Guitar SKU: HL.146362 Book Only. Guitar Tab Method. Instruction. S...(+)
Guitar
SKU:
HL.146362
Book
Only. Guitar Tab
Method. Instruction.
Softcover. Published by
Hal Leonard (HL.146362).
ISBN 9781495023354.
UPC: 888680070212.
9.0x12.0x0.11
inches.
“The
ultimate learning tool to
go from zero to guitar
hero in no time!â€
–Guitar World
magazine Designed for
electric or acoustic
guitar. Get started
quickly and easily
– with songs you
want to play! This method
introduces notes with
riffs like “Crazy
Train†and
“Smoke on the
Water,†power
chords with classics by
AC/DC and the Who,
chord-strumming with
songs from Neil Young and
Nirvana, and much more.
The method's unique,
well-paced, and logical
teaching sequence will
get students playing more
easily than ever before,
and music from popular
artists like the Beatles,
Jimi Hendrix, and Led
Zeppelin will keep them
playing and having fun.
Book 1 includes: parts of
the guitar,
easy-to-follow guitar
tablature, notes &
riffs starting on the low
E string, tempo &
time signatures,
understanding notes and
rests, palm muting,
vibrato, power chords,
open chords, strumming,
slides and slurs,
hammer-ons and pull-offs,
many music styles, nearly
100 riffs and songs, and
more!
Spanish Edition Guitar SKU: HL.114930 Metodo De Tab Para Guitarra....(+)
Spanish Edition Guitar
SKU: HL.114930
Metodo De Tab Para
Guitarra. Guitar Tab
Method. Instruction,
Method, Spanish Edition.
Softcover with CD. With
guitar tablature. 32
pages. Published by Hal
Leonard (HL.114930).
ISBN 9781480312579.
UPC: 884088876326.
9.0x12.0x0.17
inches.
The
revolutionary Hal Leonard
Guitar Tab Method
(HL00697411) is now
available in a Spanish
edition.
(BR) SKU: HL.49032750 A: Theoretischer Teil / B: Stimmbildung am Lied<...(+)
(BR)
SKU:
HL.49032750
A:
Theoretischer Teil / B:
Stimmbildung am Lied.
Composed by Paul Nitsche.
This edition:
Paperback/Soft Cover.
Paperback. Edition
Schott. Die ideale
Verbindung von Theorie
und Praxis - ein
bewahrtes Standardwerk
zur Kinderstimmbildung in
neuer Ausstattung. 157
pages. Schott Music #ED
8719. Published by Schott
Music (HL.49032750).
ISBN 9783795787196.
6.0x8.25x0.36 inches.
German.
Paul
Nitsche's 'Pflege der
Kinder- und
Jugendstimme', published
in two volumes in
1952/1954, has been known
to directors of
children's choirs and
teachers of singing for a
long time. Now this
standard work is
available as a revised
new edition in a new
design and layout,
consisting of the
chapters 'Theoretischer
Teil' [Theoretical Part]
and 'Stimmbildungen am
Lied' [Voice Training in
Song]. While the first
part deals with topics
such as 'autonomy of the
child's voice', 'breaking
of the voice',
'breathing', 'sound
generation', 'resonant
chambers' and 'hummer',
the second part contains
a lot of exercises for
the practical work with
children from primary
school age to the
breaking of the voice.
'Exercises in song',
'Song vocalises' and
'Syllables for practising
in shouting, singing and
playing' are just a few
examples from the varied
material provided for
voice training.It is the
author's aim to exploit
the possibilities of the
voice in song without the
song becoming a
stereotyped and
mechanically repeated
voice training exercise.
What is essential is that
the subject matter is
'wrapped up' in the
singing or playing
activities in such a way
that the children do not
lose their joy and
pleasure in singing.
Schirmer's Library of Musical Classics, Vol. 2139. Composed by Various. Piano....(+)
Schirmer's Library of
Musical
Classics, Vol. 2139.
Composed
by Various. Piano.
Classical.
Softcover. 386 pages. G.
Schirmer #LIB 2139.
Published
by G. Schirmer
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Schirmer's Library of Musical Classics Volume 2109. Composed by Various...(+)
Schirmer's Library
of
Musical Classics Volume
2109. Composed by
Various.
Piano Collection.
Softcover.
192 pages. G. Schirmer
#LB2109. Published by G.
Schirmer
(All the Essential Words in an Easy-to-Follow Format!). By Kevin Mitchell. Book;...(+)
(All the Essential Words
in an Easy-to-Follow
Format!). By Kevin
Mitchell. Book; Reference
Textbooks; Textbook -
General. Mini Music
Guides. 232 pages.
Published by Alfred Music
Edited by John Glenn Paton. For Voice. Book; Masterworks; Vocal Collection. ...(+)
Edited by John Glenn
Paton.
For Voice. Book;
Masterworks;
Vocal Collection. Gateway
Series. Masterwork. 128
pages.
Published by Alfred Music
Publishing