Par HEININEN PAAVO. / Répertoire / Flûte Traversière, Clarinette, Percussions, Clavec

für Bassflöte, Gitarre, Violoncello und Schlagzeug. Par SUSLIN JULIA. / Répertoire / Violoncelle, Guitare, Percussions, Flûte à Bec Bas

Arrangeur: Jérôme Naulais. Par OFFENBACH JACQUES. Arr. : J. Naulais / Niveau : 2ème Cycle / Répertoire / Quintette à vent et Percussion

Par JAKUSZEW ANDRZEJ. / Date parution : 2022-11-08/ Répertoire / Trompette, Saxophone, Percussion, Alto et Contreba

Par CHYRZYNSKI MARCEL. In 2017, after my monographic concert organised by the Polish Music Center in Los Angeles, I hired a car and drove to Las Vegas. However, I didn’t take the interstate highway, the quickest and most used road, but followed an acquaintance’s advice and headed up the picturesque old route through the Mojave Desert formed partly by the famous Route 66. The Mojave Desert made an incredible impression on me, and I stopped many times to savour its charms: the boundless space, the straight road to the horizon, the rocks, the mountains, the sand dunes, the crooked shoots of the Joshua trees...This work represents an attempt to convey the atmosphere of that desert and my feelings at the time. Marcel Chyrzynski translated by John Comber / Date parution : 2022-11-08/ Répertoire / Clarinette, Violoncelle, Percussion et Piano

Créée en janvier 2009 par Marat Bisengaliev, ' Sarikiz ' est un concerto de violon très accessible en trois mouvements, avec une notation souple pour cordes et vents facultatif et percussions. Le violon écrit, qui rappelle Vivaldi, est fleurie dans les mouvements rapides externes et magique lyrique dans le mouvement lent central. Le travail a été commandé par Sapar Iskakov en mémoire de son grand Kazakh ancêtre, compositeur et kobyz player V Aspantaiuly (1757-1820) et est basé en partie sur des mélodies folkloriques Kazakh. Elle a été enregistrée sur l'album Quirk (EMI Classics), qui regroupe quatre concertos par le compositeur de Adiemus. / Violon Et Orchestre

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano