24 Traditional Pieces. Composed by Various. Edited by Hugh Burns. This edition: ...(+)
24 Traditional Pieces.
Composed by Various.
Edited by Hugh Burns.
This edition: Saddle
stitching. Sheet music
with CD. Guitar. Die
Sammlung von
Bearbeitungen
traditioneller und
zeitgenossischer Weisen,
darunter Jigs, Reels,
Airs und vieles mehr. Die
meisten dieser Stucke
sind fur Sologitarre
bearbeitet; einige davon
werden auch mit
Begleitung angeboten.
Celtic, Folk, Irish.
Edition with CD. 52
pages. Schott Music #ED
13571. Published by
Schott Music
Guitar SKU: BT.9781408115008 Abracadabra. Book with CD. 72 pages. Collins...(+)
Guitar
SKU:
BT.9781408115008
Abracadabra. Book with
CD. 72 pages. Collins
Music Publishing
#9781408115008. Published
by Collins Music
Publishing
(BT.9781408115008).
ISBN
9781408115008.
A
bracadabra Singalong
Guitar makes learning
the Guitar simple and
fun. Bursting with songs
from pop classics to
traditional campfire
favourites, the book
includes full teaching
notes, chord diagrams,
lyrics and
twoeasy-to-follow
CDs.
It is the
perfect resource for use
during classroom singing,
at small Guitar groups,
in assemblies or for
individual learners.
Electric guitar - Intermediate SKU: MB.30522M Celtic Rock Solos. C...(+)
Electric guitar -
Intermediate
SKU:
MB.30522M
Celtic
Rock Solos. Composed
by Philip John Berthoud.
British, Saddle-stitched,
World. Rock and Blues.
Book and online audio. 52
pages. Mel Bay
Publications, Inc
#30522M. Published by Mel
Bay Publications, Inc
(MB.30522M).
ISBN
9781513464237. 8.75 x
11.75
inches.
Ideal for the
intermediate-level
guitarist, these 17
traditional tunes from
the UK plus one from
France are arranged to be
played with your electric
guitar plugged-in. The
transformation that
occurs in switching from
acoustic to electric
instruments adds an
unmistakable Celtic rock
element to the
authorâ??s companion
recording.
<
span style=font-family:
Arial;> The tunes are all
played twice through on
the recording and
transcribed note-for-note
in the book. The
recording features backup
from both electric bass
and a second electric
guitar, often played with
a slide and a little
â??dirtâ? thrown into
the mix. Skillful
bodhrán and djembe
playing on many of the
tracks adds to the
dynamic nature of the
recording.
<
span style=font-family:
Arial;> Many of these
tunes can be played in
lower positions but a few
venture as high as the
14th fret. Playing one
note at a time within a
narrow range, if you
donâ??t read
particularly well now,
working through these
tunes will help you
improve and gain
confidence as a sight
reader.
Written in
standard notation and
guitar tablature.
Includes access to online
audio.
Guitar SKU: HL.14033994 Music Sales America. Irish. Music Sales #OSSCD98....(+)
Guitar
SKU:
HL.14033994
Music
Sales America. Irish.
Music Sales #OSSCD98.
Published by Music Sales
(HL.14033994).
0.396
inches.
This demo
CD features Paul de Grae
playing 31 tunes from his
book Traditional Irish
Guitar (OMB130). Although
intended to accompany the
book the CD makes good
listening in itself,
providing new insights
into the use of the
guitar and the richness
and diversity of Irish
music.
15 Favorites Flexibly
Scored for Band
Instruments. Composed
by Bruce Pearson and Ryan
Nowlin. Band method.
Tradition of Excellence:
Excellence in Chamber
Music. Method Book. 32
pages. Neil A. Kjos Music
Company #W40EBS.
Published by Neil A. Kjos
Music Company
(KJ.W40EBS).
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: GI.G-9538G Traditional Hymns for Contemporary Ensembles(+)
Guitar
SKU:
GI.G-9538G
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 52
pages. GIA Publications
#9538G. Published by GIA
Publications
(GI.G-9538G).
UPC:
785147953876.
Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago.
Ãœber 50 Klassiker &
aktuelle Hits für
Akustikgitarre.
Composed by Wieland
Harms. This edition:
Klebebindung. Sheet
music. 168 pages. Edition
Melodia #GRG 106102100.
Published by Edition
Melodia
(M7.GRG-106102100).
ISBN 9783872523532.
German.
Ãœber 50
Rock- & Popsongs fu?r
Akustikgitarre - vom
kultigen Klassiker bis
zum aktuellen Hit Das
breite Spektrum des
Repertoires vom
3-Akkorde-Stu?ck bis zum
anspruchsvollen
Chord-Melody-Arrangement
ist Motivation fu?r den
Anfänger und stellt
dem Fortgeschrittenen
Songmaterial zur
Verfu?gung, mit dem er
sich stilistisch und
spieltechnisch
weiterentwickeln kann.
Viele Fotos und
Informationen zu den
Bands, Teilweise mit
Noten & Texten, teilweise
nur mit Chord Charts.
Guitar - intermediate SKU: BT.LCM9790570122189 Exam Material. Book with O...(+)
Guitar - intermediate
SKU:
BT.LCM9790570122189
Exam Material. Book with
Online Audio. 16 pages.
London College Music
#LCM9790570122189.
Published by London
College Music
(BT.LCM9790570122189).
English.
The
book covers examples and
guidance for the
Improvisation and Aural
Assessment components of
the LCM Rock Guitar exam.
All the scales and chords
that are useful in the
exam are provided in the
handbook. There is no
requirement to read
traditionally notated
music as all music is
also provided in
easy-to-read TAB or
fretboxes.
Guitar - easy SKU: BT.LCM9790570122165 Exam Material. Book with Online Au...(+)
Guitar - easy
SKU:
BT.LCM9790570122165
Exam Material. Book with
Online Audio. 16 pages.
London College Music
#LCM9790570122165.
Published by London
College Music
(BT.LCM9790570122165).
English.
The
book covers examples and
guidance for the
Improvisation and Aural
Assessment components of
the LCM Rock Guitar exam.
All the scales and chords
that are useful in the
exam are provided in the
handbook. There is no
requirement to read
traditionally notated
music as all music is
also provided in
easy-to-read TAB or
fretboxes.
Guitar - advanced SKU: BT.LCM9790570122202 Exam Material. Book with Onlin...(+)
Guitar - advanced
SKU:
BT.LCM9790570122202
Exam Material. Book with
Online Audio. 16 pages.
London College Music
#LCM9790570122202.
Published by London
College Music
(BT.LCM9790570122202).
English.
The
book covers examples and
guidance for the
Improvisation and Aural
Assessment components of
the LCM Rock Guitar exam.
All the scales and chords
that are useful in the
exam are provided in the
handbook. There is no
requirement to read
traditionally notated
music as all music is
also provided in
easy-to-read TAB or
fretboxes.
Guitar - easy SKU: BT.LCM9790570122158 Exam Material. Book with Online Au...(+)
Guitar - easy
SKU:
BT.LCM9790570122158
Exam Material. Book with
Online Audio. 16 pages.
London College Music
#LCM9790570122158.
Published by London
College Music
(BT.LCM9790570122158).
English.
The
book covers examples and
guidance for the
Improvisation and Aural
Assessment components of
the LCM Rock Guitar exam.
All the scales and chords
that are useful in the
exam are provided in the
handbook. There is no
requirement to read
traditionally notated
music as all music is
also provided in
easy-to-read TAB or
fretboxes.
Guitar - intermediate SKU: BT.LCM9790570122196 Exam Material. Book with O...(+)
Guitar - intermediate
SKU:
BT.LCM9790570122196
Exam Material. Book with
Online Audio. 16 pages.
London College Music
#LCM9790570122196.
Published by London
College Music
(BT.LCM9790570122196).
English.
The
book covers examples and
guidance for the
Improvisation and Aural
Assessment components of
the LCM Rock Guitar exam.
All the scales and chords
that are useful in the
exam are provided in the
handbook. There is no
requirement to read
traditionally notated
music as all music is
also provided in
easy-to-read TAB or
fretboxes.
Guitar - intermediate SKU: BT.LCM9790570122172 Exam Material. Book with O...(+)
Guitar - intermediate
SKU:
BT.LCM9790570122172
Exam Material. Book with
Online Audio. 16 pages.
London College Music
#LCM9790570122172.
Published by London
College Music
(BT.LCM9790570122172).
English.
The
book covers examples and
guidance for the
Improvisation and Aural
Assessment components of
the LCM Rock Guitar exam.
All the scales and chords
that are useful in the
exam are provided in the
handbook. There is no
requirement to read
traditionally notated
music as all music is
also provided in
easy-to-read TAB or
fretboxes.
Guitar - advanced SKU: BT.LCM9790570122226 Exam Material. Book with Onlin...(+)
Guitar - advanced
SKU:
BT.LCM9790570122226
Exam Material. Book with
Online Audio. 20 pages.
London College Music
#LCM9790570122226.
Published by London
College Music
(BT.LCM9790570122226).
English.
The
book covers examples and
guidance for the
Improvisation and Aural
Assessment components of
the LCM Rock Guitar exam.
All the scales and chords
that are useful in the
exam are provided in the
handbook. There is no
requirement to read
traditionally notated
music as all music is
also provided in
easy-to-read TAB or
fretboxes.
Guitar - advanced SKU: BT.LCM9790570122219 Exam Material. Book with Onlin...(+)
Guitar - advanced
SKU:
BT.LCM9790570122219
Exam Material. Book with
Online Audio. 20 pages.
London College Music
#LCM9790570122219.
Published by London
College Music
(BT.LCM9790570122219).
English.
The
book covers examples and
guidance for the
Improvisation and Aural
Assessment components of
the LCM Rock Guitar exam.
All the scales and chords
that are useful in the
exam are provided in the
handbook. There is no
requirement to read
traditionally notated
music as all music is
also provided in
easy-to-read TAB or
fretboxes.
An Innovative Method for Class Instruction. Composed by Jason Yeary and A...(+)
An Innovative Method
for Class
Instruction. Composed
by Jason Yeary and Aaron
Stang. Book; Digital
Download; Guitar Method
or Supplement;
Method/Instruction. Sound
Innovations for Guitar.
128 pages. Published by
Alfred Music (AP.44086).
An Innovative Method for Class Instruction. Composed by Jason Yeary and A...(+)
An Innovative Method
for Class
Instruction. Composed
by Jason Yeary and Aaron
Stang. Book; Digital
Download; Guitar Method
or Supplement;
Method/Instruction. Sound
Innovations for Guitar.
64 pages. Published by
Alfred Music (AP.44089).
Guitar; Unison Choir (Guitar) SKU: HL.49046729 For Guitar German. ...(+)
Guitar; Unison Choir
(Guitar)
SKU:
HL.49046729
For
Guitar German.
Guitar. Classical, German
Edition. Softcover Audio
Online. 72 pages. Schott
Music #ED23486. Published
by Schott Music
(HL.49046729).
UPC:
196288021063.
Child
ren love exciting stories
with familiar songs. The
10 mini musicals in this
booklet are fun for
everyone! Traditional
Martin songs like I go
with my lantern, Lantern,
lantern or Saint Martin
rode through snow and
wind are embedded in
beautiful storiesabout
St. Martin's Day. All
people walk with a light
and We want to run a
lantern address the
lantern running of young
and old. In the magic
land of the lanterns, the
black magician tries to
transform the bright
colors of the lanterns
into black. The ghost
Husch lights lanterns and
is smeared with soot. And
little Aquarius Nick also
wants to run the lantern.
The mini musicals bring
beautiful stories and
traditional melodies
together. The stories can
be freely adapted to the
age of the children. For
each song there is a
picture card for
narrative theater as a
PDF and an MP3 playback
for download. Chords for
classical guitar and
JelGi numbers are given.
Simple songs can be
accompanied by children
on guitars, or ff
instruments and
boomwhackers. German
Edition.
Piano, Vocal and Guitar - Grade 2 SKU: HL.14021851 Music Sales America. F...(+)
Piano, Vocal and Guitar -
Grade 2
SKU:
HL.14021851
Music
Sales America. Folk
British Isles. Book
[Softcover]. 56 pages.
Music Sales #OMB77.
Published by Music Sales
(HL.14021851).
ISBN
9780946005543.
5.75x8.25x0.242 inches.
English.
Continuing
on from the first volume,
More Songs And Ballads Of
Ireland is another
fabulous volume of
traditional music from
the Emerald Isle! It
encompasses every style
and type of Irish song to
form a well rounded and
versatile selection to
enliven any sing-song,
hooley or traditional
session. This second
collection of forty songs
contains the complete
words, music and guitar
chords for each piece.
Featured songs include: A
Bunch of Thyme, The Wild
Rover, Raglan Road and
the ever popular Sally
Gardens.
Book/Media Online Guitar SKU: HL.49046905 28 Traditional Pieces Book/M...(+)
Book/Media Online Guitar
SKU: HL.49046905
28 Traditional Pieces
Book/Media Online.
Edited by Hugh Burns.
Guitar. English,
European, Folk. Softcover
Media Online. 72 pages.
Schott Music #ED13491D.
Published by Schott Music
(HL.49046905).
UPC:
196288082040.
Engli
sh Folk Tunes contains 28
original arrangements of
traditional and
contemporary tunes
including ballads, sea
shanties, and carols.
Most of the pieces are
arranged for solo guitar,
with several also offered
as trios and with
accompaniments.
Experienced folk
guitarist, and author of
Scottish Folk Tunes for
Guitar (ED 13359) Hugh
Burns provides notes on
all of the pieces, as
well as playing tips, and
technical advice. The
volume includes
recordings of all tunes
in MP3 files for download
performed by Hugh Burns.
German and French
translations of all texts
are available as pdf
downloads from the Schott
Music website. Suitable
for players of grades
3-8.
Guitar SKU: GI.G-10430G Traditional Carols for Contemporary Ensembles<...(+)
Guitar
SKU:
GI.G-10430G
Traditional Carols for
Contemporary
Ensembles. This
edition: Spiral Guitar
edition. Sacred. Guitar
part. With guitar chord
names. 64 pages. GIA
Publications #10430G.
Published by GIA
Publications
(GI.G-10430G).
UPC:
785147043072.
**
This is the spiral-bound
guitar edition. Â The
third volume in this
popular series, Revival
III features arrangements
of fourteen familiar
Christmas carols for
contemporary ensembles.
Christmas carols, like
many traditional hymns,
are often arranged for
four-part choir and
organ. With this
collection, Tony Alonso
focuses instead on the
needs of the piano- or
guitar-based ensemble,
creating accessible carol
arrangements for SAB
voices, piano, and
guitar. Also included is
an optional alternate
harmonization for the
final stanza of each
piece featuring a soprano
descant. Although these
arrangements can be
utilized as choral
anthems, they are truly
intended to lead and
inspire congregational
song. They are compatible
with the texts found in
GIA’s hymnals and
yet can be edited easily
to agree with the version
of the carol most
familiar to the assembly.
CONTENTS: Angels We Have
Heard on High (G-10431)
• Away in a Manger
(G-10432) • Hark!
The Herald Angels Sing
(G-10434) • It Came
Upon a Midnight Clear
(G-10435) • We
Three Kings of Orient Are
(G-10443) • O
Little Town of Bethlehem
(G-10439) • Joy to
the World (G-10436)
• Once in Royal
David’s City
(G-10440) • What
Child Is This? (G-10444)
• O Come, All Ye
Faithful (G-10437)
• The First Nowell
(G-10442) • O Come,
O Come Emmanuel (G-10438)
• Good Christian
Friends, Rejoice
(G-10433) • Silent
Night (G-10441).