Trois concertos pour piano de Mozart les plus célèbres disponibles dans une seule valeur à prix du volume. Comprend n o 20 en ré mineur, n o 21 en ut majeur, et n o 23 en la majeur. Besoin de deux exemplaires de l'ouvrage à réaliser. / 2 Pianos

Cette partition FANTAISIE CONCERTANTE PARTITION de Escaich Thierry a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB6114. Cette oeuvre d'une durée de 00:15:00 est idéale pour les musiciens pratiquant Piano 4 mains et Plus. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / 2 Pianos (Réduction D'Orchestre) / Partition

Le Concerto de Grieg in A Minor, Op.. 16, et le Concerto de Schumann en la mineur, op. 54 - deux des plus populaires de tous les concertos pour piano du répertoire - réimprimé dans les éditions qui font autorité. Dans chaque cas, la partie de piano 2ème est une réduction d'orchestre, en fournissant des pianistes avec le format 2-piano qui est la méthode standard pour les répétitions.Réimpression de sélections de Concerto en la mineur pour piano, op. 54, G. Schirmer, Inc, New York, 1918 et Konzert für Klavier, op. 16, A-??Moll, C. F. Peters, Francfort, n.c. / 2 Pianos

Greg Anderson et Elizabeth Joy Roe sont peut-être le jeune duo le plus excitant effectuer aujourd'hui, offrant des concerts de musique classique adrenalized qui révolutionnent l'expérience du duo de piano pour le 21e siècle. Décrit comme 'Fred Astaire et Ginger Rogers transposée de la piste de danse au clavier' (Le Southampton Press) et 'la synchronisation intense de génie' (Thirdcoast Digest), Greg et Liz apporter leur camaraderie joyeuse et l'art raffiné de la scène de concert, auditoires éblouissants à travers le monde comme une équipe à quatre mains et deux pianos.Le Anderson and Roe Duos and Duets série comporte arrangements inspirants interprétée par le duo --- du réglages des mélodies d'opéra précieux aux pots-pourris de la musique de film populaire. Les pièces sont éditées avec doigté et d'autres directions qui facilitent la répétition et la performance, ce qui les rend accessibles pour faire avancer les étudiants ainsi que pour les concertistes.Trois Valses pour deux pianos: un pot-pourri de valses rendu célèbre dans les films de Disney combine astucieusement 'Chim Chim Cher-ee', 'Someday My Prince Will Come' et 'Gaston' dans une pièce de concert virtuose, qui culmine dans une finale showstopping que superpose les trois mélodies sur le dessus de l'autre. Techniques de jeu de piano étendues, telles que gratter les cordes à l'intérieur du piano et de jouer des groupes de notes avec le poing, ainsi que des morceaux de bravoure qui englobe l'ensemble des deux pianos font l'un des Anderson and Roe arrangements plus excitantes. / 2 Pianos 4 Mains

Pour la première fois, les cinq concertos pour piano de Beethoven sont réunis dans une publication peu coûteuse et pratique. Comprend préfaces originales Kullak, plusieurs cadences de remplacement, et des suggestions de performance. / Piano

piano reduction for 2 pianos. Par SHCHEDRIN RODION. Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity./ Répertoire / 2 Pianos

For 2 Pianos, 4 Hands (a set of 2 scores for performance). Par GERSHWIN GEORGE. George Gershwin's iconic Rhapsody in Blue changed the landscape of American music at its 1924 premiere. Its irresistible fusion of classical and jazz has made it one of the most popular American concert works of all time. For this new edition all available sources at the Library of Congress were consulted, including full scores for piano and orchestra as well as two-piano reductions. This edition includes a second copy of the music, making it ideal for all concerto settings. Historical background and critical notes on the sources provide a fascinating window into Gershwin's composition process./ Répertoire / 2 Pianos 4 Mains

New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos

5 Romantic Arrangements. Par DIVERS AUTEURS / ARR.CORNICK MIKE. Mike Cornick has compiled several excellent sets of arrangements of some of the most popular light music from the last 100+ years, and this latest album offers some delightful romantic music. He invites you to imagine being seated in an intimate, candle-lit restaurant, being serenaded by two pianists at a shiny grand piano: except this time you are one of the pianists! Mike's arrangements include a CD that provides for each title, as well as a full, inspirational recording, play-along tracks so that you can take over either the primo or secondo part. When you have mastered them, of course you will be ready to play the pieces live with your partner. 'Dinner for Two” includes five romantic arrangements that will be very familiar: Martini's 'Plaisir d'Amour, Arndt's 'Nola”, 'Santa Lucia” (trad.), Marchetti's 'Fascination” and Kern's 'They Didn't Believe Me”. Intermediate level players will quickly master these arrangements and can then explore similar albums by Cornick, such as 'Charleston for Two”, 'Pink Panther for Two” and several more collections. 5 romantic pieces arranged for piano duet Entertaining for both performers and their audience For intermediate-level players The CD includes recordings of each duet as well as rehearsal tracks for primo and secondo players Perfect as concert items or just for fun/ Recueil / Piano 4 Mains

Réduction Piano. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Šolc./ Répertoire / 2 Pianos

Reynaldo HAHN (Caracas, Venezuela 1875 - Paris 1947) n'a que trois ans lorsque ses parents s'installent en France. Enfant prodige, il fait ses débuts à l'âge de six ans dans le célèbre salon de la princesse Mathilde, cousine de l'empereur Napoléon III ; il y chante des ai d'Offenbach en s'accompagnant au piano. Au Conservatoire où il entre à dix ans, il est l'élève de Decombes, Lavignac, Dubois et surtout Massenet qui sera pour lui un ami et un protecteur. Son ?uvre est principalement tournée vers la musique vocale : mélodies, opérettes, opéras. On lui doit aussi de nombreuses musiques de scène, des concertos, pièces instrumentales et de musique de chambre. / Classique / Partition /

The most famous and popular edition of Chopin's works prepared by I. J. Paderewski, L. Bronarski and J. Turczy?ski. The edition has been based primarily on Chopin's autograph manuscripts, copies approved by him and first editions. The principal aim of the Editorial Committee has been to establish a text which fully reveals Chopin's thoughts and corresponds to his intentions as closely as possible. The full version of this edition includes 21 volumes. Chopin Fryderyk - Variations Op. 2 Chopin Fryderyk - Fantasia Op.13 Chopin Fryderyk - Krakowiak, Grand Rondeau de Concert Op. 14 Chopin Fryderyk - Grande Polonaise Brillante Op. 22

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Piano

According to Mozart's own catalogue, K. 491 was completed on 24 March 1786 - it was Mozart's only piano concerto aside from K. 466 that was in a minor key. It was probably first performed two weeks later as part of an 'academy? at the Burgtheater in Vienna. Mozart was extremely pressed for time while composing this work, a fact that is shown both by the cursory way in which the autograph was written and by the repeated corrections. Unlike earlier publications, our edition contains the definitive version as in Mozart's manuscript. The piano reduction of our edition was undertaken by the celebrated pianist András Schiff, to whom we also already owe our reductions of the concertos K. 453, 467, 488 and 503 (HN 765, 766, 767 and 825). He also supplied the fingerings for the solo part, the cadenzas and the lead-ins. / Piano