By Josef Gabriel Rheinberger. Edited by Theill, Han. For Soli STB, SATB Choir, 2...(+)
By Josef Gabriel
Rheinberger. Edited by
Theill, Han. For Soli
STB, SATB Choir, 2 Oboes,
2 Clarinets, 2 Bassoons,
2 Horns, Trombone, 2
Violins, Viola, Cello,
Contrabass. Full score
available separately -
see item CA.5001600.
Occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary; Use during
chuch year: Lent and
Passiontide. Level 2.
Piano/Vocal score.
Language: Latin/German.
Composed 1864. 16. 32
pages. Duration 16 min
(2.2.2.2/4.2.0.0,timp,per c,hp,str) SKU: TM.05184SC Composed by Antonin D...(+)
(2.2.2.2/4.2.0.0,timp,per
c,hp,str)
SKU:
TM.05184SC
Composed
by Antonin Dvorak. Score.
Lucks Music Library
#A1428. Published by
Lucks Music Library
(TM.05184SC).
Basset horn
parts written into clar.
parts. Chorus contains
Act I No. 5 (Chorder
Janitscharen) and Act III
No. 21 (Niew Werd) only.
Vocal score I has English
translation by Martin.
Includes clarinets in
both original key of C
and transposed key of
Bb.
(2.2.2.2/4.2.0.0,timp,per c,hp,str) SKU: TM.05184SET Composed by Antonin ...(+)
(2.2.2.2/4.2.0.0,timp,per
c,hp,str)
SKU:
TM.05184SET
Composed
by Antonin Dvorak. Set
Type: D. Set of parts.
Lucks Music Library
#A1428. Published by
Lucks Music Library
(TM.05184SET).
Basset horn
parts written into clar.
parts. Chorus contains
Act I No. 5 (Chorder
Janitscharen) and Act III
No. 21 (Niew Werd) only.
Vocal score I has English
translation by Martin.
Includes clarinets in
both original key of C
and transposed key of
Bb.
Fairest Lord Jesus, We Love You Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale.
Arranged by David
Clydesdale. For SATB
choir with vocal solo
(flute 1and2, oboe,
clarinet 1and2, bassoon,
F horn 1/2and3, trumpet
1/2and3, trombone 1and2,
trombone 3/tuba,
percussion 1and2/3and4,
rhythm, harp, violin
1and2, viola, cello,
string bass)
Benvenuto
Cellini, premiered in
1838, is inspired by the
life of the legendary
Florentine goldsmith and
Renaissance figure. The
premiere was a disatster
yet even by Berliozâ??s
high standards it
contains music of
exceptional inventiveness
and beauty.
The
work is challenging not
least due to the three
versions which
exist:
I The
original version (Paris
1) as Berlioz composed
it II The version
premiered in Paris (Paris
2) after rehearsal and
copied into an archival
full score III The
Weimar version based on
the revival in 1852
following changes
suggested by
Liszt
Our edition
offers a solution to the
problem of publishing
operas which have been
heavily revised by their
composers, so that any of
its many versions may be
adopted on stage
today.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. 1x 40.055/21
flute 1, 1x 40.055/22
flute 2, 1x 40.055/23
oboe 1, 1x 40.055/24 oboe
2, 1x 40.055/31 horn 1,
1x 40.055/32 horn 2, 1x
40.055/33 clarino 1, 1x
40.055/34 clarino 2, 1x
40.055/35 trombone 1, 1x
40.055/36 trombone 2, 1x
40.055/37 trombone 3.
Stuttgart Urtext Edition:
Mozart. German title:
Litaniae De Venerabili
Altaris Rev.2002.
Litanies, Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed 1772. KV
125. 68 pages. Duration
32 minutes. Carus Verlag
#CV 40.055/09. Published
by Carus Verlag
(CA.4005509).
ISBN
9790007059361. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
parts available
separately - see item
CA.4005500.
(2+1.2+1.2.2/4.2+2.3.1,ti mp,perc,hp,str) SKU: TM.06910SC Composed by Pet...(+)
(2+1.2+1.2.2/4.2+2.3.1,ti
mp,perc,hp,str)
SKU:
TM.06910SC
Composed
by Peter Illich
Tschaikowsky. Score.
Published by Lucks Music
Library (TM.06910SC).
Clothbound
score. Introduction-La
Fee Des Lilas, Adagio,
Pas D'Action, Pas de
Caractere: Le Chant Botte
et la Chatte Blanche,
Panorama, Valse.
Transposed: tpt, cor,
tbn. Original Clarinet in
A and Bb.
(2+1.2+1.2.2/4.2+2.3.1,ti mp,perc,hp,str) SKU: TM.06910SET Composed by Pe...(+)
(2+1.2+1.2.2/4.2+2.3.1,ti
mp,perc,hp,str)
SKU:
TM.06910SET
Composed
by Peter Illich
Tschaikowsky. Set Type:
D. Set of parts.
Published by Lucks Music
Library (TM.06910SET).
Clothbound
score. Introduction-La
Fee Des Lilas, Adagio,
Pas D'Action, Pas de
Caractere: Le Chant Botte
et la Chatte Blanche,
Panorama, Valse.
Transposed: tpt, cor,
tbn. Original Clarinet in
A and Bb.
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. Set
Type: D. Set of parts.
Lucks Music Library
#A1930. Published by
Lucks Music Library
(TM.08641SET).
Opt mixed
chs-in Russian, in score
only. Clarinet III =
Piccolo clarinet in D;
Trumpet III = Contralto
trumpet in F.
Composed by
Charles-Camille
Saint-Saens. Score.
Published by Lucks Music
Library (TM.06550SC).
French
Engraved. Transposed: Cl
1+2; Bass Cl in Bb, Hns
1+2, Tbn 1+2. Original:
Hn 3+4 in F, Tpt 1+2, Cor
1+2 in Bb. Original
Clarinets in A. Score
shows trumpets in F, but
original parts are in Bb,
not F.
Composed by
Charles-Camille
Saint-Saens. Set Type: D.
Set of parts. Published
by Lucks Music Library
(TM.06550SET).
French
Engraved. Transposed: Cl
1+2; Bass Cl in Bb, Hns
1+2, Tbn 1+2. Original:
Hn 3+4 in F, Tpt 1+2, Cor
1+2 in Bb. Original
Clarinets in A. Score
shows trumpets in F, but
original parts are in Bb,
not F.
