Edition c. La popularité de la musique celtique a explosé au cours des dix dernières années en raison de la recrudescence des instruments folk, danse celtique et la culture irlandaise globale. Cette étonnante collection réunit plus de 400 chansons d'Irlande, Ecosse et du pays de Galles - complet, avec des paroles gaéliques, le cas échéant - et un guide de prononciation. Titres comprennent: à travers l'ouest de l'océan o avec mon amour, j'irai o autel Isle o ' la mer o Auld Lang Syne o Avondale o The Band Played On o o Barbara Allen bénédiction de la route o o The Blue Bells of Scotland The Lass Bonniest o o A Bunch of thym The Chanty que captif le o de la sorcière Colomb était un irlandais o o Danny Boy de Duffy bourdes o Erin ! OH Erin ! o o de sillage du père Murphy o Finnegan Galway Piper o la fille j'ai laissé derrière moi o a quelqu'un ici vu Kelly o je sais où je suis Irish Rover Goin ' o o Loch Lomond o o Molly Malone My Bonnie trouve au-dessus de l'océan o mon o Rose irlandais sauvage les rives du Amerikay o The Sons of Liberty o qui est un o berceuse irlandais lorsque irlandais Ey... / Instruments En C / 256 pages / Partition

23 Favorites - Easy Instrumental Duets. Par BEATLES THE. Cette collection contient 23 morceaux favoris, arrangés pour duos faciles et extraits de Fab Four : All You Need Is Love, Eleanor Rigby, Here Comes the Sun, Hey Jude, I Want to Hold Your Hand, Penny Lane, Something, Yellow Submarine, Yesterday, et bien d'autres encore. Les arrangements pour deux mêmes instruments peuvent également être utilisés avec les autres chansons de cette collection adaptées à leur famille d'instruments./ Recueil / 2 Violons

This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more. / Violon

Now you can be the feature Violin soloist on eight specially recorded arrangements from the classic cult comedy film The Blues Brothers. The CD contains full backing tracks, professionally arranged and recorded to help you learn the songs. The book is full of carefully selected and edited Violin arrangements with chord symbols in concert pitch, allowing any Guitar or Keyboard instrument to accompany. Take The Lead is an integrated series for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, and Violin. In each edition all the songs are in the same concert pitch key, so the different instruments can play together. All accompanying chord symbolsare in concert pitch for use by Piano or Guitar. / Niveau : Intermédiaire / TV, Film, Comédie musicale / Date parution : 2005-08-18/ Recueil / Violon et Piano

This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more.
All About That Bass
All Of Me
Amazed
Apologize
Bad Day
Bad Romance
Beautiful
Beautiful Day
Beautiful In My Eyes
Because I Love You (The Postman Song)
Believe
Brave
Breakaway
Breathe
Butterfly Kisses
Call Me Maybe
Candle In The Wind 1997
Change The World
Chasing Cars
The Climb
Clocks
Countdown
Cruise
Cryin\'
Die A Happy Man
Dilemma
Don\'t Know Why
Drift Away
Drops Of Jupiter (Tell Me)
Fallin\'
Fields Of Gold
Firework
Foolish Games
Forever And For Always
Friends In Low Places
From A Distance
Genie In A Bottle
Get Lucky
Hello
Here And Now
Hero
Hey, Soul Sister
Ho Hey
Hold On, We\'re Going Home
Home
The House That Built Me
How Am I Supposed To Live Without You
How To Save A Life
I Finally Found Someone
I Gotta Feeling
I Kissed A Girl
I Swear
I Will Remember You
Jar Of Hearts
Just The Way You Are
Let It Go
Lips Of An Angel
Little Talks
Losing My Religion
Love Song
Love Story
More Than Words
Need You Now
No One
100 Years
The Power Of Love
Rehab
Roar
Rolling In The Deep
Royals
Save The Best For Last
Say Something
Secrets
Shake It Off
She Will Be Loved
Smells Like Teen Spirit
Something To Talk About (Let\'s Give Them Something To Talk About)
Stacy\'s Mom
Stay
Stay With Me
Stronger (What Doesn\'t Kill You)
Tears In Heaven
Teenage Dream
Thinking Out Loud
This Love
A Thousand Years
Till The World Ends
Uptown Funk
Viva La Vida
Waiting On The World To Change
We Belong Together
We Can\'t Stop
We Found Love
What Makes You Beautiful
When You Say Nothing At All
Yeah!
You Raise Me Up
You Were Meant For Me
You\'re Beautiful
You\'re Still The One
You\'ve Got A Friend In Me
/ Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD

Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Do

15 solo arrangements of huge hits by the Lads from Liverpool are included in this collection perfect for budding instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs: All You Need Is Love - Blackbird - Day Tripper - Eleanor Rigby - Get Back - Here, There and Everywhere - Hey Jude - I Will - Let It Be - Lucy in the Sky with Diamonds - Ob-La-Di, Ob-La-Da - Penny Lane - Something - Ticket to Ride - Yesterday. / Violon

Graded solos for players of all standards. The pieces are complete in themselves and require no piano accompaniment. Includes 'Dancing Queen', 'Michelle' and 'English Country Garden'. / Violon

Cette collection rassemble 100 super-classiques des Beatles pour les débutants à jouer. Les arrangements sont dans la clé de C, et les gravures sont toutes nouvelles et plus grandes que la notation livre le plus faux. / Piano/Vocal/Guitare (PVG) / 224 pages / Partition

Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and organ are so contrasting. Typically, pieces in this genre that exist in versions for piano and organ have little that separate them in terms of musical content. However, Coleridge-Taylor not only approaches each keyboard instrument quite differently but conceived the violin part with notable melodic differences. This can be considered exceptional as they were both issued by the same publisher within a close timeframe. Coleridge-Taylor would have been very familiar with the organ from his early church experience as a boy in addition to studies at the Royal College of Music with Walter Alcock. His writing is consistently idiomatic for the instrument. The few registrational directions in the first edition, assuming they are by Coleridge-Taylor, demonstrate an understanding of the need to balance the organ part with the violin part so that the organ is not too loud. Rather than numbering the manuals I and II, with II being the quieter manual, the score indicates Swell and Choir but there is no requirement for the Great to be used. There are also extended sections where no manual indication is given at all. Whether the registration markings were made by Coleridge-Taylor or an editor at Schott is unclear but the indication for a Choir manual suggests not so much the need for an organ of three manuals but an instrument with a range of foundational colours for writing that is often accompanimental in nature. / Date parution : 2023-06-01/ Répertoire / Violon et Orgue

String Quartet #3 was written for, and first performed by the Balanescu Quartet, February 1990 at the Queen Elizabeth Hall, London. Duration 16 minutes. A score is available on sale.. Quoting composer: In the summer of 1989 I composed a choral work, Out of the Ruins , for Agnieszka Piotrowska's BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan to the earthquake which devastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of Khoren Meykhanejian, Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no less profound experience of witnessing the images of the Romanian revolution on television during the later part of December 1989. The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would be superimposed, quite often stretched into new intervallic shapes though the demands of the completely performed harmonic structure. / Quatuor A Cordes