By Peter Ilyich Tchaikovsky (1840-1893). For Piano/Keyboard. Easy Piano Composer Collection. Softcover. 64 pages. Published by Cherry Lane Music

Arranged by Bobby Joe Holman. Harmonica. Size 9x12 inches. 64 pages. Published by Hal Leonard.

Orchestra (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str)

SKU: BR.PB-5581

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Schmidt. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphony; Romantic. Full score. 140 pages. Duration 30'. Breitkopf and Haertel #PB 5581. Published by Breitkopf and Haertel (BR.PB-5581).

ISBN 9790004213919. 10 x 12.5 inches.

A Programmatic Declaration of BeliefFelix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the Confessio Augustana, the Protestant declaration of faith. Owing to various and only partially explained reasons, there was no performance in 1830, the year in question; it was only two years later that the composer conducted the premiere of his work, now heavily revised, in Berlin. There was only one more performance in Mendelssohn's lifetime, this one conducted by Julius Rietz in Dusseldorf; the composer had since distanced himself from his opus.Conceived for the concert hall, the symphony formulates its theological references through the integration of various motives. This occurs in the finale, for example, in which Mendelssohn quotes the Luther chorale Ein feste Burg in the flute, from where it builds up to a triumphant principal theme. The strong extra-musical aspect must have been one of the reasons for the composer's later avoidance of this score, especially since Mendelssohn was becoming increasingly skeptical about explicitly programmatic music in the instrumental domain. Next to the Dusseldorf performance material of 1837, two scribal copies have been examined for the first time; they transmit the main stages of the version of 1830.

Violoncello (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str)

SKU: BR.OB-5581-23

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Schmidt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Romantic. Part. 16 pages. Duration 30'. Breitkopf and Haertel #OB 5581-23. Published by Breitkopf and Haertel (BR.OB-5581-23).

ISBN 9790004343234. 10 x 12.5 inches.

A Programmatic Declaration of BeliefFelix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the Confessio Augustana, the Protestant declaration of faith. Owing to various and only partially explained reasons, there was no performance in 1830, the year in question; it was only two years later that the composer conducted the premiere of his work, now heavily revised, in Berlin. There was only one more performance in Mendelssohn's lifetime, this one conducted by Julius Rietz in Dusseldorf; the composer had since distanced himself from his opus.Conceived for the concert hall, the symphony formulates its theological references through the integration of various motives. This occurs in the finale, for example, in which Mendelssohn quotes the Luther chorale Ein feste Burg in the flute, from where it builds up to a triumphant principal theme. The strong extra-musical aspect must have been one of the reasons for the composer's later avoidance of this score, especially since Mendelssohn was becoming increasingly skeptical about explicitly programmatic music in the instrumental domain. Next to the Dusseldorf performance material of 1837, two scribal copies have been examined for the first time; they transmit the main stages of the version of 1830.

Double bass (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str)

SKU: BR.OB-5581-27

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Schmidt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Romantic. Part. 16 pages. Duration 30'. Breitkopf and Haertel #OB 5581-27. Published by Breitkopf and Haertel (BR.OB-5581-27).

ISBN 9790004343241. 10 x 12.5 inches.

A Programmatic Declaration of BeliefFelix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the Confessio Augustana, the Protestant declaration of faith. Owing to various and only partially explained reasons, there was no performance in 1830, the year in question; it was only two years later that the composer conducted the premiere of his work, now heavily revised, in Berlin. There was only one more performance in Mendelssohn's lifetime, this one conducted by Julius Rietz in Dusseldorf; the composer had since distanced himself from his opus.Conceived for the concert hall, the symphony formulates its theological references through the integration of various motives. This occurs in the finale, for example, in which Mendelssohn quotes the Luther chorale Ein feste Burg in the flute, from where it builds up to a triumphant principal theme. The strong extra-musical aspect must have been one of the reasons for the composer's later avoidance of this score, especially since Mendelssohn was becoming increasingly skeptical about explicitly programmatic music in the instrumental domain. Next to the Dusseldorf performance material of 1837, two scribal copies have been examined for the first time; they transmit the main stages of the version of 1830.

Viola (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str)

SKU: BR.OB-5581-19

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Schmidt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Romantic. Part. 16 pages. Duration 30'. Breitkopf and Haertel #OB 5581-19. Published by Breitkopf and Haertel (BR.OB-5581-19).

ISBN 9790004343227. 10 x 12.5 inches.

A Programmatic Declaration of BeliefFelix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the Confessio Augustana, the Protestant declaration of faith. Owing to various and only partially explained reasons, there was no performance in 1830, the year in question; it was only two years later that the composer conducted the premiere of his work, now heavily revised, in Berlin. There was only one more performance in Mendelssohn's lifetime, this one conducted by Julius Rietz in Dusseldorf; the composer had since distanced himself from his opus.Conceived for the concert hall, the symphony formulates its theological references through the integration of various motives. This occurs in the finale, for example, in which Mendelssohn quotes the Luther chorale Ein feste Burg in the flute, from where it builds up to a triumphant principal theme. The strong extra-musical aspect must have been one of the reasons for the composer's later avoidance of this score, especially since Mendelssohn was becoming increasingly skeptical about explicitly programmatic music in the instrumental domain. Next to the Dusseldorf performance material of 1837, two scribal copies have been examined for the first time; they transmit the main stages of the version of 1830.

By Alexandra Shealy (Editor). For Piano. Classical. 192 pages. Published by Music Sales.

Double bass (picc.2.2.2.2.dbl bsn - 2.2.3.0 - timp - str)

SKU: BR.OB-14615-27

Urtext based on the Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Jens Dufner. Stapled. Orchester-Bibliothek (Orchestral Library).

The study score (,,Studien-Edition) is available at G. Henle Verlag.

Symphony; Classical. Part. 12 pages. Duration 36'. Breitkopf and Haertel #OB 14615-27. Published by Breitkopf and Haertel (BR.OB-14615-27).

ISBN 9790004343302. 10 x 12.5 inches.

The Famous One in the Leading EditionBeethoven spent a relatively long time on his 5th Symphony. Thus, first sketches can already be found from as early as 1804, four years before the work was premiered in Vienna in December 1808. Not only impressive is its striking opening theme, letting everyone know immediately that this is Beethoven being played, but also its nickname symphony of fate. Nothing in the sources prefigures the much-cited fate, musically knocking here at the door. The autograph of the score and the set of parts prepared from it, including Beethoven's revisions, serve as the main sources of this Urtext edition, together with the missing copy of the score, now extant only incomplete in photographs, and the original edition of the parts authorized by Beethoven. The new performance material is based on the recently published volume of the New Beethoven Complete Edition.

Full score (picc.2.2.2.2.dbl bsn - 2.2.3.0 - timp - str)

SKU: BR.PB-14615-01

Urtext based on the Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphony; Classical. Sheet Music. 120 pages. Duration 36'. Breitkopf and Haertel #PB 14615-01. Published by Breitkopf and Haertel (BR.PB-14615-01).

ISBN 9790004214909. 10 x 12.5 inches.

The Famous One in the Leading EditionBeethoven spent a relatively long time on his 5th Symphony. Thus, first sketches can already be found from as early as 1804, four years before the work was premiered in Vienna in December 1808. Not only impressive is its striking opening theme, letting everyone know immediately that this is Beethoven being played, but also its nickname symphony of fate. Nothing in the sources prefigures the much-cited fate, musically knocking here at the door. The autograph of the score and the set of parts prepared from it, including Beethoven's revisions, serve as the main sources of this Urtext edition, together with the missing copy of the score, now extant only incomplete in photographs, and the original edition of the parts authorized by Beethoven. The new performance material is based on the recently published volume of the New Beethoven Complete Edition.

Viola (picc.2.2.2.2.dbl bsn - 2.2.3.0 - timp - str)

SKU: BR.OB-14615-19

Urtext based on the Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Jens Dufner. Stapled. Orchester-Bibliothek (Orchestral Library).

The study score (,,Studien-Edition) is available at G. Henle Verlag.

Symphony; Classical. Part. 16 pages. Duration 36'. Breitkopf and Haertel #OB 14615-19. Published by Breitkopf and Haertel (BR.OB-14615-19).

ISBN 9790004343289. 10 x 12.5 inches.

The Famous One in the Leading EditionBeethoven spent a relatively long time on his 5th Symphony. Thus, first sketches can already be found from as early as 1804, four years before the work was premiered in Vienna in December 1808. Not only impressive is its striking opening theme, letting everyone know immediately that this is Beethoven being played, but also its nickname symphony of fate. Nothing in the sources prefigures the much-cited fate, musically knocking here at the door. The autograph of the score and the set of parts prepared from it, including Beethoven's revisions, serve as the main sources of this Urtext edition, together with the missing copy of the score, now extant only incomplete in photographs, and the original edition of the parts authorized by Beethoven. The new performance material is based on the recently published volume of the New Beethoven Complete Edition.

Orchestra (picc.2.2.2.2.dbl bsn - 2.2.3.0 - timp - str)

SKU: BR.PB-14615

Urtext based on the Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Jens Dufner. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The study score (,,Studien-Edition) is available at G. Henle Verlag.

Symphony; Classical. Full score. 120 pages. Duration 36'. Breitkopf and Haertel #PB 14615. Published by Breitkopf and Haertel (BR.PB-14615).

ISBN 9790004214909. 10 x 12.5 inches.

The Famous One in the Leading EditionBeethoven spent a relatively long time on his 5th Symphony. Thus, first sketches can already be found from as early as 1804, four years before the work was premiered in Vienna in December 1808. Not only impressive is its striking opening theme, letting everyone know immediately that this is Beethoven being played, but also its nickname symphony of fate. Nothing in the sources prefigures the much-cited fate, musically knocking here at the door. The autograph of the score and the set of parts prepared from it, including Beethoven's revisions, serve as the main sources of this Urtext edition, together with the missing copy of the score, now extant only incomplete in photographs, and the original edition of the parts authorized by Beethoven. The new performance material is based on the recently published volume of the New Beethoven Complete Edition.

Violoncello (picc.2.2.2.2.dbl bsn - 2.2.3.0 - timp - str)

SKU: BR.OB-14615-23

Urtext based on the Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Jens Dufner. Stapled. Orchester-Bibliothek (Orchestral Library).

The study score (,,Studien-Edition) is available at G. Henle Verlag.

Symphony; Classical. Part. 18 pages. Duration 36'. Breitkopf and Haertel #OB 14615-23. Published by Breitkopf and Haertel (BR.OB-14615-23).

ISBN 9790004343296. 10 x 12.5 inches.

The Famous One in the Leading EditionBeethoven spent a relatively long time on his 5th Symphony. Thus, first sketches can already be found from as early as 1804, four years before the work was premiered in Vienna in December 1808. Not only impressive is its striking opening theme, letting everyone know immediately that this is Beethoven being played, but also its nickname symphony of fate. Nothing in the sources prefigures the much-cited fate, musically knocking here at the door. The autograph of the score and the set of parts prepared from it, including Beethoven's revisions, serve as the main sources of this Urtext edition, together with the missing copy of the score, now extant only incomplete in photographs, and the original edition of the parts authorized by Beethoven. The new performance material is based on the recently published volume of the New Beethoven Complete Edition.

Composed by Hanson Howard. Arranged by Todd Parrish. Folio. Score and part(s). 138+Cover pages. Duration 4 minutes, 47 seconds. Carl Fischer Music #AS66. Published by Carl Fischer Music

Orchestra (4(2picc).3(cor ang).heck.Eb-clar.2.Bb-cl ar(clar).4(dble bsn) - 8(4T-tuba).2alphn.4.4.2 - org.cel - 2hp.2timp.perc(6).wind m.thunder m - str - off stage: 12hn.2trp.2tbne)

SKU: BR.PB-5710

Tone Poem - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphonic poem; Late-romantic; Early modern. Sheet Music. 204 pages. Duration 50'. Breitkopf and Haertel #PB 5710. Published by Breitkopf and Haertel (BR.PB-5710).

ISBN 9790004216477. 10.5 x 14 inches.

Richard Strauss's last completed tone poem is regarded as the pinnacle of his art of orchestration: Now I've finally learned to orchestrate, he himself is once supposed to have said about it after the dress rehearsal. The single-movement Alpine symphony that we know today ultimately evolved - over almost 15 years - from the original drafts of an artist's tragedy, titled Der Antichrist. Eine Alpensinfonie [The Antichrist. An Alpine Symphony] up to the stage of the last sketches. With unprecedented plasticity, the work showcases a (metaphysical?) mountain hike with stops in the forest, at the waterfall, on the alpine pasture and, of course, at the summit. Apropos alpine pastures: up to the score's fair copy stage, Strauss envisaged a high and a low alphorn for the section Auf der Alm [On the Alpine Pasture] and the well-known Dulioh theme, though for various reasons first detailed in our new Urtext edition, these exotic instruments did not find their way into the printed version. In the new edition, the editor, Nick Pfefferkorn, reproduces the alphorn passages in small print, also adding two alphorn parts to the performance material, besides evaluating the corrections made by Walter Seifert at Strauss's request.

First Urtext edition since the first editionEvaluation of all available sources, including sketches and the score corrected by Walter Seifert Extensive preface on the work's compositional history and receptionDetailed Critical ReportFacsimile pages.

Organ

SKU: CA.1817900

Composed by Charles Marie Widor. Edited by Georg Koch. Free organ music. Full score. Op. 42,1. 80 pages. Duration 35 minutes. Carus Verlag #CV 18.179/00. Published by Carus Verlag (CA.1817900).

ISBN 9790007188979. Language: all languages.

It is no coincidence that the Toccata from Widor's Vth Organ Symphony is his best-known composition. Who can resist its thrilling verve? Not only this, but also the other movements of this unique work of the organ repertoire win you over immediately - the first with its march-like, majestic, much-varied theme; the second with its wonderfully elegiac oboe melody, flowing along over staccato sixteenth notes; and the two slow movements, of which the melancholy, almost static Adagio forms the greatest contrast imaginable to the following triumphal Toccata. The Carus Urtext edition is based on the Paris edition of 1928/29, the last one to be published during Widor's lifetime. The corrections which the composer made after the publication of this edition have also been taken into consideration. As well as this, earlier editions have been consulted for comparison to clarify individual variant readings. Editorial suggestions on the performance of individual passages complete the new edition. Great organ works: Series A: - Symphony II op. 13 no. 2 - Symphony IV op. 13 no. 4 - Symphony V op. 42 no. 1 - Symphony VI op. 42 no. 2 - Symphony Romane op. 73 in preparation Subscription offer for Series A: 20% discount off the retail price.

(15 Solo Arrangements in Standard Notation & Tab). Composed by Various. For Ukulele. Ukulele. Softcover. Guitar tablature. 32 pages. Published by Hal Leonard

For Flute, with chord symbols. Classical. Sheet Music. 64 pages. Published by Music Sales.

For Piano Solo (with Chord Symbols). Romantic, Baroque, Classical. Sheet Music. 160 pages. Published by Wise Publications.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039409

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. 1x 10.394/21 flute 1, 1x 10.394/22 flute 2, 1x 10.394/23 oboe 1, 1x 10.394/24 oboe 2, 1x 10.394/25 clarinet 1, 1x 10.394/26 clarinet 2, 1x 10.394/27 bassoon 1, 1x 10.394/28 bassoon 2, 1x 10.394/31 horn 1, 1x 10.394/32 horn 2, 1x 10.394/33 trumpet 1, 1x 10. Harmony parts. Secular choral music. Set of Orchestra Parts. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/09. Published by Carus Verlag (CA.1039409).

ISBN M-007-25218-2. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and parts available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039413

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Viola. Secular choral music. Part. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/13. Published by Carus Verlag (CA.1039413).

ISBN M-007-25221-2. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039403

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Secular choral music. Vocal score. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/03. Published by Carus Verlag (CA.1039403).

ISBN M-007-18768-2. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score available separately - see item CA.1039400.