By Felix Alexandre Guilmant. Edited by Wayne Leupold. For Organ. Organ - Method ...(+)
By Felix Alexandre
Guilmant. Edited by Wayne
Leupold. For Organ. Organ
- Method or Collection.
Masterwork. Book. 140
pages. Published by
Belwin Music .
Low voice, flute and piano or organ SKU: HL.49006306 Solo Cantata....(+)
Low voice, flute and
piano or organ
SKU:
HL.49006306
Solo
Cantata. Composed by
Hermann Reutter. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1973.
20 pages. Duration 12'.
Schott Music #ED 6423.
Published by Schott Music
(HL.49006306).
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Organ SKU: HL.49046723 Organ. Composed by Naji Hakim. Organ Collec...(+)
Organ
SKU:
HL.49046723
Organ. Composed by
Naji Hakim. Organ
Collection. Canon,
Classical, Variations.
Softcover. 16 pages.
Duration 660 seconds.
Schott Music #ED23510.
Published by Schott Music
(HL.49046723).
UPC:
842819115625.
These
variations are based on
the choral Freu dich
sehr, o meine Seele.
Variation I, Maestoso,
presents a solemn,
canonic statement of the
theme enveloped by dense,
closely-knit harmonies.
Variation II, Allegro, is
clothed in polyphonic
lines reminiscentof
Bach's Orgelbuchlein
chorales. Variation III,
Vivace, is a playful
bicinium with the cantus
firmus featured in the
soprano line, as the bass
bounces along in a
staccato duet. Variation
IV, Adagio, displays rich
chromatic harmonies which
form a lush backdrop for
the pedal solo. Variation
V, Vivace, features the
chorale in detached left
hand notes while the
right hand and pedal
provide a playful
accompaniment. In
Variation VI, Andante,
the melody vacillates
between minor and major
keys as syncopated left
hand chords and pizzicato
bass accompany the
cantilena. In the
concluding Variation VII,
Presto, the left hand
proclaims the theme in
block chords as the right
hand provides an
exuberant garland of
sixteenth notes while the
pedal provides rhythmic
drive with tympanic
accents.
Organ SKU: BR.BHM-367 Verzeichnis cantus-firmus-gebundener Orgelmusik<...(+)
Organ
SKU:
BR.BHM-367
Verzeichnis
cantus-firmus-gebundener
Orgelmusik. Composed
by Martin Bieri. Solo
instruments. Breitkopf
New Media. The Sherlock
Holmes of the Organ Gets
a Makeover. Music
pedagogy. New Media.
Breitkopf and Haertel
#BHM 367. Published by
Breitkopf and Haertel
(BR.BHM-367).
ISBN
9783765103674. 9 x 12
inches.
Seek
(ricercare) and you will
find! The little angel on
the cover of the book
shows the organist the
way to the music he's
looking for! In an
incredibly time-consuming
endeavor, Martin Bieri
has compiled all
currently available
chorale-based organ
works, cataloguing about
15,600 works. The bulk of
the work is devoted to
(chorale) melodies that
can be found in the major
German-language hymnals.
The Ricercare Book offers
concise information along
with indexes of
arrangements, composers,
editions and publishers.
Nach acht Jahren Laufzeit
war es soweit: Ricercare
der Sherlock Holmes des
Organisten brauchte
dringend eine
Frischzellenkur d. h.
neue Informationen und
technische Updates. Das
Lifting hat der CD-ROM
gut getan. Ricercare
saust nunmehr mit neuer
Kraft (neuen
Informationen)
prestissimo durch die
weite Datenwelt von uber
20.000
cantus-firmus-gebundenen
Orgelwerken und gibt
umfassend Auskunft uber
Melodien Komponisten
Ausgaben Bearbeitungen
Verlage u. a. m.
After eight years on the
beat it was finally time
for Ricercare the
Sherlock Holmes of the
Organ to get a badly
needed makeover i.e. to
be supplied with new
information and technical
updates. The makeover did
a world of good to the
CD-ROM. Loaded with new
info Ricercare now zips
along prestissimo through
the vast data world of
more than 20 000
cantus-firmus-related
organ works and provides
comprehensive information
on melodies composers
editions arrangements
publishers and much
more.
The
present edition is based
on the music text of the
,,Gesamtausgabe of Robert
Schumann's works edited
by Clara Schumann
together with Johannes
Brahms and others between
1879 und 1893. This
publication is almost
entirely free from
arbitrary alterations in
the text. A few obvious
errors and unjustifiable
alterations of the
musical text were
eliminated after a
thorough comparison with
the first editions. Die
vorliegende Ausgabe folgt
dem Notentext der von
Clara Schumann in
Zusammenarbeit mit
Johannes Brahms u. a.
zwischen 1879 und 1893
herausgegebenen
Gesamtausgabe von Robert
Schumanns Werken. Diese
Edition ist von
willkurlichen
Veranderungen des Textes
weitgehend frei. Einige
offensichtliche Irrtumer
und nicht zu
rechtfertigende Eingriffe
in den Notentext wurden
nach Vergleich mit der
Erstausgabe und dem
Autograph beseitigt. The
present edition is based
on the music text of the
,,Gesamtausgabe of Robert
Schumann's works edited
by Clara Schumann
together with Johannes
Brahms and others between
1879 und 1893. This
publication is almost
entirely free from
arbitrary alterations in
the text. A few obvious
errors and unjustifiable
alterations of the
musical text were
eliminated after a
thorough comparison with
the first edition and the
autograph.
Mixed Choir [SATB], Chamber Orchestra or Organ SKU: BT.PMC3367 For Cho...(+)
Mixed Choir [SATB],
Chamber Orchestra or
Organ
SKU:
BT.PMC3367
For
Chorus and Chamber
Orchestra or Organ- Organ
Score. Composed by
Morten Lauridsen. Vocal
Score. Composed 1997. 56
pages. Peermusic
Classical #PMC3367.
Published by Peermusic
Classical (BT.PMC3367).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen.
(Sonate D'Intavolatura Per Organo E Cimbalo) Composed by Domenico Zipoli (1688-1...(+)
(Sonate D'Intavolatura
Per Organo E Cimbalo)
Composed by Domenico
Zipoli (1688-1726),
edited by Luigi
Ferdinando Tagliavini.
Organ solo book for
organ. With organ
notation and introductory
text. 37 pages. Published
by Soeddeutscher
Musikverlag (German
import).
By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / De...(+)
By Various. Edited by
Meuser, Michael /
Berning, Thomas /
Kohlmann, Mathias /
Degott, Matthias / Kolle,
Martin / Walter, Meinrad
/ Geismann, Wilm.
Occasions: Eucharist,
Communion, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Mourning,
Death; Use during church
year: Advent, Lent and
Passiontide, Easter and
Eastertide, Christmas.
Collection. 224 pages.
Published by Carus Verlag
(German import).
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01965.
Published
by Jackman Music
Corporation
Organ - Medium SKU: JK.01885 Composed by Various. Arranged by Brent Jorge...(+)
Organ - Medium
SKU:
JK.01885
Composed by
Various. Arranged by
Brent Jorgensen. Organ
Chains, Organ Postludes,
Organ Preludes, Organ
Solos, Special Events
Funeral and Memorial,
Comfort, Eternal Life,
Funeral, Plan of
Salvation, Resurrection.
Christian, Inspirational.
Jackman Music Corporation
#01885. Published by
Jackman Music Corporation
(JK.01885).
UPC:
093285018853.
Ecclesiastes 3:1-2,
Matthew 5:4, 1 Peter
5:7.
Thirty-one
favorite funeral hymns
arranged in a continuous
medley for organ
prelude/postlude. You
can start anywhere in the
book and end
anywhere! Pedals are
included within the
staff. Songs included
in this book: Comfort
and Hope Be Still, My
Soul The Lord is My
Shepherd Nearer, My
God, To Thee Where
Can I Turn For Peace?
Come unto Jesus Lead,
Kindly Light Jesus
Christ I Know That
My Redeemer Lives
Beautiful Savior I
Believe in Christ I
Stand All Amazed He
Sent His Son How
Great Thou Art The
Love of God Our
Savior's Love Love
One Another My
Heavenly Father Loves
Me I Feel My Savior's
Love Where Love
Is Faith and Devotion
Come, Follow Me
I Need Thee Every
Hour Because I Have
Been Given Much
Amazing Grace In the
Garden Softly and
Tenderly Come, Thou
Fount of Every
Blessing Each Life
That Touches Ours For
Good Eternal Families
Families Can Be
Together Forever Love
at Home Oh, What
Songs of the Heart I
Am a Child of God O
My Father Closing
God Be With You Till
We Meet Again Abide
with Me! Abide with
Me, 'Tis Eventide
Anthems Goin'
home Consider the
Lilies Holy Art
Thou Jesu, Joy of
Man's Desiring
Composer: Various
Arranger: Brent
Jorgensen Difficulty:
Medium Reference:
Ecclesiastes 3:1-2,
Matthew 5:4, 1 Peter
5:7.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ - Easy SKU: JK.01927 Composed by Various. Arranged by Brent Jorgens...(+)
Organ - Easy
SKU:
JK.01927
Composed by
Various. Arranged by
Brent Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music Corporation #01927.
Published by Jackman
Music Corporation
(JK.01927).
UPC:
093285019270.
The
Temple Organist is a
series of hymn
arrangements designed to
support the sacred
reverence found in
temples of the Church of
Jesus Christ of
Latter-day Saints. The
songs selected for the
two volumes have been
taken directly from
approved lists of hymns
appropriate for temples.
The arrangements in this
volume, like volume 1,
are arranged to include
the harmonizations from
the 1985 hymnal, with a
variation that follows in
most cases. True to the
style of Orgain Chains,
they include interludes
to connect each hymn so
they can be played
consecutively (including
modulations that bridge
different keys
beautifully). You will
enjoy serving temple
patrons as you play these
simple, contemplative
hymn
settings.
Cont
ents Include: Oh, May
My Soul Commune with
Thee Nearer, My God,
to Thee O My
Father I Need Thee
Every Hour Jesus,
Lover of My Soul More
Holiness Give Me Guide
Me to Thee Did You
Think to Pray? Sweet
Hour of Prayer How
Gentle God's
Commands Where Can I
Turn for Peace? Be
Thou Humble Dearest
Children, God Is Near
You Be Still, My
Soul Lead, Kindly
Light Sweet Is the
Peace the Gospel
Brings O Love That
Glorifies the Son God
Loved Us, So He Sent His
Son How Great the
Wisdom and the
Love With Humble
Heart Jesus, Once of
Humble Birth In
Humility, Our
Savior There Is a
Green Hill Far Away I
Stand All Amazed Sweet
Is the Work Come,
Follow Me Love One
Another Dear to the
Heart of the
Shepherd Lord, I Would
Follow Thee Composer:
VariousArranger: Brent
JorgensenDifficulty:
Easy.
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01926.
Published
by Jackman Music
Corporation
For voice and organ. Format: organ/vocal songbook (two copies needed for perform...(+)
For voice and organ.
Format: organ/vocal
songbook (two copies
needed for performance).
With vocal melody,
lyrics, organ
accompaniment and chord
names. Hymn. 132 pages.
9x12 inches. Published by
Hal Leonard.