Par DANYEL JOHN. Keyborad reduction of lute and viol parts only Keyborad reduction of lute and viol parts only/ Recueil / Chant et Piano

Par LUTEREAU. Langue: English(UK)/Deutsch/Français/Nederlands / Classique / Date parution : 1905-06-24/ Feuillet / Chant et Piano

Par MASSENET JULES. Cendrillon (Cinderella), with a libretto by Henri Cain based on Perrault's fairytale, premiered in 1899 in Paris. Best known for composing over thirty operas, the composer, Jules Massenet (1842-1912) purposely did not attend the premiere, but received a telegram the following day from baritone Fugère recording its triumph. Incorporating the composer's sense of humour and wit, the use of recurrent motifs is subtle and often thought to be inspired by Richard Wagner. Cendrillon contains musical echoes of the 18th century, incorporating gallant music, the use of the Lute and Viola D'Amore and a series of Balletentrees. The Opera is in four acts with 19 characters and a chorus. The role of Prince Charming is a breeches role whilst the melody lines of the Fairy Godmother are characterised by trills and arpeggios. Massenet 's Cendrillon remains popular to this day and was notably performed at the Royal Opera House in 2011. / Opéra-opérette / Répertoire / Chant et Piano

Par MAYNARD JOHN. With lute tablature and keybaord realisation/ Recueil / Chant et Piano

Par DOWLAND JOHN. Dowland's first book of ayres accompanied by lute, with tablature. Also with a keyboard realisation/ Répertoire / Chant et Piano

Par DOWLAND JOHN. Dowland's third book of songs accompanied by lute, with tablature. Also with keyboard realisation/ Répertoire / Chant et Piano

Par ROSSETER PHILIP. With lute tablature, and keyboard realisation/ Recueil / Chant et Piano

Par FORD THOMAS. With lute tablature and keyboard transcription/ Recueil / Chant et Piano

Par CAMPION THOMAS. With lute tablature and keyboard transcription/ Recueil / Chant et Piano

Book 2. Par FELLOWES E.H.. Edited by Edmund Fellowes CONTENTS ANONYMOUS: Willow Song (D - D) CAMPIAN, Thomas: Follow your saint (D - D); When to her lute Corinna sings (B - D) DOWLAND, John: Come again, sweet love doth now invite (C - D); Sleep wayward thoughts (E flat - C); Sorrow, stay (C - C) FORD, Thomas: Fair sweet cruel (D sharp - D) JONES, Robert: Now what is love (C - C) PILKINGTON, Francis: Diaphenia, like the daffdowndilly (C - C) ROSSETER, Philip:/ Recueil / Chant et Piano

Par MORLEY THOMAS. With lute tablature, and keyboard realisation/ Répertoire / Chant et Piano

Par BOCELLI ANDREA. Believe is a collection of intimate and contemplative songs that have inspired Bocelli over the years; melodies that evoke memories from his childhood in Tuscany. In addition to the touching and powerful ?Amazing Grace? with Alison Krauss, the new album includes two duets with the mezzo-soprano Cecilia Bartoli and a previously unreleased track from Ennio Morricone. Each song in this volume is arranged for voice and piano, with the addiction of choir, flute or violin parts for some songs. / Date parution : 2021-11-03/ Recueil / Chant et Piano

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano