JEFFREY AGRELL - IMPROVISATION GAMES FOR CLASSICAL MUSICIANS / Formation musicale - solfège / Hal Leonard

This collection of 10 masterwork duets from the Renaissance through the Romantic Era offers outstanding vocal repertoire. Dr. Liebergen provides extensive performance information for each of these classic selections, plus several offer optional instrumental obbligati. Includes: Ave Maria (Caccini) * Laudamus te (Vivaldi) * Sweet Nymph, Come to Thy Lover (Morley) * Deh prendi un dolce amplesso (Mozart) * Pachelbel's Canon of Peace (Pachelbel) * Let's Imitate Her Notes Above (Handel) * Sonntagsmorgen (Mendelssohn) * Panis angelicus (Franck) * Sing with Festive Cheer (Salieri) * When at Night I Go to Sleep (Humperdinck).

Music notation is a language that has been developing for thousands of years- even the manner in which we read music today has been around for several centuries. In learning to read music, we encounter basic symbols for pitch, duration, and timing. As we advance, we learn about dynamics, expression, timbre, and even special effects. How to Read Music will introduce you to the basics, then provide more advanced information. As a final reward for all your hard work, you´ll get a chance to play excerpts from three classic piano pieces. Topics include: pitch - rhythm - meter - special words and symbols - plus classical piano pieces by Bach, Mozart, and Beethoven. / Formation Musicale

This book provides a wonderfully clear and concise introduction for each musical form---step by step, from the most elementary to the most complex---with examples of the most popular compositions from the Baroque, Classical, and Romantic eras. A correlated CD is included to enhance the learning process. / Formation Musicale

Volume 1. Par LE TOUZE DENIS. Specialising in teaching music, Denis Le Touze currently researches the tonal system and notation of classical music. Therefore, his Writing Music In 30 Lessons is very well-informed. Le Touze 's Writing Music In 30 Lessons is divided into two volumes. The first volume incorporates three types of exercises; technical exercises for the understanding of chords, figured bass, and composing melodies. Compiled in 1996, Writing Music In 30 Lessons is very up to date, ensuring that the exercises arerelevant and clear. For all aspiring musicians seeking to improve their written notation of music, Le Touze 's Writing Music In 30 Lessons will ensure successful progression./ Autre FM / Pédagogie Musicale

Par DUBOIS THEODORE. At just 34 years of age, Theodore Dubois was installed as a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire, his teaching has had a lasting influence. Having taught successful composers, including Paul Dukas, it is clear that Dubois'' Treaty of Harmony is well-informed. This music theory study guide covers a considerable range of theoretical aspects, from the varying musical clefs to the use of pedal notes, as well many other harmonic devices with expertise. During the preface, Dubois explains the need for hisbook, stating that it fills the gaps in harmonic theory exercises which preceding guides had missed. With no harmonic elements left out, this Theodore Dubois theory guide is necessary to accompany all music studies./ Autre FM / Pédagogie Musicale

A Manual of Techniques and Possibilities for the Adventurous Improvising Musician. Par KANE DAVID. Sure - everybody has an opinion on how to play ?outside?. But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kane invokes a thoughtfully curated selection of transcribed phrases that take the reader beyond the simple mechanics of what is being played and offer revelatory insights into what the players are (or might be) thinking when they play it. It?s a daunting, seemingly impossible objective; yet here it is, beautifully examined, notated, and explained in an accessible way that every musician can understand. 'This book is a treasure trove, full of important information on chromaticism and its usage. From Bach to Schoenberg, Dave covers a lot of ground and the book is very well organized. He specifically addresses the melodic aspect of improvisation, including lines and phrases, rather than the usual emphasis on harmony. What's special is that he explores the ?feeling? and overall effect of the lines on the listener. This book is all you need as a working guide towards understanding the implications of 20th century jazz and classical music.? -David Liebman LEVEL-UP!!! If you?re feeling uninspired, stuck, or limited by your current play, this is the perfect book to help you break those chains, stimulate your creativity, and take your playing and composing in compelling new directions. Enthusiastically endorsed by modern jazz luminaries such as David Liebman and Richie Beirach, Playing Outside the Chord is devoted to melodic phrasing that transcends conventional chord/scale relationships. This exciting technique incorporating the theory and practice of horizontal playing and extended tonality pioneered by jazz titans such as Michael Brecker, Cory Henry, John Scofield, Brad Meldhau, and Jacob Collier is a vital component of the modern jazz performance and improvisation toolbox. Featuring over 200 musical examples gleaned from classic solos, plus 15 extensive transcriptions of legendary performances, this book is skillfully designed to clue you in on the theoretical basis of ?outside? play as practiced by these trail-blazing musicians. It systematically describes each type of technique used, including timing and source considerations, and by doing so unlocks a wealth of modern ideas that offer rich possibilities for the creative improviser. Kane?s insightful treatise on outside playing represents an important expansion of the ideas available to the dedicated student of improvisation. / Date parution : 2022-04-01/ Etude / Tout Instrument

Par KODALY ZOLTAN. Classical / Pédagogie / Etude / Opéra Théorique ou Didactique

Par KODALY ZOLTAN. Classical / Pédagogie / Méthode / Opéra Théorique ou Didactique

Nuovo metodo di lettura ritmica e melodica con esercizi. Par CORDUAS / CUSANO / MAGGIORE / DI NAT. Classical / Pédagogie / Recueil / Opéra Théorique ou Didactique

Par MILNE A.FORBES. For over fifty years, A. Forbes Milne's text has been the classic route to mastery of the art of sight-singing, an essential skill for vocalists and a most valuable study for all musicians besides. Preparing each section of carefully graded exercises in various keys with a detailed yet concise theoretical account, the author offers a thorough preliminary training in time, rhythm and pitch before proceeding to major and minor scales, groupings of rests, crotchets, quavers, semiquavers and triplets, and chromatic notes within non-modulating melodies. The method includes the so-called French time-names and Solfa note-names for those wishing to use them./ Livre / Livre

Apprenez l'état ??d'esprit créatif et d'acquérir les outils techniques nécessaires à l'improvisation. Ces concepts et ces exercices vous aidera à découvrir une source plus profonde de la prise de la musique, une meilleure qualité de l'authenticité, et un changement perceptible dans le son et le phrasé qui permettra d'améliorer vos performances de la musique écrite.Vous allez apprendre à jouer à l'oreille, appliquer la théorie musicale à votre instrument, et de s'engager de manière créative avec les éléments de la musique, vous donnant une longue liste d'options musicales. L'enregistrement d'accompagnement comprend des démonstrations et jouer-le long des voies.Vous apprendrez: des outils pour se connecter à votre imagination mélodique instrument, avec un sens accru de la physicalité, comment utiliser des échelles, accords, modes, progressions, et d'autres structures dans votre improvisation- un vocabulaire rythmique large- les techniques d'improvisation pour les progressions standards, tels du blues et II V femmes- pour créer les plus riches en utilisant des lignes notes d'approche, les tons voisins, et des embellissements dans une ligne mélodique improvisée. / Tous Les Instruments