Composed by Claude Debussy (1862-1918), edited by E. G. Heinemann. Single piece and set of performance parts for cello and piano. With introductory text, performance notes, bowings and fingerings. Urtext edition-paper bound. 31 pages. Published by G. Henle.

By Claude Debussy. Edited by Gregor Piatigorsky, Jeffrey Solow. Arranged by Gregor Piatigorsky. For cello and piano. Published by Theodore Presser Company.

Cello and Piano. Composed by Claude Debussy (1862-1918). Editions Durand. Classical. Softcover. 20 pages. Editions Durand #DD01626100. Published by Editions Durand

Sonata for Violoncello and Piano. By Claude Debussy. Edited by Regina Back. For Cello, Piano. Urtext Edition. Playing score with critical commentary. Published by Baerenreiter Verlag (German import).

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.50566030

Introduction and performance notes by Emmanuelle Bertrand. Composed by Claude Debussy. Editions Durand. Classical, French, Impressionist. Softcover. Editions Durand #DD01676800. Published by Editions Durand (HL.50566030).

ISBN 9798350104448. UPC: 196288168393. 9.0x12.0x0.147 inches.

Debussy composed the Sonate for cello and piano in Normandy, in July 1915. At the age of 53, distressed by the war and afflicted by an illness that prevented him from composing, he resumed his work with the writing of this Sonate. Though his intention of assertinga French style in the tradition of the great masters of the 18th century, Debussy repeatedly affirmed the absence of a programmatic idea in the sonata: “I have written nothing but pure music. [...] in the old form, so flexible (without the grandiloquence of modern sonatas)”. This volume is part of “Musique française”, a series designed for students and teachers as well as professionals; it offers historical introduction and performance suggestions by the notable cellist Emmanuelle Bertrand.

Violoncello and Piano

SKU: HL.50485111

Cello and Piano. By Zoltan Kocsis. By Claude Debussy. Edited by Kocsis Perenyi. Arranged by Kocsis Perényi. Romantic. EMB. Book Only. Editio Musica Budapest #Z13880. Published by Editio Musica Budapest (HL.50485111).

ISBN 9790080138809. UPC: 073999492514. 9.0x12.0x0.073 inches. Claude Debussy; Zoltan Kocsis; Miklos Perenyi.

The work by Debussy of 1910 was adapted to cello and piano by Zoltan Kocsis. Fingering and bowing were provided by Miklos Perenyi. Latest volume of the series 'Transcriptions by Zoltan Kocsis'.

Violoncello and Piano (VIOLONCELLO)

SKU: HL.50487683

By Miklos Perenyi. By Claude Debussy. Romantic. EMB. Classical. Book Only. Editio Musica Budapest #Z13622. Published by Editio Musica Budapest (HL.50487683).

ISBN 9790080136225. 9.0x12.0x0.124 inches. French. Claude Debussy; Zoltan Kocsis; Miklos Perenyi.

Debussy's Small Suite written for piano duet in 1889 is being published by Editio Musica Budapest in a transcription for cello and piano for the first time. A guarantee for the quality of the transcription is the name of the two outstanding artists Zoltan Kocsis and Miklos Perenyi who make us forget the difficulty of the task and exploit the full capabilities of their respective instruments, enchanting thereby the audience.

Cello and Piano

SKU: BT.EMBZ13622

By Miklos Perenyi. By Claude Debussy and Zoltan Kocsis. Classical. Book Only. Composed 1989. 38 pages. Editio Musica Budapest #EMBZ13622. Published by Editio Musica Budapest (BT.EMBZ13622).

Debussy's Small Suite written for piano duet in 1889 is being published by Editio Musica Budapest in a transcription for cello and piano for the first time. A guarantee for the quality of the transcription is the name of the two outstanding artists Zoltán Kocsis and Miklós Perényi who make us forget the difficulty of the task and exploit the full capabilities of their respective instruments, enchanting thereby the audience.

Violoncello and Piano

SKU: HL.50485105

Cello and Piano. By Miklos Perenyi. By Claude Debussy. Edited by Kocsis Perenyi. Arranged by Kocsis Perényi. Romantic. EMB. Book Only. Editio Musica Budapest #Z13371. Published by Editio Musica Budapest (HL.50485105).

ISBN 9790080133712. UPC: 073999851052. 9.0x12.0x0.075 inches. French. Claude Debussy; Zoltan Kocsis; Miklos Perenyi.

Violoncello and Piano

SKU: AP.36-M368991

Arranged by Claude Debussy and ed./arr. by Janos Starker/ Emilio Colon. Cello. Starker Performance Editions. Book. LudwigMasters Publications #36-M368991. Published by LudwigMasters Publications (AP.36-M368991).

ISBN 9798892704151. UPC: 659359551123. English.

This is the first of Debussy's three sonatas for cello. Composed in three movements of varying styles, this beautiful and interesting piece became one of the most performed cello sonatas of the 20th century.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Cello and Piano

SKU: BT.EMBZ13880

By Zoltan Kocsis. By Claude Debussy. Book Only. Composed 1993. 10 pages. Editio Musica Budapest #EMBZ13880. Published by Editio Musica Budapest (BT.EMBZ13880).

The work by Debussy of 1910 was adapted to cello and piano by Zoltán Kocsis. Fingering and bowing were provided by Miklós Perényi. Latest volume of the series 'Transcriptions by Zoltán Kocsis'.

By Claude Debussy (1862-1918). Edited by F. Ronchini. For cello and piano. String music. Score and part. Published by Noten Roehr

By Claude Debussy (1862-1918). Edited by A. Roelens; F. Ronchini. For cello and piano. Score and part. Published by Noten Roehr

Cello and Piano (CELLO/PIANO)

SKU: HL.48187593

Composed by Francis Poulenc. Heugel. Post-1900. Softcover. 8 pages. Heugel & Cie #HE31361. Published by Heugel & Cie (HL.48187593).

UPC: 888680984359. 9.0x12.0x0.048 inches.

“Born in Paris in 1899, Francis Poulenc soon became a notable composer and pianist. His Serenade, originally composed in 1925-1926 for Voice and Piano, met much success as part of his Bawdy Songs. Therefore, it was well-received when Maurice Gendron transcribed it for Cello and Piano. Poulenc, as a member of Les Six, composed music in a style contrary to that of Richard Wagner and impressionists Claude Debussy and Maurice Ravel. Serenade reflects the composer's contrasting style, making use of a 6/8 time signature, double stops, variations in articulation and wide range on the Cello. Being an imaginative and evocative composition, Serenade, transcribed for Cello and Piano, is a pleasurable addition to the repertoire.”.

Cello and piano (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.EB-10802

Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Arranged by J. Schiff and J. Umbreit. Solo instruments; Softbound. Edition Breitkopf.

The first definitive author's version - In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Piano reduction. 92 pages. Breitkopf and Haertel #EB 10802. Published by Breitkopf and Haertel (BR.EB-10802).

ISBN 9790201808024. 9.5 x 12 inches.

In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings).

Selections from the Cello Repertoire. Compiled, ed., and arr. Carey Cheney. For Cello and Piano. String - Cello Studies or Collection. Companion CD also available (see item 21890). Instrumental Solo Book and Piano Accompaniment Book. 108 pages. Published by Alfred Publishing.

Cello

SKU: HL.48183027

Composed by Bohuslav Martinu. Leduc. Classical. Softcover. 42 pages. Alphonse Leduc #AL24920. Published by Alphonse Leduc (HL.48183027).

UPC: 888680877927. 9.0x12.0x0.154 inches.

“Bohu slav Martinu (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. Pastorales for Cello and Piano was published in 1931 and is made up of six pieces. Martinu himself was a violinist and the beginning of his experiments in composing for solo instruments saw him write for strings. Pastorales for Cello exemplifies the composer's influence of Stravinsky, Debussy neoclassicism, surrealism and jazz. The piece is excitingly virtuosic in its use of double stops, complex rhythms, chromaticism, and ensemble between the Cello and Piano. As a varied, substantial work for the Cello repertoire, Martinu's Pastorales is essential for the advanced performer.”.

Cello; Piano Accompaniment

SKU: HL.50512037

Cello and Piano. Composed by Franz Liszt. Edited by Csiky Boldizsar. Arranged by Csí, ky Boldizsá, and r. Romantic. EMB. Classical. Softcover. 14 pages. Editio Musica Budapest #Z14779. Published by Editio Musica Budapest (HL.50512037).

ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky.

The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+.

By Claude Debussy (1862-1918). Edited by Leonard Rose. For Cello and piano. Cello and piano

Cello and Piano

SKU: IS.VCP4195EM

Composed by Flor Alpaerts. Strings - Cello. Metropolis Music Publishers #VCP4195EM. Published by Metropolis Music Publishers (IS.VCP4195EM).

ISBN 9790365041954.

In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the Bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded in 1919 Eduard Keurvels as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement. An impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.

Cello and Piano. By Claude Debussy. Editions Durand. Size 10.5x13.75 inches. 8 pages. Published by Durand.

(With Marked and Unmarked Cello Parts Cello and Piano). By Claude Debussy (1862-1918). Edited by Ernst-Günter Heinemann. Henle Music Folios. Softcover. 40 pages

By Claude Debussy. Edited by Schwab(Urtext). For violoncello, piano. Published by C.F. Peters.