Par DVORAK ANTONIN. Sonatina In G Major for Violin and Piano was written during a period of relaxed creativity and family contentment. Dvorak wrote it in America at the end of 1893 and dedicated it to his children who were both attending the National Conservatory in New York, where the composer acted as director. His daughter Otylie, later the wife of Josef Suk, and his 10-year-old son Antonin, also premiered the work at a family concert. The purpose for which it was intended is reflected in the simplicity and clarity of musical ideas, and the relatively straightforward technical demands of the piece. This title is part of the first CompleteCritical Edition of Works by Antonin Dvorak./ Répertoire / Violon et Piano

For Violin and Piano Two Works by Dvorák & Smetana. Par SMETANA BEDRICH / DVORAK ANTONIN. This edition contains brilliant examples of blending elements of folklore with classical composition technique by two Czech masters. The volume includes Bedrich Smetana's From My Homeland and Mazurek by Antonin Dvorak. Interestingly, both of these works were composed in the same year (1879). This publication for violin and piano has been meticulously edited by celebrated violinist, Endre Granat, one of Jascha Heifetz' star pupils./ Recueil / Violon et Piano

Par DVORAK ANTONIN. À l?été 1879, Dvorák coucha relativement vite sur papier le concerto demandé par son éditeur, mais ensuite, son achèvement dut attendre jusqu?en 1882. Il montra la partie de violon au célèbre violoniste virtuose Joseph Joachim, qui était d?ailleurs le dédicataire de l??uvre. De nombreux remaniements s?ensuivirent. Finalement, Joachim se désintéressa de l??uvre, si bien que la création en fut reprise par le violoniste tchèque Franti?ek Ondrícek. Cette ?uvre à la forme inhabituelle, qui commence et se termine par un rondo de sonate, est entièrement maintenue dans un caractère slave. Après le lyrisme du mouvement central, l??uvre se termine par des rythmes de danses tchèques. Cette édition Urtext est fondée certes sur les premières éditions de la partition, de la partie de soliste et de la réduction pour piano, mais aussi sur le manuscrit autographe. Les indications concernant la partie de soliste ont été confiées à la star du violon Augustin Hadelich, qui est actuellement l?un des meilleurs connaisseurs de l??uvre. / Date parution : 2023-03-11/ Répertoire / Violon et Piano

After working for three years at the NationalConservatory in New York, Dvorak returnedhome in 1895 feeling extraordinarily happy. The fruit of this ecstatic periodare thecomposer's last two string quartets. The Quartet in G major, Op. 106, waswrittenimmediately after his return from America. The melodic freshness of the light,airythemes, alternating folk idioms in a temperate, unobtrusive musical allusion,betraysthe composer's maturity and mastery. The editor of this work, published as partof the first Complete Critical Edition of Works by Antonin Dvorak, is FrantisekBartos.

Par DVORAK ANTONIN. Cette partition classique, String Quartet 13 Gmaj Op106 Parts de Dvorak Antoninéditée au 2ème semestre 2011 a été avant tout composée pour Musique de Chambre. Bien qu'ayant aucun Cd avec, elle vous apportera tout ce que vous recherchez. Les éditions Baruk ont choisi de l'éditer sous la référence 1801732000/ Répertoire / Quatuor à Cordes

Cette partition classique, String Quartet 13 Gmaj Op106 Parts de Dvorak Antoninéditée au 2ème semestre 2011 a été avant tout composée pour Musique de Chambre. Bien qu'ayant aucun Cd avec, elle vous apportera tout ce que vous recherchez. Les éditions Baruk ont choisi de l'éditer sous la référence 1801732000 / Quatuor A Cordes

Emmanuel Pahud Presents. Par DVORAK ANTONIN. Emmanuel Pahud Presents/ Répertoire / Flûte Traversière Violon, Alto et Violoncelle

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Violon 2 (Partie Séparée)

Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number. Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák's authorised first edition as his principal source./ Répertoire / Violon 1 (Partie Séparée)