Piano, Voix [Partition] - Intermédiaire Hal Leonard
Composed by Andrew Lippa. For voice and piano. From the Broadway musical "The Wi...(+)
Composed by Andrew Lippa.
For voice and piano. From
the Broadway musical "The
Wild Party". Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and
introductory text.
Broadway. 110 pages. 9x12
inches. Published by Hal
Leonard.
To A Wild Rose Piano seul - Intermédiaire Bosworth & Co.
Piano - intermediate SKU: BT.WA-7012-401 Composed by Edward MacDowell. Ar...(+)
Piano - intermediate
SKU:
BT.WA-7012-401
Composed by Edward
MacDowell. Arranged by
Thomas A. Johnson. The
Walsh Collection.
Educational Tool. Book
Only. 8 pages. The Walsh
Collection #WA 7012-401.
Published by The Walsh
Collection
(BT.WA-7012-401).
English.
Edward
MacDowell's To A Wild
Rose number 1 from
his suite of Woodland
Sketches Op.51
arranged for Piano Duet
by Thomoas A.
Johnson.
Organ SKU: HL.14043329 Organ. Composed by Judith Weir. Music Sales...(+)
Organ
SKU:
HL.14043329
Organ. Composed by
Judith Weir. Music Sales
America. Classical,
Contemporary. Softcover.
Composed 2014. 20 pages.
Chester Music #CH80795.
Published by Chester
Music (HL.14043329).
The Great Trees: 1. Peace of Wild Things. Composed by Gwyneth W. Walker (...(+)
The Great Trees: 1.
Peace of Wild Things.
Composed by Gwyneth W.
Walker (1947-). Concerts,
Secular, 21st Century.
Octavo. Published by E.C.
Schirmer Publishing
(EC.7744).
Score Only Concert Band; Symphonic Band (Score) - Grade 3 SKU: HL.4005055 ...(+)
Score Only Concert Band;
Symphonic Band (Score) -
Grade 3
SKU:
HL.4005055
Composed
by Michael Sweeney.
MusicWorks Grade 3.
Fanfare. Softcover.
Published by Hal Leonard
(HL.4005055).
UPC:
888680675745.
9.0x12.0x0.085
inches.
The Wildcat
Creek in central Indiana
forms a valley connecting
all schools in the Howard
County area for whom this
piece was written.
Opening with the
percussion section in a
stately style, the main
theme is first heard in a
chorale-like setting.
Designed as an extended
fanfare, the piece
quickly builds in
intensity with each
subsequent phrase, and
culminates in a
fast-paced and brilliant
sounding ending flourish.
Effective as a concert
opener. Dur: 3:15.
Composed
by Stacy Garrop. Full
score. With Standard
notation. 40 pages.
Duration 13:15. Theodore
Presser Company
#114-41930S. Published by
Theodore Presser Company
(PR.11441930S).
UPC:
680160673537. 9 x 12
inches.
Written
during a residence at an
artist community in the
isolation of Wyoming,
Postcards from Wyoming is
an impression of the
wilderness and beauty of
the surrounding landscape
and its inhabitants.
Written for Pierre
ensemble with percussion,
Postcards includes High
Plains Prairie (a harsh
landscape which reveals
glimpses of beauty upon
closer examination), Call
of the Wild (animals from
snakes to horses and cows
populate the
environment), and The
Solitude of Stars
(capturing the infinite
awe of the night
sky). In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
Postcards from Wyoming
presents three glimpses
of what I found to be the
most striking aspects of
my residence. The first
movement, High Plains
Prairie, represents the
conundrum that is a high
elevation landscape: from
afar, the eye sees little
else than an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I'm thankful that I
didn't see any predators
(such as wolves), I
became increasingly aware
of the wildness of the
animal population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
Postcards from Wyoming
was commissioned by the
2016 Utah Arts Festival.
-S.G. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
almost continuously on
our projects. I have been
in residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and
wildlife.Postcards from
Wyoming presents three
glimpses of what I found
to be the most striking
aspects of my residence.
The first movement, High
Plains Prairie,
represents the conundrum
that is a high elevation
landscape: from afar, the
eye sees little else than
an unending and
threadbare horizon. But
as one inspects the land
up close, the prairie
bursts with color
provided by sagebrush,
grasses, insects, and
creeks. The second
movement, Call of the
Wild, is a tribute to the
wide range of animals
that reside in the area.
Deer, turkeys, and
rabbits frequently passed
outside of my studio
window; cows and sheep
lived in fields close by.
Snakes, raccoons, and
field mice also made
guest appearances. While
I’m thankful that
I didn’t see any
predators (such as
wolves), I became
increasingly aware of the
wildness of the animal
population that
surrounded my studio. The
Solitude of Stars, the
third and final movement,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the
prairie.Postcards from
Wyoming was commissioned
by the 2016 Utah Arts
Festival.-S.G.
Viola SKU: CA.3323813 Oratorio. Composed by Carl Philipp Emanuel B...(+)
Viola
SKU:
CA.3323813
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Viola. Sacred
vocal music, Oratorios.
Individual part. Composed
1769. BR-CPEB D 1 (Wq
238). 20 pages. Duration
75 minutes. Carus Verlag
#CV 33.238/13. Published
by Carus Verlag
(CA.3323813).
ISBN
9790007212223. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler.
Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and part
available separately -
see item CA.3323800.
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Complete
orchestral parts. Sacred
vocal music, Oratorios.
Set of Orchestra Parts.
Composed 1769. BR-CPEB D
1 (Wq 238). Duration 75
minutes. Carus Verlag #CV
33.238/19. Published by
Carus Verlag
(CA.3323819).
ISBN
9790007142360. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler.
Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and
parts available
separately - see item
CA.3323800.
Oratorio. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Reginal...(+)
Oratorio. Composed by
Carl
Philipp Emanuel Bach
(1714-
1788). Edited by Reginald
L.
Sanders. This edition:
paperback. Sacred vocal
music, Oratorios. Vocal
score. Composed 1769.
BR-CPEB
D 1 (Wq 238). Duration 75
minutes. Carus Verlag #CV
33.238/03. Published by
Carus
Verlag
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. 1x 33.238/21
flute 1, 1x 33.238/22
flute 2, 1x 33.238/23
oboe 1, 1x 33.238/24 oboe
2, 1x 33.238/25 bassoon,
1x 33.238/31 horn 1, 1x
33.238/32 horn 2, 1x
33.238/33 trumpet 1, 1x
33.238/34 trumpet 2, 1x
33.238/35 trumpet 3, 1x
33.238/41 timpani.
Harmony parts. Sacred
vocal music, Oratorios.
Set of Orchestra Parts.
Composed 1769. BR-CPEB D
1 (Wq 238). Duration 75
minutes. Carus Verlag #CV
33.238/09. Published by
Carus Verlag
(CA.3323809).
ISBN
9790007212193. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler.
Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and
parts available
separately - see item
CA.3323800.
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Sacred vocal
music, Oratorios. Choral
Score. Composed 1769.
BR-CPEB D 1 (Wq 238).
Duration 75 minutes.
Carus Verlag #CV
33.238/05. Published by
Carus Verlag
(CA.3323805).
ISBN
9790007212186. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler.
Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score
available separately -
see item CA.3323800.
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Organ. Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1769. BR-CPEB D
1 (Wq 238). 48 pages.
Duration 75 minutes.
Carus Verlag #CV
33.238/49. Published by
Carus Verlag
(CA.3323849).
ISBN
9790007212247. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler.
Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and part
available separately -
see item CA.3323800.
To a Wild Rose Fanfare [Conducteur et Parties séparées] - Facile Anglo Music
Fanfare Band - Grade 2 SKU: BT.AMP-026-020 Composed by Edward MacDowell. ...(+)
Fanfare Band - Grade 2
SKU:
BT.AMP-026-020
Composed by Edward
MacDowell. Arranged by
Philip Sparke. Debut
Series (Anglo). Festive
and Solemn Music. Set
(Score & Parts). Composed
2002. Anglo Music Press
#AMP 026-020. Published
by Anglo Music Press
(BT.AMP-026-020).
Edward
MacDowell can be regarded
as the first great
American composer,
although he disliked the
idea of being classified
as any sort of musical
nationalist. He composed
a large number of
orchestral works but it
is the charming and
unpretentious suite of
musical miniatures,
Woodland Sketches, that
has survived as his
best-known work, with To
a Wild Rose being the
most popular. Philip
Sparke has expertly
arranged this simple work
for concert band.
Edward MacDowell
(1860-1908) kan als de
eerste grote Amerikaanse
componist worden
beschouwd, hoewel hij
zelf een hekel had aan
het idee gezien te worden
als nationaal musicus.
MacDowell beschouwde
muziek bij uitstek als
een internationaletaal.
Hij componeerde een grote
hoeveelheid pianomuziek,
evenals vele liederen en
een aantal orkeststukken.
Het is echter de
bekoorlijke en
pretentieloze suite van
muzikale miniaturen,
Woodland Sketches,
die zijn bekendstewerk is
geworden. Hiervan is het
prachtige To a Wild
Rose het
populairst.
Philip
Sparke bearbeitete dieses
Stück des
amerikanischen
Komponisten Edward
MacDowell, der weit
über die Grenzen
seines Heimatlandes
hinaus berühmt ist.
To a Wild Rose
wurde seinem bekanntesten
Werk, den Woodland
Sketches, entnommen,
einer Reihe anmutiger,
unprätentiöser
musikalischer Miniaturen.
Hieraus ist To a Wild
Rose das wohl
populärste Stück,
dessen Qualität
Kritiker zu dem Urteil
bewog, es sei so gut, wie
der gesamte Rest von
MacDowells
Klaviermusik.
By Michael John Lachiusa. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chor...(+)
By Michael John Lachiusa.
For Piano/Vocal/Chords.
This edition:
Piano/Vocal/Chords. Shows
and Movies. Broadway.
Book. 84 pages. Published
by Alfred Music
Publishing
To a Wild Rose Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 2 SKU: BT.AMP-026-010 Composed by Edward Ma...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.AMP-026-010
Composed by Edward
MacDowell. Arranged by
Philip Sparke. Debut
Series (Anglo). Festive
and Solemn Music. Set
(Score & Parts). Composed
2002. Anglo Music Press
#AMP 026-010. Published
by Anglo Music Press
(BT.AMP-026-010).
Edward
MacDowell can be regarded
as the first great
American composer,
although he disliked the
idea of being classified
as any sort of musical
nationalist. He composed
a large number of
orchestral works but it
is the charming and
unpretentious suite of
musical miniatures,
Woodland Sketches, that
has survived as his
best-known work, with To
a Wild Rose being the
most popular. Philip
Sparke has expertly
arranged this simple work
for concert band.
Philip Sparke
bearbeitete dieses
Stück des
amerikanischen
Komponisten Edward
MacDowell, der weit
über die Grenzen
seines Heimatlandes
hinaus berühmt ist.
To a Wild Rose
wurde seinem bekanntesten
Werk, den Woodland
Sketches, entnommen,
einer Reihe anmutiger,
unprätentiöser
musikalischer Miniaturen.
Hieraus ist To a Wild
Rose das wohl
populärste Stück,
dessen Qualität
Kritiker zu dem Urteil
bewog, es sei so gut, wie
der gesamte Rest von
MacDowells
Klaviermusik.
To a Wild Rose Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 2 SKU: BT.AMP-026-140 Composed by Edward Ma...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.AMP-026-140
Composed by Edward
MacDowell. Arranged by
Philip Sparke. Debut
Series (Anglo). Festive
and Solemn Music. Score
Only. Composed 2002.
Anglo Music Press #AMP
026-140. Published by
Anglo Music Press
(BT.AMP-026-140).
Edward
MacDowell can be regarded
as the first great
American composer,
although he disliked the
idea of being classified
as any sort of musical
nationalist. He composed
a large number of
orchestral works but it
is the charming and
unpretentious suite of
musical miniatures,
Woodland Sketches, that
has survived as his
best-known work, with To
a Wild Rose being the
most popular. Philip
Sparke has expertly
arranged this simple work
for concert band.
Philip Sparke
bearbeitete dieses
Stück des
amerikanischen
Komponisten Edward
MacDowell, der weit
über die Grenzen
seines Heimatlandes
hinaus berühmt ist.
To a Wild Rose
wurde seinem bekanntesten
Werk, den Woodland
Sketches, entnommen,
einer Reihe anmutiger,
unprätentiöser
musikalischer Miniaturen.
Hieraus ist To a Wild
Rose das wohl
populärste Stück,
dessen Qualität
Kritiker zu dem Urteil
bewog, es sei so gut, wie
der gesamte Rest von
MacDowells
Klaviermusik.
To a Wild Rose Fanfare [Conducteur] - Facile Anglo Music
Fanfare Band - Grade 2 SKU: BT.AMP-026-120 Composed by Edward MacDowell. ...(+)
Fanfare Band - Grade 2
SKU:
BT.AMP-026-120
Composed by Edward
MacDowell. Arranged by
Philip Sparke. Debut
Series (Anglo). Festive
and Solemn Music. Score
Only. Composed 2002.
Anglo Music Press #AMP
026-120. Published by
Anglo Music Press
(BT.AMP-026-120).
Edward
MacDowell can be regarded
as the first great
American composer,
although he disliked the
idea of being classified
as any sort of musical
nationalist. He composed
a large number of
orchestral works but it
is the charming and
unpretentious suite of
musical miniatures,
Woodland Sketches, that
has survived as his
best-known work, with To
a Wild Rose being the
most popular. Philip
Sparke has expertly
arranged this simple work
for concert band.
Philip Sparke
bearbeitete dieses
Stück des
amerikanischen
Komponisten Edward
MacDowell, der weit
über die Grenzen
seines Heimatlandes
hinaus berühmt ist.
To a Wild Rose
wurde seinem bekanntesten
Werk, den Woodland
Sketches, entnommen,
einer Reihe anmutiger,
unprätentiöser
musikalischer Miniaturen.
Hieraus ist To a Wild
Rose das wohl
populärste Stück,
dessen Qualität
Kritiker zu dem Urteil
bewog, es sei so gut, wie
der gesamte Rest von
MacDowells
Klaviermusik.