Viola and Piano

SKU: HL.49004927

Composed by Philipp Jarnach. Edition Schott. Classical. Set of Parts. Composed 1952. 20 pages. Schott Music #HL50490617. Published by Schott Music (HL.49004927).

ISBN 9781458413925. UPC: 884088601553. English(UK).

Inspir ed by the concept of the serenading lover. In two colorful sections. Advanced Level. Inspired by the concept of the serenading lover. In two colourful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

This demanding work for viola and piano by contemporary American composer Augusta Read Thomas (*1964 in New York State) was inspired by the concept of the serenading lover. Also available for violin and piano (HL50490616).

(Pour Alto Et Piano - (for Viola and Piano)). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Claude Ducrocq. For Viola, Piano. This edition: orignally for violin and piano. Collection Frederic Laine. Orignally for violin and piano. ADVANCED. 16 pages. Duration 4 minutes. Published by Gerard Billaudot Editeur

Composed by Ernest Bloch (1880-1959). String solo single for viola solo, violin solo and piano accompaniment. Written for Viola; includes trancription for Violin. With standard notation and piano accompaniment. 16 pages. Published by G. Schirmer, Inc.

Viola and Piano

SKU: IM.3934

Composed by Eugene Ysaye. Arranged by Elaine Fine. Score and Parts. International Music Co. #3934. Published by International Music Co. (IM.3934).

The composer wrote this gentle, soothing lullaby for his youngest son, Antoine. Originally for Violin, this work is now available from IMC for Viola and Piano.

(including the Minuetto) By Ludwig van Beethoven (1770-1827), edited by Stein Haas. Set of performance parts for viola and cello. Eb Major. Composed 1795-98. 14 pages. Published by C.F. Peters.

(Originally for Violin) Transcribed by Gerhald H. Doty, composed by Jean-Baptiste Accolay (1845-1910). Viola solo single for viola solo and piano accompaniment. With solo part, standard notation, bowings, fingerings and piano accompaniment. D Minor. 24 pages. Published by G. Schirmer, Inc.

(Viola and Piano). Composed by Gabriel Faure (1845-1924). Arranged by Wolfgang Birtel. For Viola, Piano Accompaniment. String. Softcover. 10 pages. Schott Music #ED09962. Published by Schott Music

By Bud Caputo. Edited by Bud Caputo. Arranged by Bud Caputo. For Viola. This edition: Viola. Published by Carl Fischer.

(in the Style of Gaëtano Pugnani Viola and Piano). By Fritz Kreisler (1875-1962). Edited by Giuseppe Pascucci. String. Softcover. 16 pages

Viola and piano

SKU: M7.SAE-22-07

Composed by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 22-07. Published by SonArt Edition (M7.SAE-22-07).

ISBN 9790707651674.

This is a unique improvisation for violin and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

By J.C. Bach. For viola, piano. Includes CD containing performance of piano part. Published by C.F. Peters.

Viola and Piano. By Paul Hindemith. Schott. Size 9x12 inches. 36 pages. Published by Schott.

Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Claude Ducrocq. This edition: Original for violin and piano. Collection Frederic Laine. Original for violin and piano. Score and part(s). 7 pages. Duration 4 minutes. Gerard Billaudot Editeur #GB8457. Published by Gerard Billaudot Editeur (PR.514040530).

(For Mezzo-Soprano, Viola and Piano). By Ernst Vogel. For mezzo-soprano voice, violin and piano. Vocal music. 14 pages. Published by Doblinger Music Publishers

By Frederick Delius. For Violin, Viola and Piano. Strings. Published by Stainer & Bell Ltd. (U.K. Import).

Violin, Viola and Piano

SKU: HL.14022409

Composed by John McCabe. Music Sales America. Classical. Set. Music Sales #NOV120353. Published by Music Sales (HL.14022409).

8.25x11.75x0.15 inches.

By Wolfgang Amadeus Mozart. Viola and piano. Published by International Music Co.

Original Pour Violon Et Piano (original for violin and piano). Composed by Charles Dancla (1817-1907). Frederic Laine. Score and part(s). With Standard notation. Opus 141 Number 1. Duration 3 minutes. Gerard Billaudot Editeur #GB8120. Published by Gerard Billaudot Editeur (PR.514031970).

Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE32624. Published by Universal Edition

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.