For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of course then on the surface of the music there is instrumental texture and how fast the notes go by. Along with this sense of play in terms of the pacing and motion is the idea of color. I love this ensemble, and its palette of color has been part of my DNA, as it were, for many years, because Ravel’s wonderful work Introduction et Allegro is such a cornerstone in the harpist’s repertoire. While composing, I found myself feeling that I was entering into this colorful world that is possible with this combination of instruments, almost as if it were possible to step into a painter’s palette in a real and visceral way, physically interacting with all the different colors. The title Form and Postlude nods to Ravel’s Introduction et Allegro, although my piece lives in its own very distinct space apart from Ravel. – Hannah Lash/ Répertoire / Flûte Traversière, Clarinette, Harpe et Quatuor à

Traditional Music from BosniaInstrument : violin (2 violins), guitar ad lib.Nombre de Pages : 26The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club, Sarajevo street-café or Gypsy gathering. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chord); or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance. And to help recreate the spirit of the music, every book in the series is beautifully illustrated.Content : ?ehidski rastanak (A Hero's Farewell) - Moj dilbere! (My Cavalier!) - Ne silazi sa cardaka (On the Balcony) - Na prijestolju sjedi sultan (The Sultan's Throne) - Cudna jada od Mostara grada (Biba's Sorrow) - Zmaj od Bosne (The Dragon of Bosnia) - Žute dunje (Yellow Quinces) - Bulbul pjeva okolo Mostara (The nightingale) - Sarajevo divno mjesto (Sarajevo) - U lijepom starom gradu Vi?egradu (The River at Visegrad)

Paraphrase nach dem gleichnamigen Lied von Robert Schumann. Par JOST CHRISTIAN. / Date parution : 2021-12-09/ Répertoire / Piano Trio