Par CARLSON ANDREW. Violonistes classiques peuvent aider à perpétuer les traditions historiques de la musique de violon américain, mais cela exige une compréhension claire de la performance. A Guide to American Fiddling expose les étudiants sérieux du violon aux nuances techniques du violon traditionnel de l\'Old Time. Dans ce livre, violoniste/fiddler Andrew Carlson fournit une analyse technique détaillée du Missouri-style tergiversation, se concentrant principalement sur l\'utilisation de l\'archet. Carlson plus offre une comparaison des techniques classiques et non classiques, une brève histoire du violon américain, et 23 traditionnels tunes avec des indications de l\'archet authentique. Un enregistrement de CD de la mélodie est inclus. / Niveau : Débutant à Intermédiaire / Bluegrass and Country - Methods / Recueil / Violon

Par DIGBY ANDREW. the same material is repeated in constantly varying configurations: no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other instruments but with only, at best, approximate precision: simultaneity, pitch, dynamic, timbre and articulation are alle deviant to varying degrees. asidled. the context itself is fluctuating, only indirectly objective, everything relative. [Andrew Digby]/ Répertoire / Saxophone Alto, 2 Trombones, Tuba, Violon, Alto et

Par DIGBY ANDREW. the same material is repeated in constantly varying configurations: no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other instruments but with only, at best, approximate precision: simultaneity, pitch, dynamic, timbre and articulation are alle deviant to varying degrees. asidled. the context itself is fluctuating, only indirectly objective, everything relative. [Andrew Digby]/ Répertoire / Saxophone Alto, 2 Trombones, Tuba, Violon, Alto et

10 Songs from 6 Musicals. Par LLOYD WEBBER ANDREW. Arrangements de niveau élémentaire avec accompagnement de piano, dans une tessiture adaptée à chaque instrument. Les morceaux contiennent diverses indications comme le phrasé, les articulations, ce qui permet de les interpréter en cours ou lors d'une audition. Les accompagnements ont été enregistrés sur un piano à queue acoustique et sont disponibles en ligne pour écoute ou téléchargement. Sommaire : All I Ask of You (from The Phantom of the Opera) - Bring Him Home (from Les Misérables) - Memory (from Cats) - Some Enchanted Evening (from South Pacific) - The Sound of Music - Till There Was You (from The Music Man) - Tonight (from West Side Story) - et bien d'autres./ Recueil / Violon et Piano

Par ZOHN ANDREW. / Niveau : Avancé / Répertoire / Guitare, Flûte Traversière Clarinette

Arrangeur: Dan Fox. Par LLOYD WEBBER ANDREW. Cats is one of the all-time most successful shows on the West End and Broadway, and truly is a triumphant piece of musical theatre. Lloyd Webber’s memorable songs from the musical are available here for Solo Violin with Piano Accompaniment, as arranged by Daniel Scott. Play through some of these unforgettable classics, including the beautiful song of Grizabella, The Glamour Cat, as famously performed by Elaine Paige, Memory. The solo violin part is also included on a separate insert./ Recueil / Violon et Piano

Violin Play-Along Volume 71. Par LLOYD WEBBER ANDREW. The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the online audio to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. The audio includes PLAYBACK+ features that allow you to loop passages, change the tempo, and more./ Recueil / Violon

Par ANDREWS DREW. La première Jam série a été créée pour donner aux enfants et débutants de tous âges un livre de mélodies simples, communs à apprendre. Il s\'agit de standards \' Jam \' tunes dans les styles de musique Bluegrass Old Time. Tous les livres de cette série sont écrites dans les mêmes clés - ils peuvent tous être joués ensemble sans problème. Donc obtenir vos amis ou la famille qui jouent de guitare, violon, mandoline, banjo, ukulélé, dulcimer ou Dobro ensemble, de s\'emparer de ces livres et de commencer de brouillage. Improvisation - une autre idée derrière écrit la série Jam première était de fournir un certain nombre de mélodies qui étaient faciles à apprendre, mais qui sont aussi un grand pour commencer à travailler sur l\'improvisation. Chaque livres offrent la mélodie pour cet instrument particulier mais aussi des accords de back-up pour un autre instrument de vous accompagner. Chaque chanson est représenté en notation avec les symboles de la corde. Le CD qui l\'accompagne a deux pistes pour chaque chanson. Le premier jouant la chanson avec la ligne de la mélodie, la deuxième piste offre seulement la sauvegarde donc vous pouvez jouer la mélodie sur elle ou même impro... / Niveau : Débutant / Bluegrass - Improvisation / Recueil / Violon

Collection for Violin Beginner Series. Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisationalsolos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google+Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisationalsolos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. / Niveau : Débutant à Intermédiaire / Recueil / Violon

Born in South Africa, but now an Irish citizen, Kevin Volans' musical idiom has been shaped by an unusually diverse range of experiences, including studies with Stockhausen in Cologne, field trips to South Africa to study traditional music, his own involvement with the New Simplicity movement, his collection of contemporary art and African textiles, friendships with composers like Morton Feldman and Gerald Barry, as well as a love of virtuoso piano music which he performs, broadcasts and records. While having an easily recognised, unique voice, Volans' music resists compartmentalisation. He is as comfortable working in conventional genres as embarking on innovative collaborations with artists of other disciplines.String Quartet #1 (White Man Sleeps) was written for the Kronos Quartet and was first performed by them in July 1986, London.The title 'White Man Sleeps' comes from a moment in nyanga Panpipe music where the performers leave off playing their loud pipes for a few cycles and dance only to the sound of their ankle rattles, to let the white landowner sleep - for a minute or two.'In composing this piece I drew from the following sources: the first movement owes something to the style of Basotho concertina music - the second and fourth movements are drawn from traditional Nyungwe music played by Makina Chirenje and his Nyanga panpipe group at Nsava, Tete, Mozambique, recorded and transcribed by Andrew Tracey (to be found in an article entitled 'The nyanga Panpipe dance' in African Music, Vol.5, #1 (1971) - the third movement derives from the San bow music (recorded by Tony Traill of the University of Witwatersrand) and from Basotho lesiba music, transcribed by myself - in the fifth movement I added my own invented folklore. My approach to the original music was anything but purist - it is played in Western tuning, filtered, slowed down by a few 'time-octaves?, cast into non-African metres (like the 13-beat pattern of the first dance) and redistributed between the players in several ways. I also used interlocking techniques where they were absent in the original models and vice versa' - Kevin VolansDuration 24 minutes. Parts available: CH61205. / Quatuor A Cordes (Conducteur)

Andrews D. (Arr.). Par ANDREWS D.. / Niveau : Assez Facile / Répertoire / Violon et Piano

Une grande collection de musiques populaires arrangées pour violon, spécialement classés de facile à jouer des airs à plus de morceaux difficiles. Une gamme de grade 1 à 3. Comprend des symboles s'inclinant, d'articulation et d'accords. / Violon / Partition

Learn to play the best of Broadway with this special selection of themes from the world of music theatre, all arranged for the elementary Violin student. This fantastic album features ten blockbuster hits from Cabaret, The Phantom of The Opera, Showboat, South Pacific and more! Each song has been carefully adapted to be accessible to the early performer, giving you the chance to master your skills and techniques by playing the tunes you know and love. You will even find a section of helpful performance tips to guide your learning and inform your practicing. The accompanying CD has professional performances of every piece, plus backing tracks so you can play along. FREE internet downloads are also available with this publication, with piano accompaniments and practice demos downloadable to your computer along with 2 bonus tracks! / Violon

Collection des plus belles chansons d'amour issues des comédies musicales les plus populaires. Spécialement arrangées pour violon. Inclus un CD avec des pistes démos et des pistes playback avec accompagnement piano. / Violon