Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Young Band. Score. 28 pages. Belwin Music #00-BD9962C. Published by Belwin Music

Composed by Larry Neeck. For young concert band. Command Series. Grade 3. Score and set of parts. Duration 4 minutes, 22 seconds. Published by C.L. Barnhouse

Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Young Band. Part(s); Score. 260 pages. Duration 3:45. Belwin Music #00-BD9962. Published by Belwin Music

Composed by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single Titles. Belwin Very Beginning Band. Form: Overture. Part(s); Score. 130 pages. Duration 2:00. Belwin Music #00-44880. Published by Belwin Music (AP.44880).

By William Owens. Young Band. FJH Young Band. This dramatic work was inspired by the legend of Kamehameha, the warrior-king of Hawaii who came to power in the late-18th century. Through his many conquests and great generosity toward subjects, Kamehameha has captured a significant place in Hawaiian history and has been called the Napoleon of the Pacific. Score for this title: B1296S. Concert Band. Level: 2. Score and Set of Parts. Composed 2006. Published by The FJH Music Company Inc.

For Symphonic Wind Ensemble. Composed by David Maslanka. Classical. Full score (study). With Standard notation. 138 pages. Duration 27 minutes. Carl Fischer #O005374. Published by Carl Fischer

By Maxime Aulio. (Score & Parts). De Haske Concert Band Full Set. Size 8.2x11.75 inches. Published by De Haske Publications.

Young concert band - Grade 3

SKU: CL.011-4118-01

Composed by Neeck. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR376). Extra full score. Composed 2012. Duration 4 minutes, 22 seconds. C.L. Barnhouse #011-4118-01. Published by C.L. Barnhouse (CL.011-4118-01).

The forces of nature and the sea are portrayed in Gale Force. A powerful introduction leads to driving themes that depict a tempest at sea. A temporary calm prevails, providing beautiful lyrical themes that showcase the subtly and expressiveness of your ensemble. Driving rhythms then lead to a thrilling conclusion. Showcase the musicality of your band in this dramatic tour-de-force that will excite the imagination of your audience and band alike.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Choral Bass 1, Bass 2, baritone voice tenor 1, tenor 2

SKU: CF.CM9634

Composed by Traditional Christmas Spiritual. Arranged by Ken Berg. Sws. Performance Score. 16 pages. Duration 3 minutes, 40 seconds. Carl Fischer Music #CM9634. Published by Carl Fischer Music (CF.CM9634).

ISBN 9781491157060. UPC: 680160915620. 6.875 x 10.5 inches. Key: G major. English, English. Traditional Christmas Spiritual.

Berg's fantastic setting of this beloved American Christmas spiritual for advanced tenor-bass choirs tells a story of hope and meaning. The various textures throughout the a cappella arrangement with solos add much variety and musical interest. A holiday programming must!.
This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!) The entrance at m. 8 from the upper three voices (we'll call them the trio part henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song. The trio part, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener's ear with sound and rhythm. The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song. There is enough repetition to make for easy learning, but this also means that the chords need to snap into position cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58...this only happens once). The Refrain (mm. 30-37) is the part of the song where the singers switch from the Jazz Trio role and actually become a Men's Choral Ensemble. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners! Measures 72-75 is known in the business as a vamp. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience. It is important that there be a clear signal from the conductor as to how to end the vamp and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon! Faces bright; words clean; melody clear; rhythms precise! Enjoy.
This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!)The entrance at m. 8 from the upper three voices (we’ll call them the “trio part” henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song.The “trio part”, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener’s ear with sound and rhythm.The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song.There is enough repetition to make for easy learning, but this also means that the chords need to “snap into position” cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58…this only happens once).The Refrain (mm. 30-37) is the part of the song where the singers switch from the “Jazz Trio” role and actually become a “Men’s Choral Ensemble”. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners!Measures 72-75 is known in the business as a “vamp”. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience.It is important that there be a clear signal from the conductor as to how to end the “vamp” and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon!Faces bright; words clean; melody clear; rhythms precise! Enjoy.

Orchestra - Grade 2

SKU: AP.49051S

Composed by Richard Meyer. 5 or More; MakeMusic Cloud; Performance Music Ensemble; Single Titles; Solo Small Ensembles; String Orchestra. Sound Innovations for String Orchestra. Score. 12 pages. Duration 2:50. Alfred Music #00-49051S. Published by Alfred Music (AP.49051S).

ISBN 9781470645656. UPC: 038081561240. English.

This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental-- -free of charge.

This energetic, modern-sounding selection was written to improve your students' reading of notes on the G string and is focused on this often-neglected lower range of the instruments. The minor and modal harmonies, hard-driving rhythms, and stunning dynamic contrasts all combine to give the piece a primal and primitive sound that students will love. A slow, introspective middle section provides a dramatic contrast to the piece's initial surge and will help develop bow control and steady pizzicato pulse. G Force by Richard Meyer is perfect for festival or contest! (2:50).

Concert Band - Grade 4

SKU: BT.DHP-1053880-040

Composed by Maxime Aulio. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053880-040. Published by De Haske Publications (BT.DHP-1053880-040).

9x12 inches. English-German-French-Dut ch.

“Don†™t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.” Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind” of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.

“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.” (Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!

Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!

« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémèr e, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Vent”) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.

“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.” Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1053880-140

Composed by Maxime Aulio. Inspiration Series. Concert Piece. Score Only. Composed 2005. 28 pages. De Haske Publications #DHP 1053880-140. Published by De Haske Publications (BT.DHP-1053880-140).

9x12 inches. English-German-French-Dut ch.

“Don†™t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.” Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind” of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.

“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.” (Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!

Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!

L« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémèr e, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Vent”) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.

“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.” Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore.

Orchestra - Grade 2

SKU: AP.49051

Composed by Richard Meyer. 5 or More; MakeMusic Cloud; Performance Music Ensemble; Single Titles; Solo Small Ensembles; String Orchestra. Sound Innovations for String Orchestra. Score and Part(s). 95 pages. Duration 2:50. Alfred Music #00-49051. Published by Alfred Music (AP.49051).

ISBN 9781470645649. UPC: 038081561233. English.

This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental-- -free of charge.

This energetic, modern-sounding selection was written to improve your students' reading of notes on the G string and is focused on this often-neglected lower range of the instruments. The minor and modal harmonies, hard-driving rhythms, and stunning dynamic contrasts all combine to give the piece a primal and primitive sound that students will love. A slow, introspective middle section provides a dramatic contrast to the piece's initial surge and will help develop bow control and steady pizzicato pulse. G Force by Richard Meyer is perfect for festival or contest! (2:50) This title is available in MakeMusic Cloud.

Accordion Orchestra - Grade 3

SKU: BT.DHP-1053821-060

Arranged by Hotze Jelsma. Accordion. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053821-060. Published by De Haske Publications (BT.DHP-1053821-060).

English-German-French- Dutch.

Kaseko is an original style of music from Surinam. An unnamed Kaseko melody from the collection of Ronald Snijders is the starting point for Kaseko Fever. In his collection the piece was given the number A50, which nitially was also the title. The swinging melody was the arranger’s inspiration to produce this fantasy; the imaginative part of the conga drum is the driving force.

Kaseko is een uit Suriname afkomstige muziekstijl. Een naamloze kaseko-melodie uit de verzameling van Ronald Snijders is het uitgangspunt voor Kaseko Fever. In de betreffende verzameling kreeg dit stuk het nummer A50, dat aanvankelijkook de titel was. De swingende melodie inspireerde de arrangeur tot het maken van deze fantasie, de originele congapartij is hierin de drijvende kracht.

Kaseko ist ein originaler Musikstil, der seinen Ursprung in Surinam hat. Eine Kaseko-Melodie (anonymer Herkunft) aus der Sammlung von Ronald Snijders bildet den Ausgangspunkt zu Kaseko Fever. In der Sammlung wurde dem Stück die Nummer A50 gegeben, was zuerst auch als Titel diente. Die schwungvolle Melodie inspirierte den Komponisten zu dieser Fantasie. Treibende Kraft in diesem Stück für Akkordeonorchester ist die originelle Conga-Stimme.

Le kaseko est un style de musique traditionnelle originaire du Surinam. Kaseko Fever est basé sur une mélodie kaseko anonyme, extraite d’un recueil de Ronald Snijders (pionnier du style), et intitulée l’origine A50. Le caractère dansant de la mélodie a séduit l’arrangeur qui s’en est inspiré pour la réalisation de cette fantaisie. L’originalité des rythmes des congas est la force motrice du développement de l’œuvre.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1053880-010

Composed by Maxime Aulio. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053880-010. Published by De Haske Publications (BT.DHP-1053880-010).

9x12 inches. English-German-French-Dut ch.

“Don†™t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.” Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind” of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.

“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.” (Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!

Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!

« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémèr e, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Vent”) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.

“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.” Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore.

Score and Parts Brass Quintet (Score & Parts) - Grade 4

SKU: HL.4007976

Brass Quintet Score and Parts. Composed by Nico Samitz. Concert. Softcover. Duration 240 seconds. Hal Leonard #SDP061-21. Published by Hal Leonard (HL.4007976).

Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the BlechReiz Brass Quintet ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music–and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the BleckReiz Brass Quintet. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true “earworm.”.

(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestra. Carl Fischer Concert String Orchestra Series. Classical. Medium Easy/Medium. Score and Parts. Standard notation. 16 pages. Published by Carl Fischer . Score and Parts. classical.

Concert Band - Grade 0.5

SKU: AP.44880S

Composed by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single Titles. Belwin Very Beginning Band. Form: Overture. Score. 16 pages. Duration 2:00. Belwin Music #00-44880S. Published by Belwin Music (AP.44880S).

UPC: 038081515960. English.

Wind is one of the most important elemental forces in nature. This original work musically captures that energy with bold melodic lines, expansive harmony, and driving rhythms, climaxing with a dramatic accelerando that brings the work to its dramatic conclusion. (2:00).

Concert Band Concert Band - Grade 3

SKU: FJ.B1467S

Score Only. Composed by Erik Morales. Concert Band. FJH Concert Band. Score. Duration 3:30. The FJH Music Company Inc #98-B1467S. Published by The FJH Music Company Inc (FJ.B1467S).

English.

From the opening fanfare to the powerful rhythmic statement of the ending, this exuberant work will keep the audience on the edge of their seats! The large percussion section is featured extensively and provides the driving force behind the expansive themes. A clever combination of modern rhythms and elements of popular music.

About FJH Concert Band

Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

By Richard Meyer. Music by Richard Meyer. For String Orchestra. String Orchestra. String Orchestra. Conductor Score. 16 pages. Published by Alfred Publishing.
Level: 4 (grade 4).

Composed by Erik Sherburne. Jazz Ensemble. Score and parts. Composed 2017. Duration 3 minutes, 13 seconds. Published by C.L. Barnhouse (CL.032-4534-00).

By Richard Meyer. Music by Richard Meyer. For string orchestra. String Orchestra. String Orchestra. Conductor Score and Parts. Published by Alfred Publishing.
Level: 4 (grade 4).

String Orchestra - Grade 3

SKU: KN.09991S

Composed by Traditional. Arranged by Steve Frackenpohl. Solo or Ensemble. Apex String Orchestra. Kendor Music Inc #09991S. Published by Kendor Music Inc (KN.09991S).

UPC: 822795099911.

This highly-charged medley contains four Irish fiddle tunes arranged in the Celtic rock style that's so popular with audiences today. The nonstop eighth notes, modal scales and driving rhythms will be exciting for all. Double stops should be played non-divisi when possible, and Frackenpohl suggests that the bass line will sound best if some basses play pizzicato instead of arco. Duration 3:00. Available in SmartMusic.

By Richard Meyer. Orchestra. Score; String Orchestra. Highland String Orchestra. Grade 4. 24 pages. Published by Alfred Music Publishing

By Richard Meyer. Orchestra. For string. Part(s); Score; String Orchestra. Highland String Orchestra. Grade 4. 124 pages. Published by Alfred Music Publishing