From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Edited by Julian Lloyd Webber. For Cello and Piano. Book; Method/Instruction; St...(+)
Edited by Julian Lloyd
Webber. For Cello and
Piano. Book;
Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition. Published by
Faber Music
Chamber Music Cello, Piano SKU: CF.B3473 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.B3473
Composed by
Ernest Bloch. Edited by
Julian Schwarz. Set of
Score and Parts. 12+4
pages. Carl Fischer Music
#B3473. Published by Carl
Fischer Music (CF.B3473).
ISBN 9781491161999.
UPC: 680160920679. Key: C
major.
Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire. Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
Petite Suite Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ13622 By Miklos Perenyi. By Claude Debussy an...(+)
Cello and Piano
SKU:
BT.EMBZ13622
By
Miklos Perenyi. By Claude
Debussy and Zoltan
Kocsis. Classical. Book
Only. Composed 1989. 38
pages. Editio Musica
Budapest #EMBZ13622.
Published by Editio
Musica Budapest
(BT.EMBZ13622).
PETITE SUITE Violoncelle, Piano EMB (Editio Musica Budapest)
Violoncello and Piano (VIOLONCELLO) SKU: HL.50487683 By Miklos Perenyi. B...(+)
Violoncello and Piano
(VIOLONCELLO)
SKU:
HL.50487683
By Miklos
Perenyi. By Claude
Debussy. Romantic. EMB.
Classical. Book Only.
Editio Musica Budapest
#Z13622. Published by
Editio Musica Budapest
(HL.50487683).
ISBN
9790080136225.
9.0x12.0x0.124 inches.
French. Claude Debussy;
Zoltan Kocsis; Miklos
Perenyi.
Debussy's
Small Suite written for
piano duet in 1889 is
being published by Editio
Musica Budapest in a
transcription for cello
and piano for the first
time. A guarantee for the
quality of the
transcription is the name
of the two outstanding
artists Zoltan Kocsis and
Miklos Perenyi who make
us forget the difficulty
of the task and exploit
the full capabilities of
their respective
instruments, enchanting
thereby the audience.
Clarinet in Bb, cello and piano - difficult SKU: HL.49017074 Music for...(+)
Clarinet in Bb, cello and
piano - difficult
SKU:
HL.49017074
Music
for Clarinet in Bb, Cello
and Piano. Composed
by Christian Jost. This
edition: Saddle
stitching. Sheet music.
Misc. Score and parts.
Composed 2007. 52 pages.
Duration 12'. Schott
Music #ED 20369.
Published by Schott Music
(HL.49017074).
ISBN
9790001151573.
9.0x12.0x0.182
inches.
In this
trio, as in most of his
compositions, Jost has
pictures and associations
with true incidents,
films and novels in his
mind. What inspired him
to write this piece was
Joseph Conrad's novel
'Heart of Darkness' in
which the protagonist
Marlow says about the
city of Brussels: 'In a
few hours I arrived in a
city that always make me
think of a whited
sepulchre.'In 'Sepulchral
City', a work
commissioned to mark the
tenth anniversary of the
Jerusalem Chamber Music
Festival, however, the
title refers to
Jerusalem, the city of
white tombs. The topic of
Jost's trio is a travel
into the soul and living
spirit of a city, with no
physical movement being
needed to find the heart
of impenetrable darkness:
It lies within the city
walls.In this respect,
'Sepulchral City' equals
a compositionally
unfolded funeral bell.
Even the animated middle
section rather has
insisting than
progressive power. At the
end, the only thing to do
is to inhale and
exhale.
Chamber Music Cello, Piano SKU: PR.UT050402 Fassung fur Violoncello un...(+)
Chamber Music Cello,
Piano
SKU:
PR.UT050402
Fassung fur
Violoncello und
Klavier. Composed by
Franz Schubert. Set of
Score and Parts. With
Standard notation. Wiener
Urtext/Vienna Urtext
#UT050402. Published by
Wiener Urtext/Vienna
Urtext (PR.UT050402).
ISBN 9783850557795.
UPC:
800522003370.
It is
argued that the
arpeggione (think: bowed
guitar) would have been
left as a trivia question
for historians had
Schubert not written this
particular Sonata. By the
time this 1824
composition was first
published in 1871, the
arpeggione had already
fallen out of favor and
out of use. Even the
first publication
indicated the violoncello
as the viable alternative
solo. The editors have
gone back to the
autograph, which resides
at the National Library
of France, together with
the contemporary
arrangement for violin by
Diabelli, in creating
this critical edition.
The history of the sonata
and this edition,
together with performance
notes and critical
commentary, are
included.
Invocation Violoncelle, Piano [Conducteur et Parties séparées] Faber Music Limited
By Gustav Holst (1874-1934). Edited by Julian Lloyd Webber. For Cello and Piano....(+)
By Gustav Holst
(1874-1934). Edited by
Julian Lloyd Webber. For
Cello and Piano.
Masterworks; Part(s);
Score; Solo; String -
Cello and Piano. Faber
Edition. 20th Century;
Masterwork; Romantic.
Published by Faber Music
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
Cello and Piano. Composed by Cesar Antonovich Cui (1835- 1918). Edited by Est...(+)
Cello and Piano. Composed
by
Cesar Antonovich Cui
(1835-
1918). Edited by Estelle
Revaz. This edition:
Saddle
stitching. Sheet music.
Schott Student Edition.
Classical. Softcover. Op.
50/9. 14 pages. Schott
Music
#SE 1038. Published by
Schott Music
(Hits from the Greatest Shows of All Time). By Pat Legg. For Cello and Piano. Bo...(+)
(Hits from the Greatest
Shows of All Time). By
Pat Legg. For Cello and
Piano. Book; String -
Cello Studies or
Collection. Faber
Edition. 24 pages.
Published by Faber Music
Urtext. Composed by Pauline Viardot-Garcia (1821-1910). Edited by Miriam-Alexa...(+)
Urtext. Composed by
Pauline
Viardot-Garcia
(1821-1910).
Edited by
Miriam-Alexandra
Wigners. Breitkopf and
Haertel #EB 8887.
Published
by Breitkopf and Haertel
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
O Shenandoah! Violoncelle, Piano Faber Music Limited
(And Other Songs from the New World). By Polly Waterfield. For Cello and Piano. ...(+)
(And Other Songs from the
New World). By Polly
Waterfield. For Cello and
Piano. Book; Solo; String
- Cello Studies or
Collection. Faber
Edition. Folk.
Elementary. 24 pages.
Published by Faber Music
For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo S...(+)
For Cello and Piano
Schott Student Edition
Repertoire. Composed
by Hugo Schlemueller.
Edited by Martin
Mueller-Runte. This
edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 12. 32 pages. Schott
Music #SE1005. Published
by Schott Music
(HL.49045443).
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Solo
part and piano reduction.
Opus 104. Published by
Baerenreiter Verlag
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy
SKU: BT.EMBZ6748
Easy concert pieces in
first position. By
Arpad Pejtsik. By Endre
Lengyel. EMB Music for
Beginners. Educational
Tool. Book Only. Composed
1973. 64 pages. Editio
Musica Budapest
#EMBZ6748. Published by
Editio Musica Budapest
(BT.EMBZ6748).
Hungarian-English-Germ
an-French.
The
volumes of the series
cover the entire music
literature from the
earliest centurties to
our days. The material of
the individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the volumes
have been published in
this series for the first
time. An ABRSM syllabus
title, 2010-16, Grade
2-3.
Cello and Piano Schott Student Edition Level 1. Composed by Arnold Trowell. ...(+)
Cello and Piano Schott
Student Edition Level 1.
Composed by Arnold
Trowell.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Classical. Softcover. Op.
4/1-6. 40 pages. Schott
Music
#SE 1024. Published by
Schott
Music
Op. 112 B Minor Cello and Piano Student Level 3. Composed by Sebastian Lee ...(+)
Op. 112 B Minor Cello and
Piano Student Level 3.
Composed by Sebastian Lee
(1805-1887). Edited by
Anna
Catharina Nimczik. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical.
Softcover. Op. 112. 16
pages.
Schott Music #SE1023.
Published by Schott Music