Composed by Alexander Zemlinsky. Edited by Dominik Rahmer. Henle Music Folios. S...(+)
Composed by Alexander
Zemlinsky. Edited by
Dominik Rahmer. Henle
Music Folios. Softcover.
40 pages. G. Henle
#HN578. Published by G.
Henle (HL.51480578).
String Quartet (Study Score) SKU: HL.51487272 Study Score. Compose...(+)
String Quartet (Study
Score)
SKU:
HL.51487272
Study
Score. Composed by
Alexander Zemlinsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN7272. Published
by G. Henle
(HL.51487272).
UPC:
840126989366.
6.75x9.5x0.245
inches.
Alexander
Zemlinsky's music was
long unjustly
overshadowed by what was
regarded as the
“more
progressive†Second
Viennese School. Although
Zemlinsky was close
friends with its
protagonist Arnold
Schönberg, he never
did take the latter's
radical step into
dodecaphony. At the same
time, he composed works
that were no less
original or fully
fledged. Composed between
1913 and 1915, his Second
String Quartet in
particular pushed the
contemporaneous
understanding of form and
tonality to its limits.
With just one movement
but spanning over 1,200
measures, this
multi-faceted work
numbers among the most
significant contributions
to the genre of the time
and has long merited a
critical new edition. The
Urtext edition by G.
Henle Publishers corrects
many errors and
inaccuracies in the first
edition that came to
light after careful
comparison with the
autograph sources in
Vienna and Washington.
For the first time, too,
the metronome markings
that survive only in one
of Zemlinsky's letters
have been incorporated.
Editorial work was kindly
supported by the
Alexander Zemlinsky
Endowment Fund in
Vienna.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Quartet (Parts) SKU: HL.51481272 Set of Parts. Composed by ...(+)
String Quartet (Parts)
SKU: HL.51481272
Set of Parts.
Composed by Alexander
Zemlinsky. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1272. Published by G.
Henle (HL.51481272).
UPC: 840126989250.
9.0x12.0x0.348
inches.
Alexander
Zemlinsky's music was
long unjustly
overshadowed by what was
regarded as the
“more
progressive†Second
Viennese School. Although
Zemlinsky was close
friends with its
protagonist Arnold
Schönberg, he never
did take the latter's
radical step into
dodecaphony. At the same
time, he composed works
that were no less
original or fully
fledged. Composed between
1913 and 1915, his Second
String Quartet in
particular pushed the
contemporaneous
understanding of form and
tonality to its limits.
With just one movement
but spanning over 1,200
measures, this
multi-faceted work
numbers among the most
significant contributions
to the genre of the time
and has long merited a
critical new edition. The
Urtext edition by G.
Henle Publishers corrects
many errors and
inaccuracies in the first
edition that came to
light after careful
comparison with the
autograph sources in
Vienna and Washington.
For the first time, too,
the metronome markings
that survive only in one
of Zemlinsky's letters
have been incorporated.
Editorial work was kindly
supported by the
Alexander Zemlinsky
Endowment Fund in
Vienna.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Oper
In Einem Aufzug.
Composed by Alexander
Zemlinsky. Edited by
Felix Adler. Full score.
With Standard notation.
Composed 1916. Opus 16.
Universal Edition
#UE033962. Published by
Universal Edition
(PR.UE033962).
ISBN
9783702470609. UPC:
803452067702. Text: Oscar
Wilde. Oscar
Wilde.
If, as the
editor states,
Zemlinsky's A Florentine
Tragedy is one of the
milestones of 20th
century music theatre,
its path to acceptance
was rather arduous.
Beginning with the
troubled text by Oscar
Wilde, Zemlinsky dove
into the work as if in a
fever. A problem arose in
requesting the rights to
Wilde's text, not helped
by timing (and World War
I), and this was but one
impediment to its
performance. The editor
provides a complete
history of the work, in
historical context, along
with critical commentary,
which, itself is
fascinating reading.
There follows the
complete piano-vocal
score in the 1916 UE
edition, with revisions
in 2011.
By Alexander von Zemlinsky (1871-1942) and Alexander Von zemlinsky (1871-1942). ...(+)
By Alexander von
Zemlinsky (1871-1942) and
Alexander Von zemlinsky
(1871-1942). For voice
and piano. Vocal music.
Language: English.
Published by Noten Roehr
Trombone and Piano - advanced SKU: CY.CC2813 Composed by Alexander Zemlin...(+)
Trombone and Piano -
advanced
SKU:
CY.CC2813
Composed by
Alexander Zemlinsky.
Arranged by Eric High.
Romantic. Solo part and
accompaniment. Published
by Cherry Classics
(CY.CC2813).
Drei Stucke
(Three Pieces) for
Trombone and Piano by
Alexander Zemlinsky is an
early work composed in
1891, and originally
scored for Cello and
Piano. It has been
beautifully arranged for
Trombone and Piano by
Eric High. The three
movements are
titled: I.
Humoreske II.
Lied III.
Tarantell About 8
minutes in length, it is
appropriate for advanced
performers.
String Quartet SKU: HL.50514557 Composed by Alexander Von Zemlinsky. Leng...(+)
String Quartet
SKU:
HL.50514557
Composed
by Alexander Von
Zemlinsky. Lengnick
Publishing. Classical.
Book Only. Alfred
Lengnick & Co #AL2069A.
Published by Alfred
Lengnick & Co
(HL.50514557).
Orchestra - intermediate SKU: BT.SY-5012-01 Oper in drei Aufzügen, ...(+)
Orchestra - intermediate
SKU: BT.SY-5012-01
Oper in drei
Aufzügen,
Instrumentierung
vollendet von Antony
Beaumont. Composed by
Alexander Zemlinsky. UMPC
Critical Editions. Opera
or Operetta. Score Only.
Composed 2016. Ricordi
#SY 5012-01. Published by
Ricordi (BT.SY-5012-01).
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025444 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025444
For Violin and
Piano. Composed by
Hans Winterberg. Boosey
and Hawkes Chamber Music.
Classical. Softcover.
Bote and Bock
#M202538838. Published by
Bote and Bock
(HL.48025444).
ISBN
9783793145806. UPC:
196288216421.
Hans
Winterberg has only
recently been
rediscovered as one of
the most important
representatives of the
Czech avant-garde of the
first half of the 20th
century. Performed but
not published during his
lifetime, his works were
locked away after his
death due to tragic
circumstances and are now
being published for the
first time in a
collaboration between the
Exilarte Centre of the
Vienna University of
Music and Boosey and
Hawkes. In contrast to
his colleagues and
friends Ullmann, Haas,
Krása and Klein,
Winterberg survived the
Shoah through a series of
miracles. As a student of
Alexander Zemlinsky and
Alois Hába, he is both a
successor to Janácek and
a member of the wider
circle of the Second
Viennese School. The
Sonata for Violin and
Piano, written and
premièred in Prague in
1936, is one of the most
important chamber music
works of the pre-war
period. It exhibits all
the characteristics of
Winterberg's personal
style: a sensuality of
sound grounded in French
Impressionism with a
simultaneous
expressionist rigour of
harmony, a small-scale
motivic structure, a
sophisticated play with
polyrhythmic patterns
and, especially in the
last movement, a musical
impetus borrowed from
Czech folklore.
Voice and piano SKU: BR.EB-9249 1. Wilde Komponiererei - 2. Nur der se...(+)
Voice and piano
SKU:
BR.EB-9249
1.
Wilde Komponiererei - 2.
Nur der seinen leben.
Composed by Manuela
Kerer. Voice; stapled.
Edition Breitkopf. New
music (post-2000); Music
post-1945. Score.
Composed 2012. 12 pages.
Breitkopf and Haertel #EB
9249. Published by
Breitkopf and Haertel
(BR.EB-9249).
ISBN
9790004185490. 9 x 12
inches.
Alma Mahler
(1879-1964) ist ohne
Zweifel eine der
schillerndsten
Personlichkeiten ihrer
Zeit, die bis heute
nichts an ihrer
Faszination verloren hat.
,,Sie gehort zu den ganz
wenigen Zauberfrauen, die
es gibt, sagte der
Schriftsteller Franz
Werfel, ihr dritter
Ehemann nach Gustav
Mahler und Walter
Gropius. Manner scheinen
ihr Lebensinhalt gewesen
zu sein: geniale Manner -
mit und ohne Trauschein.
Sie selbst liess gern
durchblicken, wie lang
ihre private
Eroberungsliste war ...
Alma ist und bleibt ein
Unikum der
Kulturgeschichte, doch
aufgrund ihres Rufes als
,,Femme fatale und ihres
extravaganten Wesens wird
leider allzu oft ausser
Acht gelassen, dass sie
selbst wunderbare
Kompositionen
hervorgebracht hat, sehr
gebildet war und die Gabe
besass, nicht nur Manner
zu verzaubern. In einer
Zeit, wo Frauen noch
keineswegs
gleichberechtigt waren,
lebte Alma nach dem
Motto: ,,Jeder Mensch
kann alles - aber er muss
auch zu allem bereit
sein. Bei der Komposition
der Alma Phantasien habe
ich mich von der
bemerkenswerten Alma
inspirieren lassen, mein
Ohr in deren Zeit
versetzt und das Gehorte
in ihre eigene Tonsprache
ubersetzt. Dabei habe ich
in meine Kompositionen
zwei kurze musikalische
Zitate aus Alma Mahlers
Werken eingeflochten,
namlich aus Die stille
Stadt und Ich wandle
unter Blumen . Der Text
stammt aus Alma Mahlers
Tagebucheintragungen und
handelt von zwei Mannern,
die Alma Mahlers Leben
pragten: Alexander
Zemlinsky und Gustav
Mahler. Die Schreibweise
Almas wurde dabei
beibehalten. (Manuela
Kerer).
