ISBN
9790007225148. Language:
German. Text: Stephanie
der Jungere, Johann
Gottfried. Text: Johann
Gottfried, Stephanie der
Jungere.
Der
Schauspieldirektor (The
Impresario) was composed
in the spring of 1786 to
fulfill a commission from
Joseph II for performance
during a visit to Vienna
by the Governor-General
of the Netherlands. The
visitors were meant to be
entertained with a short
German and an Italian
musical comedy during a
festival arranged on
short notice in
Schonbrunn Palace. The
choice of composers fell
to Mozart and Salieri.
Both pieces spoofed the
theatrical practices of
the day. Der
Schauspieldirektor, by
Gottlieb Stephanie the
Younger, has a
loosely-constructed plot
that hinges on the vanity
of opera singers and the
empty-headedness of many
traveling companies.
Frank Lustig wants to
create a new theatrical
troupe, for which Herr
Eiler is willing to
supply money, but only on
condition that his lady
friend is allowed to
join. In the course of
the piece, appearances
are made by other ladies
with resonant names who
want to be retained as
singers and who attempt
to outdo each other until
reason is allowed to
prevail. Score and parts
available separately -
see item CA.5148600.
Captain Marco Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1114967-010 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1114967-010
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
and Parts). Composed
2011. De Haske
Publications #DHP
1114967-010. Published by
De Haske Publications
(BT.DHP-1114967-010).
9x12 inches.
English-German-French-Dut
ch.
Hayato Hirose
composed this dramatic
piece based on the great
journey of Marco Polo,
Italian traveller and one
of the first Europeans
ever to visit Asia. In
the 13th century, he made
a long journey from
Venice to Mongolia with
his father. After his
arrival, he was sent to
the various regions in
Asia by the Mongolian
government to take notes
about the culture, the
people, and the way of
life in those areas.
Celebrate the life of
this great explorer with
this dynamic new concert
work.
Captain
Marco is het eerste werk
van Hayato Hirose voor
blaasorkest. Hij
componeerde het in 1998.
Met dit dramatische werk
smeedt de Japanse Hirose
een muzikale band tussen
Europa en Azië,
waarbij de grote
zeevaarder Marco Polo
deverbindende factor is.
Marco Polo was niet
alleen een van de eerste
grote
ontdekkingsreizigers
ooit, hij hield ook een
logboek bij van zijn
avonturen. In zijn tijd
deed het letterlijk een
boekje open over het
verre Oosten. Nog
steedsspreekt deze
roemruchte kapitein tot
de verbeelding. In ieder
geval tot die van de
componist, die er een
mooie compositie aan
wijddeâ?¦
Cap
tain Marco ist Hayato
Hiroses erstes Werk fu?r
Blasorchester und wurde
im Jahr 1998 komponiert.
In diesem dramatischen
Werk knu?pft der Japaner
Hirose ein musikalisches
Band zwischen Europa und
Asien, indem er das Leben
des beru?hmten
Handelsreisenden Marco
Polo vertont. Kapitän
Marcoâ?? war nicht nur
einer der ersten groÃ?en
Seefahrer und Entdecker
u?berhaupt, sondern er
hinterlieÃ? auch seine
Erfahrungen in einem
Buch, das den
Europäern damals das
ferne Asien erklärte
und offensichtlich auch
heute noch sehr
inspirierend
ist.
Captain
Marco, composta nel
1998, è la prima opera
per banda di Hayato
Hirose. Un brano
espressivo ed intenso,
omaggio a colui che
ancora oggi è
considerato uno dei
più grandi esploratori
di tutti i tempi: Marco
Polo.
Arkansas Traveler Orchestre d'harmonie [Conducteur] - Intermédiaire Claude T. Smith Publications
Grade 5 SKU: CL.CTS-8074-75 Arranged by Armstrong. Concert Band. Oversize...(+)
Grade 5
SKU:
CL.CTS-8074-75
Arranged by Armstrong.
Concert Band. Oversized,
spiral-bound score.
Composed 2023. Claude T.
Smith Publications
#CTS-8074-75. Published
by Claude T. Smith
Publications
(CL.CTS-8074-75).
Concert Band Concert Band - Grade 1.5 SKU: FJ.B1684 Composed by Tyler S. ...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
FJ.B1684
Composed by
Tyler S. Grant. Concert
Band. FJH Developing
Band. Multicultural;
Programmatic. Score and
Part(s). Duration 2:45.
The FJH Music Company Inc
#98-B1684. Published by
The FJH Music Company Inc
(FJ.B1684).
UPC:
241444371718.
English.
Travel
back in time to 1775 and
the Battle of Lexington
and Concord, the tipping
point for the American
Revolutionary War. This
fiery engagement is
depicted with a slow,
ominous introduction as
soldiers gather to await
the arrival of British
forces. As the battle
ensues, the music
frantically portrays the
struggle between the two
sides and the percussion
emulates the sound of
canon bursts and rifles.
An aggressive &
historical tribute of
significant merit!
About FJH
Developing
Band
Sligh
tly more advanced than
beginning band. Clarinet
1 begins to play over the
break. Rhythms and ranges
are expanded to
accommodate the end of
first-year as well as
second-year instruction.
Grade 1.5
Americana Piano, Voix et Guitare [Partition] - Intermédiaire/avancé Hal Leonard
Arranged by Phillip Keveren. Piano Solo Songbook (Intermediate to advanced piano...(+)
Arranged by Phillip
Keveren. Piano Solo
Songbook (Intermediate to
advanced piano
arrangements with no
lyrics). Softcover. Size
9x12 inches. 48 pages.
Published by Hal Leonard.
Cyberlink 3 Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Concert band - Grade 3 SKU: CL.011-4591-00 Composed by Huckeby. Young Con...(+)
Concert band - Grade 3
SKU:
CL.011-4591-00
Composed by Huckeby.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR392). Score and set
of parts. Composed 2017.
Duration 3 minutes, 15
seconds. C.L. Barnhouse
#011-4591-00. Published
by C.L. Barnhouse
(CL.011-4591-00).
Cyberlink 3 is
a musical journey into
the world of science
fiction, fantasy and
space travel! Using
special musical effects
and easily executed
rhythmic elements, this
unique selection allows
students and audiences
the opportunity to
exercise their
imagination. While the
musical concepts are
within the grasp of
developing bands, the end
result provides
significant latitude for
individual
interpretation. Is there
a villain?...or a
cyborg?...or are we just
imagining? You can really
have fun with this one as
a concert or contest
selection!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Piano, Vocal and Guitar SKU: HL.14029561 Composed by Alison Hedger. Music...(+)
Piano, Vocal and Guitar
SKU: HL.14029561
Composed by Alison
Hedger. Music Sales
America. Musical
Education. Book
[Softcover]. Composed
2013. 24 pages. Music
Sales #GA10259. Published
by Music Sales
(HL.14029561).
ISBN
9781870997065.
English.
A
Children's Favourite! A
celebration in eight
original carols for
concerts or as a musical
framework for a
delightful nativity play
with Biblical texts
given. Arranged for piano
and voice, with Guitar
chords given. Some sings
have recorder parts and
percussion parts also.
Duration: 25 mins. Script
available in student
book.
Piano, Vocal and Guitar SKU: HL.14006779 Composed by Mark Golding. Music ...(+)
Piano, Vocal and Guitar
SKU: HL.14006779
Composed by Mark Golding.
Music Sales America.
Christmas. Cassette.
Composed 2016. Golden
Apple Productions
#GA10972. Published by
Golden Apple Productions
(HL.14006779).
English.
The
traditional Nativity
story, retold in
narration and song, for
performance by children
of mixed ages and
abilities. The music is
easy to learn and has an
up-to-date feel which
makes it instantly
appealing. If you need to
license a school/youth
theatre performance of
this product, please use
the online application
form.
Chamber Music Piano SKU: PR.140401330 Composed by R. Nathaniel Dett. Edit...(+)
Chamber Music Piano
SKU: PR.140401330
Composed by R. Nathaniel
Dett. Edited by Lara
Downes. 32 pages.
Duration 18 minutes.
Theodore Presser Company
#140-40133. Published by
Theodore Presser Company
(PR.140401330).
ISBN
9781491134412. UPC:
680160684939.
Natha
niel Dett was among
America’s leading
composers in the early
20th century, and
MAGNOLIA SUITE is a
beautiful example of his
rich, hybrid style.
Deeply inspired by the
music and mission of
Samuel Coleridge-Taylor,
Dett’s piano music
springs from the late
Romantic traditions of
florid texture and
embellishment, along with
programmatic titles and
raw emotion. It is
notable for melody
writing inspired by and
paraphrasing
African-American song.
The 18-minute MAGNOLIA
SUITE contains five
movements, any of which
may also be performed
separately. This edition
by Lara Downes provides a
clean, new engraving that
corrects the many errors
and unclear indications
appearing in the
historical
printing. Robert
Nathaniel Dett was born
in a place that was built
on freedom. The little
village of Drummondville,
Ontario was founded by
enslaved Africans
– Dett’s
ancestors among them
– who traveled the
Underground Railroad out
of the American South
into Canada. Their
journey brought them to a
safe haven, a place where
fortunes and futures
could be transformed in
the span of one
generation, to lives full
of new possibilities. You
could call it “the
place where the rainbow
ends,†which is the
title of the last
movement of Dett’s
Magnolia Suite.When Dett
wrote these pieces, he
was a young teacher at
Lane College in
Tennessee, a historically
Black college that had
been founded in 1882, the
year of his birth. A
place built on freedom,
with the purpose of
educating
newly-emancipated slaves
– a place designed
to nurture the blossoming
of ideas, the vibrant
flowering of minds set
free. This music is
inspired by the gorgeous
splendor of the magnolia
blooms on that college
campus, and also by the
shared histories,
experiences, and
aspirations of the
community that Dett found
there.These five pieces
pay affectionate tribute
to lineage and legacy.
They express gratitude
for the bittersweet
beauties of the present;
nostalgia for the past (a
bit romanticized, as the
past always is); and an
effervescent optimism for
the future that awaits us
in the place where the
rainbow ends.
(Hymns of Sylvia G. Dunstan - 37 Hymns and 3 Gospel Songs with Traditional Tunes...(+)
(Hymns of Sylvia G.
Dunstan - 37 Hymns and 3
Gospel Songs with
Traditional Tunes). By
Sylvia Dunstan. Hymn
Collection. Sacred. 90
pages. Published by GIA
Publications
Concert Band; Orchestra 2.2.2.2: 2.0+2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set)...(+)
Concert Band; Orchestra
2.2.2.2: 2.0+2.3.0:
Timp.Perc(2): Str
(9-8-7-6-5 in set): Solo
Piano
SKU:
AP.36-A196148
Composed by Camille Saint
Saens. Full Orchestra,
Solo Keyboard with
Ensemble, Solo Piano.
Kalmus Orchestra Library.
Part(s). LudwigMasters
Publications #36-A196148.
Published by
LudwigMasters
Publications
(AP.36-A196148).
ISBN
9798892702683. UPC:
659359867958.
English.
Following
the death of his mother
in 1888, a depressed
Camille Saint-Saëns
(1835-1921) decided to
take a trip to his
favorite destination,
North Africa, travelling
to Ceylon, then to
Alexandria and Cairo over
the period of several
months. While he was in
Egypt, he composed his
fantasia for piano and
orchestra, AFRICA, Op.
89. Dedicated to pianist
Marie-Aimée
Roger-Miclos, it
premiered on October 25,
1891, with the dedicatee
playing the solo, and the
work was an immediate
success both at the
premiere and after, which
pleased Saint-Saëns a
great deal to the point
that he considered AFRICA
a signature work.
Borrowing themes and
techniques from North
African music, the
fantasy draws on material
he heard in Algeria and
Egypt, offering an exotic
sound to those listening
in the late 19th and
early 20th centuries.
This concertante is
notable also as one of
the first works to be
recorded with the
composer as soloist, with
a surviving 1904
recording with
Saint-Saëns at the
piano. This colorful
piece continues to be
performed regularly
today. Reprint edition.
Instrumentation: 2.2.2.2:
2.0+2.3.0: Timp.Perc(2):
Str (9-8-7-6-5 in set):
Solo Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
A Viking Saga.
Composed by Gene Milford.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+8+2+4+
10+24+4 pages. Duration
4:44. Carl Fischer Music
#CPS221. Published by
Carl Fischer Music
(CF.CPS221).
ISBN
9781491152478. UPC:
680160909971.
The
Long Ships: A Viking
Saga portrays the
drama and excitement of
the adventures of Viking
heroes and great tales of
Norse mythology. Composer
Gene Milford has written
a descriptive work that
is bold, exciting, and
beautiful. It is a
rhapsodic piece with
great potential for
developing the
musicianship of your
students. The Long
Ships is a perfect
addition to your
ensemble's contest and
festival
repertoire. The
Vikings or Norsemen were
the great explorers,
warriors and traders of
the European Medieval
Age. In their iconic
“long shipsâ€
they traveled from their
Scandinavian home lands
as far west as Greenland
and New Foundland, south
into the Mediterranean
and East through Russia
to the Black Sea. The
Vikings were also the
scourge of the era, and
the cry “the Long
Ships are comingâ€
sent fear through coastal
and river communities
throughout Great Britain
and Europe. The Norse
sagas, tales of gods and
heroes, have inspired
musicians and authors
though the centuries.The
Long Ships: A Viking Saga
portrays the drama and
excitement of the
adventures of Viking
heroes and great tales of
Norse mythology.The anvil
in Percussion 2 should be
struck with a large metal
hammer. A low sounding
anvil is preferred but a
break drum can be
substituted.
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
Arranged by Alexander L'Estrange. Choir Secular. For SA/Men and piano (3-Part Mi...(+)
Arranged by Alexander
L'Estrange. Choir
Secular. For SA/Men and
piano (3-Part Mixed Choir
(SAB)). Book; Choral
Collection. Choral
Basics. Published by
Faber Music
For
String Orchestra.
Composed by Clint
Needham. Premiered by the
New York Classical
Players; New York, NY.
Contemporary. Full score.
With Standard notation.
Composed 2010. 30 pages.
Duration 11 minutes.
Theodore Presser Company
#416-41425. Published by
Theodore Presser Company
(PR.416414250).
UPC:
680160602261. 8.5 x 11
inches.
DRIVING
MUSIC was commissioned by
the New York Classical
Players for their
inaugural concert.
Thework took inspiration
from Needham’s
seemingly-constant travel
schedule in the spring
and summer of2010. The
work was written, in
part, in various cities
across the country, on a
number of planes, and
innumerous car rides (as
a passenger, of course).
To highlight the
composer’s
travels, the work is cast
ina series of contrasting
musical vignettes, with
each section representing
a place Needham was in
whilesketching the
work.
by Wayne Erbsen. For mandolin. Native Ground Music. Old time. Level: Beginning-I...(+)
by Wayne Erbsen. For
mandolin. Native Ground
Music. Old time. Level:
Beginning-Intermediate.
Book. Solos. Size
8.75x11.75. 96 pages.
Published by Mel Bay
Pub., Inc.
Cerberus Orchestre d'harmonie [Conducteur] - Facile RWS Music Company
Grade 2 SKU: CL.RWS-2207-01 Composed by Kroll. Young Concert Band. Extra ...(+)
Grade 2
SKU:
CL.RWS-2207-01
Composed by Kroll. Young
Concert Band. Extra full
score. Composed 2022. RWS
Music Company
#RWS-2207-01. Published
by RWS Music Company
(CL.RWS-2207-01).
Often known as
The Hound of Hades, Greek
mythology tells us
Cerberus was the mighty
three-headed dog that
guards the gate of the
Underworld. This song
evokes the perspective of
Orpheus as he traveled to
Hades to win back his
love, Eurydice.
For Flute. Composed by Various. Music Sales America. Classical Period, Folk and ...(+)
For Flute. Composed by
Various. Music Sales
America. Classical
Period, Folk and
Broadway. Flute solo book
(no accompaniment,
softcover). 93 pages.
Music Sales #AM38365.
Published by Music Sales