Chamber Music Tuba, Piano SKU: CF.W2693 The World's Oldest Tuba Solo(+)
Chamber Music Tuba, Piano
SKU: CF.W2693
The World's Oldest
Tuba Solo. Composed
by William Pettee. Edited
by Curtis Peacock. Sws.
Set of Score and Parts.
8+2 pages. Carl Fischer
Music #W2693. Published
by Carl Fischer Music
(CF.W2693).
ISBN
9781491158586. UPC:
680160917198. 9 x 12
inches.
While
unknown today, composer
William Pettee
(1839a1891) was clearly a
remarkable musician and
composer evidenced by the
fact that he wrote
funeral music for Abraham
Lincoln and General
Ulysses S. Grant. This
funeral music survives to
this day in a piano
reduction format and is
the basis of some of my
most current arranging
projects. This new
edition of Olosabut was
the culmination of years
of research into the era
commonly called The
Golden Age of Bands, a
period spanning
1880a1920. This project
initially began when I
played the solo part for
Olosabut with a reading
band when I was a guest
artist at the Northwest
Brass Festival in Seattle
in 2010. For this new
edition, I created a
score with modern
transpositions. Prior to
this, there has been no
score for this music.
There is often no score
for American band music
from this era. I also
adjusted the dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and orchestra.
Olosabut (atuba soloa
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwellas Quickstep
(Fun for Basses) from
1881. This is described
as a novelty march for
tuba section, however. A
notable omission from the
Tuba Source Book, though,
is William Petteeas
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889. While
unknown today, composer
William Pettee
(1839-1891) was clearly a
remarkable musician and
composer evidenced by the
fact that he wrote
funeral music for Abraham
Lincoln and General
Ulysses S. Grant. This
funeral music survives to
this day in a piano
reduction format and is
the basis of some of my
most current arranging
projects. This new
edition of Olosabut was
the culmination of years
of research into the era
commonly called The
Golden Age of Bands, a
period spanning
1880-1920. This project
initially began when I
played the solo part for
Olosabut with a reading
band when I was a guest
artist at the Northwest
Brass Festival in Seattle
in 2010. For this new
edition, I created a
score with modern
transpositions. Prior to
this, there has been no
score for this music.
There is often no score
for American band music
from this era. I also
adjusted the dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and orchestra.
Olosabut (tuba solo
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwell's Quickstep
(Fun for Basses) from
1881. This is described
as a novelty march for
tuba section, however. A
notable omission from the
Tuba Source Book, though,
is William Pettee's
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889. While
unknown today, composer
William Pettee
(1839–1891) was
clearly a remarkable
musician and composer
evidenced by the fact
that he wrote funeral
music for Abraham Lincoln
and General Ulysses S.
Grant. This funeral music
survives to this day in a
piano reduction format
and is the basis of some
of my most current
arranging projects. This
new edition of Olosabut
was the culmination of
years of research into
the era commonly called
The Golden Age of Bands,
a period spanning
1880–1920. This
project initially began
when I played the solo
part for Olosabut with a
reading band when I was a
guest artist at the
Northwest Brass Festival
in Seattle in 2010. For
this new edition, I
created a score with
modern transpositions.
Prior to this, there has
been no score for this
music. There is often no
score for American band
music from this era. I
also adjusted the
dynamics and
articulations to allow
the soloist to be heard
and composed a handful of
new musical lines to
correct the problems
stemming from
inconsistent number of
measures in the original
edition. Finally, I
created a reduction for
tuba and piano as well as
a new edition for solo
tuba and
orchestra.Olosabut
(“tuba soloâ€
spelled backwards) from
1885 is possibly the
oldest American tuba solo
to survive to the
twenty-first century. I
have done extensive
research in this area,
and while there may be
some earlier pieces with
small obbligato solos for
tuba, and perhaps even
earlier full-fledged tuba
solos, I believe this is
the earliest music with a
serious solo tuba part
throughout that survives
to this day. In the Tuba
Source Book, several
early solos are listed
from the 1880s. In my
research, I have
attempted to obtain all
of the music listed in
the Tuba Source Book from
the 1880s or earlier
though the Library of
Congress and various
historic libraries in
America. Most of this
music for solo tuba and
band is incomplete or
entirely unavailable
today though. The
earliest of these is
Southwell’s
Quickstep (Fun for
Basses) from 1881. This
is described as a novelty
march for tuba section,
however. A notable
omission from the Tuba
Source Book, though, is
William Pettee’s
Olosabut, which is
clearly marked 1885 on
the original published
sheet music. This piece
is not listed in the Tuba
Source Book. However, a
different piece by Pettee
called Osceola is listed
from 1889.
Ride of the Valkyries Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Richard Wagner. Arranged by Mark Williams. Music by Richard Wagner / arr. Ma...(+)
By Richard Wagner.
Arranged by Mark
Williams. Music by
Richard Wagner / arr.
Mark Williams. For
Concert Band. Concert
Band. Growing Band
Series. Conductor Score &
Parts. 1 pages. Published
by Alfred Publishing.
For
Tenor, Flute, String
Quartet and Piano.
Composed by Lowell
Liebermann. Poems by
William Butler Yeats.
Full score. With Standard
notation. Duration 15
minutes. Theodore Presser
Company #111-40139S.
Published by Theodore
Presser Company
(PR.11140139S).
UPC:
680160002887. Poems by
William Butler
Yeats.
This work
was commissioned by Susan
and Elihu Rose. It was
written at the request of
tenor Robert White, to
whom it is dedicated. It
was premiered at Alice
Tully Hall on February
17, 1993 by Robert White,
James Galway, the Lark
Quartet and pianist Brian
Zeger. It was actually
Miss Alice Tully's
suggestion that some
settings of Yeats would
be lovely that prompted
me to look at these
poems. I was at once
struck by their intense
lyric beauty and decided
immediately to use them
for this work. The six
poems were chosen from
Yeats' 1899 collection
The Wind Among the Reeds.
Dealing with unrequited
love, these particular
poems have hints of the
mystic preoccupations
which were to become more
prominent in Yeats' later
work. Scored for an
ensemble consisting of
Flute, Piano and String
Quartet, it was my
intention that the beauty
and clarity of the poetry
should be matched by a
directness of musical
expression which would
not overwhelm the poems.
The instrumental writing
makes no attempt at tone
painting but rather
provides a colorful but
often austere
psychological background
to the tenor's melodies
which are at times almost
folk-like in their
simplicity. The work is
unified as a cycle not
only by its tonal
structure, but also
through harmonic and
motivic elements that the
individual songs
share.
Written by William Leavitt. Instructional book for guitar. With standard guitar ...(+)
Written by William
Leavitt. Instructional
book for guitar. With
standard guitar notation
(no tablature),
instructional text, chord
names and fingerings. 408
pages. Published by
Berklee.
Written by H. Voxman, William Gower. For oboe. Rubank Educational Library, volum...(+)
Written by H. Voxman,
William Gower. For oboe.
Rubank Educational
Library, volume 92.
Format: instructional
book. With fold-out
fingering chart.
Instructional. 72 pages.
9x12 inches. Published by
Hal Leonard.
By Attr. To John F. Wade / Anonymous / French Carol. Arranged by Daniel E. Gawth...(+)
By Attr. To John F. Wade
/ Anonymous / French
Carol. Arranged by Daniel
E. Gawthrop. Text:
attributed to John F.
Wade/William J.
Kirkpatrick/French Carol.
For SATB Choir.
Christmas. Duration 4:50.
Published by Jackman
Music Corporation.
Level: Medium /
Medium-Difficult
(accompaniment).
SSAATTBB choir & organ (ad lib.) (SATB) - easy SKU: OU.9780193954120 Comp...(+)
SSAATTBB choir & organ
(ad lib.) (SATB) - easy
SKU:
OU.9780193954120
Composed by William
Sterndale Bennett. Edited
by Peter Horton. Sacred
choral - mixed voices.
Church Music Society
Publications. Vocal
score. 16 pages. Duration
5'. Oxford University
Press #9780193954120.
Published by Oxford
University Press
(OU.9780193954120).
ISBN 9780193954120. 12
x 8 inches.
for
SSAATTBB and organ (ad
lib.) Born 200 years
ago this year and
orphaned at the age of 3,
Sterndale Bennett was
brought up by his
grandfather in Cambridge,
where he sang in the
choir of King's College
before entering the Royal
Academy of Music to study
the piano at the age of
10. He was later to
become Professor of Music
at Cambridge and
Principal of the RAM.
This fine eight-part
setting of verses from
Psalm 71, written towards
the end of his life,
explores imitative and
antiphonal
textures.
by William Bay. For Harmonica (Diatonic). solos. All Styles. Level: Beginning-In...(+)
by William Bay. For
Harmonica (Diatonic).
solos. All Styles. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 80
pages. Published by Mel
Bay Publications, Inc
by William Bay. For all saxophone. Fun With. All styles, children. Level: Beginn...(+)
by William Bay. For all
saxophone. Fun With. All
styles, children. Level:
Beginning. Book. Solos.
Size 8.75x11.75. 32
pages. Published by Mel
Bay Pub., Inc.
by William Bay. For clarinet. Fun With. All styles, children. Level: Beginning. ...(+)
by William Bay. For
clarinet. Fun With. All
styles, children. Level:
Beginning. Book. Solos.
Size 8.75x11.75. 32
pages. Published by Mel
Bay Pub., Inc.
(Grade 1-4). Edited by Anthony Williams. For Piano. Book; Piano Collection; Pian...(+)
(Grade 1-4). Edited by
Anthony Williams. For
Piano. Book; Piano
Collection; Piano
Supplemental. Faber
Edition. Early
Intermediate; Elementary;
Late Elementary.
Published by Faber Music
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.