
collaboration between
composer and performer.
Spohr wrote his
technically very
demanding clarinet
concertos for the
virtuoso Johann Simon
Hermstedt. After the
first successful
performances, the
composer decided to
simplify the solo part
for the printed
edition.The Breitkopf
Urtext edition is based
on the autograph of the
score and the first
printing of the parts,
which frequently differ
from it. In the solo
part, we have kept the
easier variants along
with the original
version.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
From the early
years of the clarinet
concertoIn
Cooperation with G. Henle
Verlag
p> Solo concerto;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
15126-15. Published by
Breitkopf and Haertel
(BR.OB-15126-15).
ISBN
9790004341889. 10 x 12.5
inches.
Louis
Spohr's First Clarinet
Concerto was written in
winter 1808/09, at a time
when the clarinet had
just established itself
as an orchestral and solo
instrument. The concertos
of Spohr and Weber which
we know today and which
date from these pioneer
days around 1810 are due
to the in-depth
collaboration between
composer and performer.
Spohr wrote his
technically very
demanding clarinet
concertos for the
virtuoso Johann Simon
Hermstedt. After the
first successful
performances, the
composer decided to
simplify the solo part
for the printed
edition.The Breitkopf
Urtext edition is based
on the autograph of the
score and the first
printing of the parts,
which frequently differ
from it. In the solo
part, we have kept the
easier variants along
with the original
version.
Clarinet and orchestra (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15126 ...(+)
Clarinet and orchestra
(2.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15126
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
From the early
years of the clarinet
concertoIn
Cooperation with G. Henle
Verlag
p> Solo concerto;
Classical. Full score. 60
pages. Duration 20'.
Breitkopf and Haertel #PB
15126. Published by
Breitkopf and Haertel
(BR.PB-15126).
ISBN
9790004214275. 10 x 12.5
inches.
Louis
Spohr's First Clarinet
Concerto was written in
winter 1808/09, at a time
when the clarinet had
just established itself
as an orchestral and solo
instrument. The concertos
of Spohr and Weber which
we know today and which
date from these pioneer
days around 1810 are due
to the in-depth
collaboration between
composer and performer.
Spohr wrote his
technically very
demanding clarinet
concertos for the
virtuoso Johann Simon
Hermstedt. After the
first successful
performances, the
composer decided to
simplify the solo part
for the printed
edition.The Breitkopf
Urtext edition is based
on the autograph of the
score and the first
printing of the parts,
which frequently differ
from it. In the solo
part, we have kept the
easier variants along
with the original
version.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
From the early
years of the clarinet
concertoIn
Cooperation with G. Henle
Verlag
p> Solo concerto;
Classical. Set of parts.
60 pages. Duration 20'.
Breitkopf and Haertel #OB
15126-30. Published by
Breitkopf and Haertel
(BR.OB-15126-30).
ISBN
9790004341933. 10 x 12.5
inches.
Louis
Spohr's First Clarinet
Concerto was written in
winter 1808/09, at a time
when the clarinet had
just established itself
as an orchestral and solo
instrument. The concertos
of Spohr and Weber which
we know today and which
date from these pioneer
days around 1810 are due
to the in-depth
collaboration between
composer and performer.
Spohr wrote his
technically very
demanding clarinet
concertos for the
virtuoso Johann Simon
Hermstedt. After the
first successful
performances, the
composer decided to
simplify the solo part
for the printed
edition.The Breitkopf
Urtext edition is based
on the autograph of the
score and the first
printing of the parts,
which frequently differ
from it. In the solo
part, we have kept the
easier variants along
with the original
version.
Clarinet and orchestra (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15145 ...(+)
Clarinet and orchestra
(2.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15145
Urtext. Composed
by Louis Spohr.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Classical.
Study Score. Duration
20'. Breitkopf and
Haertel #PB 15145.
Published by Breitkopf
and Haertel
(BR.PB-15145).
ISBN
9790004803394. 6.5 x 9
inches.
Louis
Spohr's First Clarinet
Concerto was written in
winter 1808/09, at a time
when the clarinet had
just established itself
as an orchestral and solo
instrument. The concertos
of Spohr and Weber which
we know today and which
date from these pioneer
days around 1810 are due
to the in-depth
collaboration between
composer and performer.
Spohr wrote his
technically very
demanding clarinet
concertos for the
virtuoso Johann Simon
Hermstedt. After the
first successful
performances, the
composer decided to
simplify the solo part
for the printed edition.
The Breitkopf Urtext
edition is based on the
autograph of the score
and the first printing of
the parts, which
frequently differ from
it. In the solo part, we
have kept the easier
variants along with the
original
version.
Clarinet and piano (2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.EB-10995 U...(+)
Clarinet and piano
(2.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.EB-10995
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Arranged by Christoph
Sobanski. Solo
instruments; stapled.
Edition Breitkopf.
From the early
years of the clarinet
concertoIn
Cooperation with G. Henle
Verlag
p> Solo concerto;
Classical. Piano
reduction. 56 pages.
Duration 20'. Breitkopf
and Haertel #EB 10995.
Published by Breitkopf
and Haertel
(BR.EB-10995).
ISBN
9790201809953. 9.5 x 12
inches.
Louis
Spohr's First Clarinet
Concerto was written in
winter 1808/09, at a time
when the clarinet had
just established itself
as an orchestral and solo
instrument. The concertos
of Spohr and Weber which
we know today and which
date from these pioneer
days around 1810 are due
to the in-depth
collaboration between
composer and performer.
Spohr wrote his
technically very
demanding clarinet
concertos for the
virtuoso Johann Simon
Hermstedt. After the
first successful
performances, the
composer decided to
simplify the solo part
for the printed
edition.The Breitkopf
Urtext edition is based
on the autograph of the
score and the first
printing of the parts,
which frequently differ
from it. In the solo
part, we have kept the
easier variants along
with the original
version.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
From the early
years of the clarinet
concertoIn
Cooperation with G. Henle
Verlag
p> Solo concerto;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 15126-27.
Published by Breitkopf
and Haertel
(BR.OB-15126-27).
ISBN
9790004341926. 10 x 12.5
inches.
Louis
Spohr's First Clarinet
Concerto was written in
winter 1808/09, at a time
when the clarinet had
just established itself
as an orchestral and solo
instrument. The concertos
of Spohr and Weber which
we know today and which
date from these pioneer
days around 1810 are due
to the in-depth
collaboration between
composer and performer.
Spohr wrote his
technically very
demanding clarinet
concertos for the
virtuoso Johann Simon
Hermstedt. After the
first successful
performances, the
composer decided to
simplify the solo part
for the printed
edition.The Breitkopf
Urtext edition is based
on the autograph of the
score and the first
printing of the parts,
which frequently differ
from it. In the solo
part, we have kept the
easier variants along
with the original
version.
Orchestra Contrabass SKU: CA.2300315 Oratorio. Composed by Louis S...(+)
Orchestra Contrabass
SKU: CA.2300315
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
28 pages. Duration 80
minutes. Carus Verlag #CV
23.003/15. Published by
Carus Verlag
(CA.2300315).
ISBN
9790007198633. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Orchestra Viola SKU: CA.2300313 Oratorio. Composed by Louis Spohr....(+)
Orchestra Viola
SKU:
CA.2300313
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/13. Published by
Carus Verlag
(CA.2300313).
ISBN
9790007198619. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Orchestra Violine 1 SKU: CA.2300311 Oratorio. Composed by Louis Sp...(+)
Orchestra Violine 1
SKU: CA.2300311
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/11. Published by
Carus Verlag
(CA.2300311).
ISBN
9790007198596. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical;
Romantic. Set of parts.
76 pages. Duration 20'.
Breitkopf and Haertel #OB
15127-30. Published by
Breitkopf and Haertel
(BR.OB-15127-30).
ISBN
9790004347539. 10 x 12.5
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
The Last Judgment (Die letzten Dinge) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios. Set of
Orchestra Parts. Composed
1865-68. Op. 61. Duration
80 minutes. Carus Verlag
#CV 23.003/19. Published
by Carus Verlag
(CA.2300319).
ISBN
9790007133849. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and parts
available separately -
see item CA.2300300.
Composed by Louis Spohr.
Edited by Otto Biba. This
edition: Paperbound.
Coppenrath Series. Messe
In C, Op.54 1900201.
Sacred vocal music,
Masses, Latin. Choral
Score. 56 pages. Duration
34 minutes. Carus Verlag
#CV 91.240/05. Published
by Carus Verlag
(CA.9124005).
ISBN
9790007114930. Key: C
minor. Language:
Latin.
Louis
Spohr's only Mass is
among the most important
works of post-classical
church music. In this a
cappella Mass Spohr
brought together
harmoniously and with
great skill the then
current interest in
baroque constructional
techniques and the quest
for an individual,
contemporary style of
composition. The result
is a work which sometimes
suggests Mendelssohn, and
which offers an
accomplished choir
impressive music both for
church services and for
concerts. Score available
separately - see item
CA.9124000.
Orchestra Violoncello SKU: CA.2300314 Oratorio. Composed by Louis ...(+)
Orchestra Violoncello
SKU: CA.2300314
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/14. Published by
Carus Verlag
(CA.2300314).
ISBN
9790007198626. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Clarinet and orchestra (solo: clar - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR....(+)
Clarinet and orchestra
(solo: clar - 2.2.0.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-15146
Urtext. Composed
by Louis Spohr.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Classical;
Romantic. Study Score.
Duration 20'. Breitkopf
and Haertel #PB 15146.
Published by Breitkopf
and Haertel
(BR.PB-15146).
ISBN
9790004803400. 6.5 x 9
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
Clarinet and piano (solo: clar - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.EB-1...(+)
Clarinet and piano (solo:
clar - 2.2.0.2 - 2.2.0.0
- timp - str)
SKU:
BR.EB-10996
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Schedeler. Solo
instruments; stapled.
Edition Breitkopf. Solo
concerto; Classical;
Romantic. Piano
reduction. 56 pages.
Duration 20'. Breitkopf
and Haertel #EB 10996.
Published by Breitkopf
and Haertel
(BR.EB-10996).
ISBN
9790201809960. 9.5 x 12
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
The Last Judgment (Die letzten Dinge) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios. Set of
Orchestra Parts. Op. 61.
244 pages. Duration 80
minutes. Carus Verlag #CV
23.003/09. Published by
Carus Verlag
(CA.2300309).
ISBN
9790007198589. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and parts
available separately -
see item CA.2300300.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical;
Romantic. Part. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 15127-16.
Published by Breitkopf
and Haertel
(BR.OB-15127-16).
ISBN
9790004347492. 10 x 12.5
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical;
Romantic. Part. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 15127-23.
Published by Breitkopf
and Haertel
(BR.OB-15127-23).
ISBN
9790004347515. 10 x 12.5
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical;
Romantic. Part. 16 pages.
Duration 20'. Breitkopf
and Haertel #OB 15127-15.
Published by Breitkopf
and Haertel
(BR.OB-15127-15).
ISBN
9790004347485. 10 x 12.5
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical;
Romantic. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 15127-27.
Published by Breitkopf
and Haertel
(BR.OB-15127-27).
ISBN
9790004347522. 10 x 12.5
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
A violin method for children. By Egon Sassmannshaus; Kurt Sassmannshaus. Ameri...(+)
A violin method for
children. By Egon
Sassmannshaus; Kurt
Sassmannshaus. American
English translation: Kurt
Sassmannshaus;
Illustrations: Charlotte
Panowsky. For Violin.
Take advantage of our
exclusive introductory
offer now and save 25%
off the regular price -
this special price is
available for a limited
time only. Baerenreiter's
Sassmannshaus. Original
German title: Fruher
Anfang auf der Geige -
Band 2; Eine Violinschule
fur Kinder. Instructional
Method. Method book. Text
language: English. 64
pages. Published by
Baerenreiter Verlag
(German import).
Clarinet and orchestra (solo: clar - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR....(+)
Clarinet and orchestra
(solo: clar - 2.2.0.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-15127
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Classical;
Romantic. Full score. 76
pages. Duration 20'.
Breitkopf and Haertel #PB
15127. Published by
Breitkopf and Haertel
(BR.PB-15127).
ISBN
9790004214282. 10 x 12.5
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
Orchestra Violine 2 SKU: CA.2300312 Oratorio. Composed by Louis Sp...(+)
Orchestra Violine 2
SKU: CA.2300312
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/12. Published by
Carus Verlag
(CA.2300312).
ISBN
9790007198602. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Study score (solo: clar - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15146-07...(+)
Study score (solo: clar -
2.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15146-07
Urtext. Composed
by Louis Spohr.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Classical;
Romantic. Study Score. 72
pages. Duration 20'.
Breitkopf and Haertel #PB
15146-07. Published by
Breitkopf and Haertel
(BR.PB-15146-07).
ISBN
9790004803400. 6.5 x 9
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
Urtext. Composed
by Louis Spohr. Edited by
Ullrich Scheideler.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical;
Romantic. Part. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 15127-19.
Published by Breitkopf
and Haertel
(BR.OB-15127-19).
ISBN
9790004347508. 10 x 12.5
inches.
Louis
Spohr's technically,
extremely demanding
concertos have long been
part of clarinetists'
standard repertoire. Like
the first clarinet
concerto, this second
concerto was composed for
the clarinetist Johann
Hermstedt, probably in
the spring of 1810.
Critics praised the
concerto at its premiere,
stating that it was
undeniably one of the
most accomplished works
of art of its kind.
Emphasized was also the
great and brilliant
treatment of the solo
instrument, combined with
a very original orchestra
accompaniment, where
every part, even the
timpani, is obbligato.
The concerto was even
then a great success with
the audience. For
publication, Spohr
supplemented the solo
part with various ossia
passages as simplifying
alternatives. These can
of course be found in the
score as well as in the
piano reduction presented
in Ullrich Scheideler's
new critical Urtext
edition in collaboration
with G. Henle Verlag, now
for the first time in a
reliable edition.
Vocal Duet and Piano SKU: VD.ED29959 Lieder WoO 98, 116, 117 und 120(+)
Vocal Duet and Piano
SKU: VD.ED29959
Lieder WoO 98, 116,
117 und 120. Composed
by Louis Spohr. Edited by
Michael Leinert and Susan
Owen-Leinert. Louis Spohr
Lied Edition Vol. 9.
Classical. Score. With
Text Language: German. 46
S. pages. Verlag Dohr
#ED29959. Published by
Verlag Dohr (VD.ED29959).