Broadway Today Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
42 Songs from 15 Hit Musicals and Revivals. Piano/Vocal/Chords Songbook (Arrange...(+)
42 Songs from 15 Hit
Musicals and Revivals.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 264 pages.
Published by Hal Leonard.
SATB choir, organ accompaniment - Beginning SKU: GI.G-8340 Arranged by Da...(+)
SATB choir, organ
accompaniment - Beginning
SKU: GI.G-8340
Arranged by David Sims.
Christmastide, Christmas
Vigil, Christmas Night,
Christmas Dawn, Christmas
Day. Christmas. Tune
Name: Sussex Carol.
Sacred. Octavo. 12 pages.
GIA Publications #8340.
Published by GIA
Publications (GI.G-8340).
UPC: 785147834007.
English. Text source:
Trad. English
carol.
The
traditional English carol
tune is embellished with
occasional quotes of the
SUSSEX CAROL. This bright
and joyful setting for
Christmastide establishes
the melody in unison
women’s voices,
then dividing into two
parts before developing
further into a four-part,
SATB voicing by the end
of the first verse.
Throughout the piece, the
textures continue to
vary, complementing the
playful dance of the
quick 6/8 rhythms,
instilling a sense of
wonder and delight.
By Euday Bowman. Arranged by James Lyke. For Piano. This edition: 2 copies inclu...(+)
By Euday Bowman. Arranged
by James Lyke. For Piano.
This edition: 2 copies
included. Piano Duo (Two
Pianos, Four Hands).
Level: Late Intermediate
(grade 6). 8 pages.
Published by Alfred
Publishing.
Ligne De Mélodie, Paroles et Accords [Partition] Hal Leonard
2005 Tony! Award Winner for 6 Awards, including Best Original Score. By Adam Gue...(+)
2005 Tony! Award Winner
for 6 Awards, including
Best Original Score. By
Adam Guettel.
Piano/Vocal/Chords Vocal
Selections (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 96 pages.
Published by Hal Leonard.
In All Major and Minor Keys. Composed by J. B. Albert. Edited by Julie DeRoche...(+)
In All Major and Minor
Keys.
Composed by J. B. Albert.
Edited by Julie DeRoche.
Book.
With Standard notation.
32
pages. Carl Fischer Music
#O99X. Published by Carl
Fischer Music
Chamber Music Clarinet, Flute, Mezzo-soprano voice, Percussion, Piano, Tape, Vio...(+)
Chamber Music Clarinet,
Flute, Mezzo-soprano
voice, Percussion, Piano,
Tape, Violoncello
SKU:
PR.111401800
For
Mezzo-soprano Voice and
Chamber Ensemble with
Tape. Composed by
Shulamit Ran. Arranged by
Nelly Sachs. Text: Five
Poems of Nelly Sachs,
Translation from German
of Nos. I, III and IV by
Ruth and Matthew Mead, of
No. II by Michael Roloff
and No. V by Michael
Hamburger. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 1969.
51+16+14+20+14+15 pages.
Duration 18 minutes.
Theodore Presser Company
#111-40180. Published by
Theodore Presser Company
(PR.111401800).
UPC:
680160618132. 8.5 x 11
inches. Text: Nelly
Sachs. Nelly Sachs. Text:
Five Poems of Nelly
Sachs, Translation from
German of Nos. I, III and
IV by Ruth and Matthew
Mead, of No. II by
Michael Roloff and No. V
by Michael
Hamburger.
O The
Chimneys is a setting of
five poems by Nelly
Sachs, the great
German-Jewish 1966 Nobel
Prize co-winner in
literature, whose writing
concerned itself almost
entirely with the subject
of the holocaust.
Composed in 1969, the
work was my own personal
way of saying, through my
own art, do not forget.
Shockingly, these words
have as much relevance
today as they did when
the work was written.
Today we find ourselves
having to say do not
forget, do not distort,
do not deny it ever
happened. I
selected the five poems
from Sachs' O The
Chimneys collection,
retaining its grimly
evocative title even
though I did not include
the actual poem by that
name. In scoring the work
for female voice, flute,
clarinet/bass clarinet,
cello, piano and
percussion, I aimed to
give myself the broadest
possible palette of
instrumental colors while
using the smallest number
of participants. Yet as I
was planning the final
moments of my cycle, I
felt that instrumental
sound alone would not
suffice to express the
horror. An electronic
tape segment was added to
the work's final climax.
The first two
poems (A Dead Child
Speaks and Already
Embraced by the Arm of
Heavenly Solace), both
depicting the tearing of
a child away from his
mother, are treated
essentially as one unit,
with the first acting as
an introduction to the
second. These two, and
the cycle's apocalyptic
fifth poem (Hell is Naked
from Glowing Enigmas II),
act as the two weighty
pillar points, so to
speak, surrounding the
more introspective two
middle poems (Fleeing and
Someone Comes). To
maximize dramatic
differentiation within
the constraints of a
relentlessly tragic
subject matter, I used
range as a means to
delineate contrast, by
dividing the sounds
available to me into low
and dark (mvt. III) vs.
high and, at times,
eerily bright (mvt. IV)
colors. Thus the two
middle poems are intended
to balance the frenzied
madness of which the
work's outer parts are
made. The work
received its first
performance in New York
at the Metropolitan
Museum of Art's Grace
Rainey Auditorium on
January 19, 1970.
--Shulamit Ran.
(I Wonder As I Wander and We Three Kings). Composed by Nathan Daughtrey. Percu...(+)
(I Wonder As I Wander
and We Three Kings).
Composed by Nathan
Daughtrey. Percussion
Ensemble. For Percussion
Ensemble (Bells
Vibraphone 1 Vibraphone 2
a!! optional Chimes
Marimba 1 (4-octave)
Marimba 2 (4.3-octave)
Marimba 3 (5-octave) a!!
optional Percussion (2
Timpani [29a!! and
26a!!], Triangle, Mark
Tree, Suspended Cymbal)
Optional Piano a!! Only
two marimbas are needed).
Medium. Score and parts.
Duration 4:30. Published
by C. Alan Publications