Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to a specific tone color. 'The highest virtue of music, for me, lies outside of its mere sound. The particular timbre of an instrument is part of the music, but it is not the most important element. If it were, I would be surrendering to the essence of the music. Music must exist of itself … two, three notes … the essence must be there, independent of the instruments.' (Arvo Pärt)/ Répertoire / Quatuor à Cordes

Par PART ARVO. 'I have developed a highly formalised compositional system, which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series', said Arvo Pärt in 1994. The neutral title itself embodies the essence of the content as the work is based on the text of the Latin Credo. The great simplicity of the piece masks its complexity. The underlying rules ensure that on the surface a cycle of continuous change is created while the deep structure possesses an order of stillness. (Saale Kareda) Originally written for four a cappella voices in 1977, the string quartet version dates from 1991./ Répertoire / Quatuor à Cordes

für Streicher, Oboe, Cembalo und Klavier. Par PART ARVO. For strings, oboe, cembalo and piano For strings, oboe, cembalo and piano/ Répertoire / Clavecin, Piano, Instruments à Cordes et Hautbois