By Various. Arranged by Lloyd Larson. For Vocal Solo. This edition: Complete. Vo...(+)
By Various. Arranged by
Lloyd Larson. For Vocal
Solo. This edition:
Complete. Vocal
Collection. General,
Sacred. Collection. 245
pages. Published by Hope
Publishing Company
Arranged by Various. For solo piano. This edition: Complete. Collection. Advent,...(+)
Arranged by Various. For
solo piano. This edition:
Complete. Collection.
Advent, Christmas,
Sacred. Collection. 166
pages. Published by Hope
Publishing Company
The Gold Series. Composed by Johannes Brahms (1833-1897). Music Sales America. C...(+)
The Gold Series. Composed
by Johannes Brahms
(1833-1897). Music Sales
America. Classical.
Softcover. 96 pages.
Chester Music #CH66231.
Published by Chester
Music
Chamber Music Clarinet, Flute, Percussion, Piano, Tape, Violoncello, soprano voi...(+)
Chamber Music Clarinet,
Flute, Percussion, Piano,
Tape, Violoncello,
soprano voice
SKU:
PR.11140180S
For
Mezzo-soprano Voice and
Chamber Ensemble with
Tape. Composed by
Shulamit Ran. Text: Five
Poems of Nelly Sachs,
Translation from German
of Nos. I, III and IV by
Ruth and Matthew Mead, of
No. II by Michael Roloff
and No. V by Michael
Hamburger. Contemporary.
Set of performance
scores. With Standard
notation. Composed 1969.
52 pages. Duration 18
minutes. Theodore Presser
Company #111-40180S.
Published by Theodore
Presser Company
(PR.11140180S).
UPC:
680160601691. Text: Nelly
Sachs. Nelly Sachs. Text:
Five Poems of Nelly
Sachs, Translation from
German of Nos. I, III and
IV by Ruth and Matthew
Mead, of No. II by
Michael Roloff and No. V
by Michael
Hamburger.
O The
Chimneys is a setting of
five poems by Nelly
Sachs, the great
German-Jewish 1966 Nobel
Prize co-winner in
literature, whose writing
concerned itself almost
entirely with the subject
of the holocaust.
Composed in 1969, the
work was my own personal
way of saying, through my
own art, do not forget.
Shockingly, these words
have as much relevance
today as they did when
the work was written.
Today we find ourselves
having to say do not
forget, do not distort,
do not deny it ever
happened. I
selected the five poems
from Sachs' O The
Chimneys collection,
retaining its grimly
evocative title even
though I did not include
the actual poem by that
name. In scoring the work
for female voice, flute,
clarinet/bass clarinet,
cello, piano and
percussion, I aimed to
give myself the broadest
possible palette of
instrumental colors while
using the smallest number
of participants. Yet as I
was planning the final
moments of my cycle, I
felt that instrumental
sound alone would not
suffice to express the
horror. An electronic
tape segment was added to
the work's final climax.
The first two
poems (A Dead Child
Speaks and Already
Embraced by the Arm of
Heavenly Solace), both
depicting the tearing of
a child away from his
mother, are treated
essentially as one unit,
with the first acting as
an introduction to the
second. These two, and
the cycle's apocalyptic
fifth poem (Hell is Naked
from Glowing Enigmas II),
act as the two weighty
pillar points, so to
speak, surrounding the
more introspective two
middle poems (Fleeing and
Someone Comes). To
maximize dramatic
differentiation within
the constraints of a
relentlessly tragic
subject matter, I used
range as a means to
delineate contrast, by
dividing the sounds
available to me into low
and dark (mvt. III) vs.
high and, at times,
eerily bright (mvt. IV)
colors. Thus the two
middle poems are intended
to balance the frenzied
madness of which the
work's outer parts are
made. The work
received its first
performance in New York
at the Metropolitan
Museum of Art's Grace
Rainey Auditorium on
January 19, 1970.
--Shulamit Ran.
Chamber Music Clarinet, Flute, Mezzo-soprano voice, Percussion, Piano, Tape, Vio...(+)
Chamber Music Clarinet,
Flute, Mezzo-soprano
voice, Percussion, Piano,
Tape, Violoncello
SKU:
PR.111401800
For
Mezzo-soprano Voice and
Chamber Ensemble with
Tape. Composed by
Shulamit Ran. Arranged by
Nelly Sachs. Text: Five
Poems of Nelly Sachs,
Translation from German
of Nos. I, III and IV by
Ruth and Matthew Mead, of
No. II by Michael Roloff
and No. V by Michael
Hamburger. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 1969.
51+16+14+20+14+15 pages.
Duration 18 minutes.
Theodore Presser Company
#111-40180. Published by
Theodore Presser Company
(PR.111401800).
UPC:
680160618132. 8.5 x 11
inches. Text: Nelly
Sachs. Nelly Sachs. Text:
Five Poems of Nelly
Sachs, Translation from
German of Nos. I, III and
IV by Ruth and Matthew
Mead, of No. II by
Michael Roloff and No. V
by Michael
Hamburger.
O The
Chimneys is a setting of
five poems by Nelly
Sachs, the great
German-Jewish 1966 Nobel
Prize co-winner in
literature, whose writing
concerned itself almost
entirely with the subject
of the holocaust.
Composed in 1969, the
work was my own personal
way of saying, through my
own art, do not forget.
Shockingly, these words
have as much relevance
today as they did when
the work was written.
Today we find ourselves
having to say do not
forget, do not distort,
do not deny it ever
happened. I
selected the five poems
from Sachs' O The
Chimneys collection,
retaining its grimly
evocative title even
though I did not include
the actual poem by that
name. In scoring the work
for female voice, flute,
clarinet/bass clarinet,
cello, piano and
percussion, I aimed to
give myself the broadest
possible palette of
instrumental colors while
using the smallest number
of participants. Yet as I
was planning the final
moments of my cycle, I
felt that instrumental
sound alone would not
suffice to express the
horror. An electronic
tape segment was added to
the work's final climax.
The first two
poems (A Dead Child
Speaks and Already
Embraced by the Arm of
Heavenly Solace), both
depicting the tearing of
a child away from his
mother, are treated
essentially as one unit,
with the first acting as
an introduction to the
second. These two, and
the cycle's apocalyptic
fifth poem (Hell is Naked
from Glowing Enigmas II),
act as the two weighty
pillar points, so to
speak, surrounding the
more introspective two
middle poems (Fleeing and
Someone Comes). To
maximize dramatic
differentiation within
the constraints of a
relentlessly tragic
subject matter, I used
range as a means to
delineate contrast, by
dividing the sounds
available to me into low
and dark (mvt. III) vs.
high and, at times,
eerily bright (mvt. IV)
colors. Thus the two
middle poems are intended
to balance the frenzied
madness of which the
work's outer parts are
made. The work
received its first
performance in New York
at the Metropolitan
Museum of Art's Grace
Rainey Auditorium on
January 19, 1970.
--Shulamit Ran.
(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lacko...(+)
(The Drummer's Guide to
the Genre and the Legends
Who Defined It). By Rich
Lackowski and John
O'Reilly, Jr.. For
Drumset.
Artist/Personality; Book;
CD; Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path. Jazz.
108 pages. Published by
Alfred Music Publishing
10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Sni...(+)
10 Great Etudes for
Playing
and Improvising on the
Blues. Composed by Jim
Snidero. Brass - Trombone
and Baritone Method or
Collection;
Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Theory.
Advance Music. Blues;
Jazz.
Book; CD. Alfred Music
#01-
ADV14533. Published by
Alfred Music
10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Sni...(+)
10 Great Etudes for
Playing
and Improvising on the
Blues. Composed by Jim
Snidero. Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Theory;
Woodwind - Clarinet
Method
or Collection. Advance
Music. Blues; Jazz. Book;
CD. Alfred Music #01-
ADV14535. Published by
Alfred Music
10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Sni...(+)
10 Great Etudes for
Playing
and Improvising on the
Blues. Composed by Jim
Snidero. Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Theory;
Woodwind - Saxophone
Method
or Collection. Advance
Music. Blues; Jazz. Book;
CD. Alfred Music #01-
ADV14530. Published by
Alfred Music
10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Sni...(+)
10 Great Etudes for
Playing
and Improvising on the
Blues. Composed by Jim
Snidero. Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Theory;
Woodwind - Saxophone
Method
or Collection. Advance
Music. Blues; Jazz. Book;
CD. Alfred Music #01-
ADV14531. Published by
Alfred Music
10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Sni...(+)
10 Great Etudes for
Playing
and Improvising on the
Blues. Composed by Jim
Snidero. Brass - B-flat
Cornet (Trumpet) Method
or
Collection;
Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Theory.
Advance Music. Blues;
Jazz.
Book; CD. Alfred Music
#01-
ADV14532. Published by
Alfred Music
10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Sni...(+)
10 Great Etudes for
Playing
and Improvising on the
Blues. Composed by Jim
Snidero. Improvisation;
Method/Instruction; Play-
Along; Technique
Musicianship; Theory;
Woodwind - Flute Method
or
Collection. Advance
Music.
Blues; Jazz. Book; CD.
Alfred Music
#01-ADV14534.
Published by Alfred Music
Essential Bach with CD composed by Avis Romm. For piano. This edition: Paperback...(+)
Essential Bach with CD
composed by Avis Romm.
For piano. This edition:
Paperback. Collection.
Essential Composer
Series. Classical. Book
and CD. Text Language:
English. 32 pages.
Published by Santorella
Publications
Essential Beethoven with CD composed by Avis Romm. For piano. This edition: Pape...(+)
Essential Beethoven with
CD composed by Avis Romm.
For piano. This edition:
Paperback. Collection.
Essential Composer
Series. Classical. Book
and CD. Text Language:
English. 32 pages.
Published by Santorella
Publications
