Composed by Johann Sebastian Bach (1685-1750), arranged by Eduard Herrmann. For solo violin. Schirmer's Library, volume 221. Format: violin solo songbook. With standard notation. Baroque. 61 pages. 9x12 inches.

Composed by Johann Sebastian Bach (1685-1750), arranged by Eduard Herrmann. For violin solo and piano accompaniment. Includes separate pull-out violin part. Schirmer's Library, volume 1401. Format: set of performance parts. With standard notation, piano reduction and solo part. Baroque. 23 pages. 9x12 inches. Published by G. Schirmer, Inc..

Composed by Johann Sebastian Bach (1685-1750), arranged by Eduard Herrmann. For violin solo and piano accompaniment. Schirmer's Library, volume 1111. Format: set of performance parts (Includes separate pull-out violin part). With standard notation, solo part and piano reduction. Baroque. 20 pages. 9x12 inches. Published by G Schirmer, Inc.

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Eduard Herrmann. For violin solo and piano accompaniment. Schirmer Library, volume 890. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano reduction. Classical period. 28 pages. 9x12 inches. Published by Schirmer.

By Eduardo Torres. For voice and organ or harmonium. Vocal Music. Religious Music

Percussion solo

SKU: BR.EB-9405

Composed by Nicolaus A. Huber. Solo instruments; Folder. Edition Breitkopf. World premiere: Witten (Wittener Tage fur neue Kammermusik), April 22, 1978. Music post-1945; New music (post-2000). Score. Composed 1978. 16 pages. Duration 15'. Breitkopf and Haertel #EB 9405. Published by Breitkopf and Haertel (BR.EB-9405).

ISBN 9790004188798. 16.5 x 11.5 inches.

My composition for snare drum forms a counter piece to my series of rhythmic pieces (Darabukka for piano or Morgenlied for large orchestra). The dramatic moment - tuned instruments are treated like rhythm instruments - disappear entirely. The inner contrast is replaced by the tension between the different uses of the drum and a relatively large number of invariable performance elements. Although the snare drum was only developed at the beginning of the 19th century, it has its roots in an old and diverse drum culture. The technical aspects of this composition are based on various aspects of this rich culture, both the social customs as well as the variety of different performing techniques and expressions. However, the piece does not merely quote - that would be unhistorical - on the contrary: The modern and progressive, in so far as I can observe this in our social environment, is quite evident, for as the title of the piece tells us the same is not the same. (Nicolaus A. Huber, 1978 - translation: Gabriele Hohmann) CDs: Rainer Romer (percussion) CD Ensemble Modern Medien EMCD-012 Rainer Romer (percussion) CD Coviello COV 61003 LPs: Edith Salmen LP Harmonia Mundi DMR 1022-24 Martin Schulz LP plane 88504 Bibliography: Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, here p. 102.

World premiere: Witten (Wittener Tage fur neue Kammermusik), April 22, 1978.

By Eduardo Torres. For organ or harmonium. Keyboard/Piano. Published by Editorial de Musica Boileau