By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:00. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:00. Published by Manhattan Beach Music.

Composed by Jean Sibelius (1865-1957). Arranged by Lloyd Larson. Hymntune, Hymn Arrangements, Funeral and Memorial, General Worship, Assurance, Encouragement, Eternal Life, Faithfulness, Grief. Octavo. 12 pages. Duration 12 minutes. Hope Publishing Company #C6209. Published by Hope Publishing Company

Arranged for the Irish Harp. Waltons Irish Music Books. Celtic, Irish. Softcover with CD. 270 pages. Waltons Irish Music #WM1451CD. Published by Waltons Irish Music

Viola and Piano

SKU: HL.14030790

Composed by Gordon Jacob. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV120069. Published by Music Sales (HL.14030790).

ISBN 9780853604488. 8.0x12.0x0.198 inches.

While Gordon Jacobs composed a vast amount of music - more than four hundred pieces -- he was particularly celebrated for his work for Viola and for woodwinds, as well as for his books on music pedagogy. Jacob had an early success with his Viola Concerto of 1926 which was premiered at a Promenade concert and which was the beginning of a series of strong contributions to Viola repertoire. This Sonatina for Viola and Piano demonstrates his sensitive writing for the instrument. It works very well when performed on clarinet as well.While many composers of the 20th century rejected serialism, atonality and other avant garde effects in favour of Romanticism, Jacob was much morean adherent to the musical models of the classic and baroque eras, while still encompassing modern harmonies. His work Music for a Festival, for symphonic wind band and brass ensemble, was used for the post-war Festival of Britain and he arranged the British national anthem for the coronation of Queen Elizabeth II.

((de la suite No. 3)). By Johann Sebastian Bach (1685-1750). Arranged by Jack Bullock. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Young Band. Form: Transcription. Baroque; Masterwork Arrangement. Grade 2.5. Published by Belwin Music

(for solo vibraphone). By Erik Satie (1866-1925). Arranged by Jim Casella. For Vibraphone (1 player). Percussion Solos. Medium. Score. 4 pages. Duration 3'30 . Published by Tapspace Publications

Composed by Kyle Pederson. Instrumental part. MorningStar Music Publishers #50-6144. Published by MorningStar Music Publishers

Choral (ChoirTrax CD)

SKU: HL.299464

Arranged by John Leavitt. Brookfield Easter Choral. Easter, Holy Week, Spiritual. CD. Duration 210 seconds. Published by Brookfield Press (HL.299464).

UPC: 888680956479. 5.0x5.0x0.184 inches. Acts 2:32, Acts 5:30, Isaiah 53:1, Luke 22:14-24.

From the cantata Calvary's Mountain comes this perennial favorite adorned with gracious writing. Directors will enjoy the quick learning curve on this well-crafted choral, which delivers a fullness of sound without raising the difficulty level. The emotional spiritual is standard repertoire for churches during Holy Week and the restrained approach of this version is a sensitive choice for Tenebrae or other Holy Week traditions. Simply beautiful! Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download.

Choral (SAB Choir)

SKU: HL.374949

Arranged by John Leavitt. Brookfield Easter Choral. Easter, Holy Week, Spiritual. Octavo. Duration 210 seconds. Published by Brookfield Press (HL.374949).

UPC: 196288017431. 6.75x10.5x0.029 inches. Acts 2:32, Acts 5:30, Isaiah 53:1, Luke 22:14-24.

From the cantata Calvary's Mountain comes this perennial favorite adorned with gracious writing. Directors will enjoy the quick learning curve on this well-crafted choral, which delivers a fullness of sound without raising the difficulty level. The emotional spiritual is standard repertoire for churches during Holy Week and the restrained approach of this version is a sensitive choice for Tenebrae or other Holy Week traditions. Simply beautiful! Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download.

By Franz Xaver Gruber. Arranged by Mager. For Mixed Choir and Piano or Orchestra. Published by Oxford University Press.

Choral Cello, Clarinet, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Oboe, Percussion 1, Percussion 2, Piano, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2, alto voice, bass voice, bassoon, soprano voice, tenor voice

SKU: CF.CM8752IN

Composed by Jill Jackson Sy Miller. Arranged by Mark Hayes. With Standard notation. 24+4+4+3+3+3+3+3+2+2+2+2+ 2+6+8+3+32+32+15+15+15 pages. Carl Fischer Music #CM8752IN. Published by Carl Fischer Music (CF.CM8752IN).

UPC: 798408047276. Key: C major. English. Sy Miller, Jill Jackson.

Let There Be Peace on Earth has long been a favorite of church, community and school choirs across this country. From the first few measures of the introduction, a tone of reverence and dignity is heard. The arrangement gradually builds in strength arid intensity, sensitively supporting the beauty of the text. A half-step modulation in the second verse moves to the climactic ending, which echoes the phrase, Let there be peace! This is truly a song for our time.

By John Ylvisaker; Lloyd Larson. For SATB choir and piano. All Saints Day, Baptism, Dedication, General, Sacred. Sacred Anthem

By Gary Slavo. Arranged by Gary Slavo. Jazz Ensemble / Jazz Band. Jazz Classics Series. Swing Ballad. Grade 2-3. Score and set of parts

Most Wonderful Day Of The Year, Up On The Housetop, I Heard The Bells On Christmas Day composed by Various. Arranged by Craig Stevens. For easy piano solo. Solo. Best of Christmas series. Christmas. Easy. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

O Come All Ye Faithful, Deck The Halls, The Snow Lay On The Ground composed by Various. Arranged by Craig Stevens. For easy piano solo. Solo. Best of Christmas series. Christmas. Easy. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

The Twelve Days Of Christmas composed by Various. Arranged by Craig Stevens. For easy piano solo. Solo. Best of Christmas series. Christmas. Easy. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Holly Jolly Christmas, Silent Night, O Little Town Of Bethlehem composed by Various. Arranged by Craig Stevens. For easy piano solo. Solo. Best of Christmas series. Christmas. Easy. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Rockin' Around The Christmas Tree, Carol Of The Bells composed by Various. Arranged by Craig Stevens. For easy piano solo. Solo. Best of Christmas series. Christmas. Easy. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3

SKU: CA.4068719

Composed by Robert Schumann. Edited by Hansjörg Ewert. Set of Orchestra Parts. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068719. Published by Carus Verlag (CA.4068719).

ISBN 9790007311384. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumann’s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be “fashioned with great love”.
The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumann’s partial autograph score.
Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

. Score and parts available separately - see item CA.4068700.

Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3

SKU: CA.4068709

Composed by Robert Schumann. Edited by Hansjörg Ewert. Set of Orchestra Parts. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068709. Published by Carus Verlag (CA.4068709).

ISBN 9790007311322. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumann’s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be “fashioned with great love”.
The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumann’s partial autograph score.
Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

. Score and parts available separately - see item CA.4068700.

Concert Band/Harmonie - Grade 2

SKU: BT.DHP-1053785-010

Composed by Johann Sebastian Bach. Arranged by Jacob De Haan. Your Favorite Classics. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053785-010. Published by De Haske Publications (BT.DHP-1053785-010).

English-German-French- Dutch.

The song Bist du bei mir, geh’ ich mit Freuden zum Sterben und zu meiner Ruh’ (BWV 508) was composed by Johann Sebastian Bach for his second wife Anna Magdalena (1701-1760), who he married in 1721.The popularity of this song is probably due to the magnificent, sensitive melody that fits wonderfully with the text, in which a loved one is told that even death is beautiful “as long as you are there with me.” This beautiful arrangement by Jacob de Haan is suitable for use in any concert.

Het lied Bist du bei mir, geh’ ich mit freuden zum Sterben und zu meiner Ruh (BWV 508) werd gecomponeerd door Johann Sebastian Bach voor zijn tweede vrouw Anna Magdalena (1701-1760), met wie hij in 1721 trouwde. Dit lied dankt zijnongeëvenaarde populariteit waarschijnlijk aan de schitterende, gevoelige melodie die prachtig aansluit bij de tekst, waarin een geliefde te horen krijgt dat zelfs de dood mooi is ‘zolang jij bij me bent’. Dit prachtige arrangementvoor blaasorkest, geschreven door Jacob de Haan, is geschikt voor vele gelegenheden.

B ist du bei mir schrieb Johann Sebastian Bach für seine zweite Frau Anna Magdalena. Die Melodie passt vorzüglich zum Text eines unbekannten Dichters, der besagt, dass selbst der Tod keinen Schrecken mehr birgt, solange nur der geliebte Mensch da ist. Jacob de Haan schuf aus der beliebten, besinnlichen Melodie eine gefühlvolle Bearbeitung für Blasorchester.

En 1721, Jean-Sébastien Bach épouse en secondes noces Anna Magdalena Wilcken (1701-1760). Il lui dédie l’air Bist du bei mir BWV 508. Le texte a été écrit par un poète anonyme. La notoriété de cet air reste inégalable par la sublime tendresse de la mélodie qui évolue en parfaite harmonie avec un texte puissant dans lequel le poète nous livre une belle vision de l’amour : tant que l’être aimé est auprès de nous, même la mort est douce. Jacob de Haan a réalisé ce superbe arrangement pour Orchestre d'Harmonie.

Nel 1721 Johann Sebastian Bach sposa in seconde nozze Anna Magdalena Wilcken. Le dedica l’aria Bist du bei mir BWV 508. La notoriet di questa aria è ineguagliabile per la sua tenerezza che si evolve in perfetta armonia con un testo potente nel quale il poeta ci regala una bella visione dell’amore. Jacob de Haan ha realizzato un superlativo arrangiamento per banda, adatto a tutte le occasioni.

Fanfare Band - Grade 2

SKU: BT.DHP-1053785-020

Composed by Johann Sebastian Bach. Arranged by Jacob De Haan. Your Favorite Classics. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053785-020. Published by De Haske Publications (BT.DHP-1053785-020).

English-German-French- Dutch.

The song Bist du bei mir, geh’ ich mit Freuden zum Sterben und zu meiner Ruh’ (BWV 508) was composed by Johann Sebastian Bach for his second wife Anna Magdalena (1701-1760), who he married in 1721.The popularity of this song is probably due to the magnificent, sensitive melody that fits wonderfully with the text, in which a loved one is told that even death is beautiful “as long as you are there with me.” This beautiful arrangement by Jacob de Haan is suitable for use in any concert.

Het lied Bist du bei mir, geh’ ich mit freuden zum Sterben und zu meiner Ruh (BWV 508) werd gecomponeerd door Johann Sebastian Bach voor zijn tweede vrouw Anna Magdalena (1701-1760), met wie hij in 1721 trouwde. Dit lied dankt zijnongeëvenaarde populariteit waarschijnlijk aan de schitterende, gevoelige melodie die prachtig aansluit bij de tekst, waarin een geliefde te horen krijgt dat zelfs de dood mooi is ‘zolang jij bij me bent’. Dit prachtige arrangementvoor blaasorkest, geschreven door Jacob de Haan, is geschikt voor vele gelegenheden.

B ist du bei mir schrieb Johann Sebastian Bach für seine zweite Frau Anna Magdalena. Die Melodie passt vorzüglich zum Text eines unbekannten Dichters, der besagt, dass selbst der Tod keinen Schrecken mehr birgt, solange nur der geliebte Mensch da ist. Jacob de Haan schuf aus der beliebten, besinnlichen Melodie eine gefühlvolle Bearbeitung für Blasorchester.

En 1721, Jean-Sébastien Bach épouse en secondes noces Anna Magdalena Wilcken (1701-1760). Il lui dédie l’air Bist du bei mir BWV 508. Le texte a été écrit par un poète anonyme. La notoriété de cet air reste inégalable par la sublime tendresse de la mélodie qui évolue en parfaite harmonie avec un texte puissant dans lequel le poète nous livre une belle vision de l’amour : tant que l’être aimé est auprès de nous, même la mort est douce. Jacob de Haan a réalisé ce superbe arrangement pour Fanfare.

Nel 1721 Johann Sebastian Bach sposa in seconde nozze Anna Magdalena Wilcken. Le dedica l’aria Bist du bei mir BWV 508. La notoriet di questa aria è ineguagliabile per la sua tenerezza che si evolve in perfetta armonia con un testo potente nel quale il poeta ci regala una bella visione dell’amore. Jacob de Haan ha realizzato un superlativo arrangiamento per banda, adatto a tutte le occasioni.

Concert Band/Harmonie - Grade 2

SKU: BT.DHP-1053785-140

Composed by Johann Sebastian Bach. Arranged by Jacob De Haan. Your Favorite Classics. Score Only. Composed 2005. 12 pages. De Haske Publications #DHP 1053785-140. Published by De Haske Publications (BT.DHP-1053785-140).

English-German-French- Dutch.

The song Bist du bei mir, geh’ ich mit Freuden zum Sterben und zu meiner Ruh’ (BWV 508) was composed by Johann Sebastian Bach for his second wife Anna Magdalena (1701-1760), who he married in 1721.The popularity of this song is probably due to the magnificent, sensitive melody that fits wonderfully with the text, in which a loved one is told that even death is beautiful “as long as you are there with me.” This beautiful arrangement by Jacob de Haan is suitable for use in any concert.

Het lied Bist du bei mir, geh’ ich mit freuden zum Sterben und zu meiner Ruh (BWV 508) werd gecomponeerd door Johann Sebastian Bach voor zijn tweede vrouw Anna Magdalena (1701-1760), met wie hij in 1721 trouwde. Dit lied dankt zijnongeëvenaarde populariteit waarschijnlijk aan de schitterende, gevoelige melodie die prachtig aansluit bij de tekst, waarin een geliefde te horen krijgt dat zelfs de dood mooi is ‘zolang jij bij me bent’. Dit prachtige arrangementvoor blaasorkest, geschreven door Jacob de Haan, is geschikt voor vele gelegenheden.

B ist du bei mir schrieb Johann Sebastian Bach für seine zweite Frau Anna Magdalena. Die Melodie passt vorzüglich zum Text eines unbekannten Dichters, der besagt, dass selbst der Tod keinen Schrecken mehr birgt, solange nur der geliebte Mensch da ist. Jacob de Haan schuf aus der beliebten, besinnlichen Melodie eine gefühlvolle Bearbeitung für Blasorchester.

En 1721, Jean-Sébastien Bach épouse en secondes noces Anna Magdalena Wilcken (1701-1760). Il lui dédie l’air Bist du bei mir BWV 508. Le texte a été écrit par un poète anonyme. La notoriété de cet air reste inégalable par la sublime tendresse de la mélodie qui évolue en parfaite harmonie avec un texte puissant dans lequel le poète nous livre une belle vision de l’amour : tant que l’être aimé est auprès de nous, même la mort est douce. Jacob de Haan a réalisé ce superbe arrangement pour Orchestre d'Harmonie.

Nel 1721 Johann Sebastian Bach sposa in seconde nozze Anna Magdalena Wilcken. Le dedica l’aria Bist du bei mir BWV 508. La notoriet di questa aria è ineguagliabile per la sua tenerezza che si evolve in perfetta armonia con un testo potente nel quale il poeta ci regala una bella visione dell’amore. Jacob de Haan ha realizzato un superlativo arrangiamento per banda, adatto a tutte le occasioni.

Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3

SKU: CA.4068706

Composed by Robert Schumann. Edited by Hansjörg Ewert. Choral Score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068706. Published by Carus Verlag (CA.4068706).

ISBN 9790007239725. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumann’s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be “fashioned with great love”.
The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumann’s partial autograph score.
Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

. Score available separately - see item CA.4068700.

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.4068700

Composed by Robert Schumann. Edited by Hansjörg Ewert. Carus digital: Extra digital products. Full Score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068700. Published by Carus Verlag (CA.4068700).

ISBN 9790007239701. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â?? after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâ??s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be â??fashioned with great loveâ?. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâ??s partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.4068703

Composed by Robert Schumann. Edited by Hansjörg Ewert. Vocal score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068703. Published by Carus Verlag (CA.4068703).

ISBN 9790007239718. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumann’s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be “fashioned with great love”. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumann’s partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).