A well presented set of short pieces from the 'Romantic Era', all strictly in 1st position. Score with parts for vln 1, 2, vla (with vln 3 option), Vc. / Quatuor A Cordes

Référence unique par son ISBN 73999628401 cette partition musique de Dvorak Antonin n'est autre que Dvorak Four Romantic Pieces For Violin And Piano qui a été composée pour Violon Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50262840. / Violon Et Piano / 16 pages / Partition

Romantic violin pieces from the late nineteenth and early twentieth centuries. Brilliantly written by masters of the instrument, they are designed for players between grade one to three. Edited by Elizabeth Turnbull. Chanson De Berceau [Borowski, Felix] Czardas [Hille, Gustav] Five Miniatures [Mendelssohn, Ludwig] Minuet [Boccherini, Luigi] Rondo [Rieding, Oskar] Tarantella [Drdla, Franz]

in E flat major. Par STEFANI JAN. Composition was completed at the beginning of 1825, in stylistic terms it falls between Classicism and Romanticism. The straddling of stylistic epochs is evident in the four-movement design of the quartet, which refers do Classical solutions established during the previous centrury also in other genres. Nethertheles, it is worth drawing attention to the third movement, the minuet, which represented something of a testing ground for contrasting tradition with progress, history with the present, and formal with frivolous, which these popular dances may have symbolised. Stylistic hanges heading towards Romanticism are evident also in the way the work's melodic layer is organise. The Józef Stefani's advanced compositional skills prove his crucial contribution to the evolution of the string quartet on Polish soil. And the catchy melodic phases - for which Stefani ceirtanly had a gift - will stir the emotions of a many listener. / Date parution : 2023-06-01/ Répertoire / Quatuor à Cordes

Instrumentation: piano trio (violin, violoncello and piano) Edition: score and parts editor: Eberhard Mayer Item no.: fue 4160 Difficulty: medium ISMN: 979-0-50012-916-5 Mel Bonis's music became more and more influenced by a highly refined impressionism over the years. Her work was enriched by new rhythmic innovations and willingly turned towards humour. Surely they belong to the most important chamber music compositions in French Post Romanticism and can greatly enrich today's concert programmes.

8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works for viola from the beginning and already before the publication of these two versions he intended to do another one for violin, a version which was to require changes and was to result in an independent edition. While the clarinet and viola versions have developed a rich performance tradition, the violin version is almost unknown. Yet for the violin version the composer revised the original clarinet part much more extensively than he did for the viola version and also rewrote the piano part to achieve a thoroughly convincing violin and piano idiom. This Bärenreiter edition aims to bring the neglected violin sonatas op. 120 back into players' hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violon Et Piano

for Cello and Piano, Violin, Cello and Piano, Flute and Piano. Par CHOPIN FREDERIC / PADEREWSKI. Chopin's works for piano and strings were usually made for a specific occasion, and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello, the last work by the composer intended for publication, a work reflecting his current style, highly reflective, the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski, L. Bronarski and J. Turczy ski. Chopin's works for piano and strings were usually made for a specific occasion, and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello, the last work by the composer intended for publication, a work reflecting his current style, highly reflective, the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski, L. Bronarski and J. Turczy ski./ Répertoire / Divers

Par VAUGHAN WILLIAMS RALPH. The Piano Quintet in C is a substantial and superbly written work lasting some 30 minutes. The first movement, marked Allegro con fuoco, is expansive, loquacious and filled with late romantic passion, its harmonies Brahmsian for the most part but tinged with modality in the quieter passages. The expressive romantic melody of the Andante second movement is fully characteristic of the composer and resembles the song Silent Noon that he composed in the same year. The finale is a set of five well-differentiated variations, ending with a beautiful bell-like coda. This work was written in 1903. / Niveau : Intermédiaire / Répertoire / Quintette à Cordes

Piano Reduction Of The Early 1844 Version. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano

Par NOSKOWSKI / GREIVE. Written within throughly romantic style Melody is a highly attractive example of the composers typically elegant melodic writing, strong sense of structural proportion and lush romantic harmonies. The totally idiomatic violin writing reflects ahigh degree of attainment in its composers violin studies with J. Hornziel and A. Ktski. [Tyrone Greive]./ Répertoire / Violon et Piano

8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes

Par SCHUBERT FRANZ. Written for a Quintet with Violin, Viola, Cello and Bassoon and Piano, the Quintet in A Major (Trout)Op. 114 is a wonderful early composition by these great Austrian master. It was Franz Schubert's first turly significant chamber work and this 1819 piece is indicative of his romantic genius and melodic warmth. / Urtext / Répertoire / 5 Pianos

8 Enchanting Pieces from India arranged for String Quartet. Par SHARMA PYARELAL. For the first time The Schott String Quartet Series features a collection of pieces that have been originally composed in a style unique to string quartet arrangements. Internationally-acclaimed Bollywood composer Pyarelal Sharma has provided music and songs for over 450 films. This set of string quartets, composed especially for Schott, is influenced by Indian film music, Indian folk, Arabic and light Indian classical music, thus combining the alluring sound of the East with the stability of a classic Western ensemble. Another new feature that this volume has brought to the series is a special bonus CD containing performances of these charming pieces by leading members of the London Philharmonic Orchestra. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes