Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of this quartet, published in Vienna in 1920, contains a conspicuous number of errors that were only partially corrected in a later revision undertaken by Bartók. As late as the 1940s he noted changes in his personal copy of the score that have never previously appeared in print. These late changes by Bartók are taken into account in this definitive edition of the string quartets supervised by Bartók scholar László Somfai, with problematic passages in the sources carefully documented. It is the first-ever Urtext edition of this work. Sensible page turns and cue notes in the parts mean that this edition is ideal for exploring Bartók?s sound world in performance. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes

These two collections (BA 9668, BA 9669) give young students and teachers a rich selection of recital pieces, either to complement the Sassmannshaus 'Early Start on the Violin? method or to play independently from it. As all the pieces are written entirely in first position, they can be used after just a few months of lessons.The piano part may be played by the teacher or an advanced student. As an alternative, the accompaniment can be played by a second violin.All the pieces are available in exemplary recordings on YouTube.From the contents of Volumes 1 and 2:Nursery rhymes, folksongs but also less well-known gems, as well as original pieces by the editors, all precisely tailored to meet the needs of young students.- New recital pieces for the tried and trusted Sassmannshaus violin method- All pieces written in first position- With a second violin part for duet performance- Available in freely accessible recordings on YouTubeKurt Sassmannshaus, the editor of a great many string editions in the Bärenreiter catalogue, continues the tradition founded by his father Egon Sassmannshaus in the 'Early Start? string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.Similar editions are in preparation for the cello. / Violon

Festival Solos premiers: 20 solos de violon faciles avec accompagnements au piano.Carl Fischer présente une nouvelle collection de pièces en solo avec accompagnement de piano pour une utilisation lors d'événements jugés festivals ou dans les considérants.Ces solos sont rédigés par deux des compositeurs les plus populaires de la musique pour les étudiants: Larry Clark et Sean O'Loughlin. Les solos vont en difficulté de grades 1 et 2 et sont progressivement disposés dans le livre.Il ya une grande variété de styles musicaux à partir de compositions originales à de jolis arrangements de chansons folkloriques et des morceaux classiques. Chaque volume contient un CD de la version complète des enregistrements pour l'élève à utiliser comme exemples, ainsi que le piano uniquement les enregistrements à utiliser dans la pratique. Le CD contient également accompagnements au piano comme fichiers PDF imprimables, afin que l'élève peut imprimer le solo dont ils ont besoin pour l'accompagnateur.Cette collection de solos est destinée à être sur tous les états concours / festival de musique la liste souhaitée. / Violon Et Piano

Création mondiale au Wharton Center Great Hall, Michigan University, USA le 27 mai 2009 par le Trio Verdehr. Capriccio (Durée : 2 minutes 30 secondes) - Menuet lent (Durée : 2 minutes 15 secondes)- Gavotte (Durée : 2 minutes 30 secondes) - Air (Durée : 3 minutes) - Fuga diatonica (Durée : 2 minutes) / Violon, Clarinette Et Piano

Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance. The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords. Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work. Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes

Edition : Berlin, (s.d. = 1777)Ces fugues et caprices sont conçus pour le clavier : orgue, clavecin, clavicorde.Présentation de Philippe Lescat : I. Edition - II. Eléments d'interprétation. / Clavecin Et Orgue / 41 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

This duet collection of 17 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Allegro (Mozart) * Aria (from Rigoletto) (Verdi) * Au Clair de la Lune (Lully) * Capricho Catalan (Albeniz) * Duet (Mozart) * Duetto (Pleyel) * Echo (Haydn) * Larghetto (Telemann) * Lost is My Quiet (Purcell) * Lullaby (Brahms) * Melody (Schumann) * Minuet (Bach) * Minuet in Canon (Mozart) * Pavana (Scarlatti) * Siciliene (Aubert) * Two Adagios (Corelli) * Two Rigaudons (Rameau).

Pièces classiques contient des pièces merveilleuses par compositeurs connus tels que Georg Philipp Telemann, Wolfgang Amadeus Mozart, Franz Schubert et Edvard Grieg - conçu comme un répertoire supplémentaires pour compléter les volumes 1 et 2 de la méthode Play du violon! Les accompagnements au piano sont fournis, et le CD de démo et des caractéristiques de jeu ainsi que les versions de tous les morceaux. / Violon / 44 pages / niveau : Facile / Partition Cd