Composed by Ferdinand David, arranged by Robert Mueller. Set of performance part...(+)
Composed by Ferdinand
David, arranged by Robert
Mueller. Set of
performance parts for
trombone solo and piano
accompaniment. Eb Major.
26 pages. Published by
Carl Fischer.
Violin and cello SKU: IM.3768 Composed by Johann Sebastian Bach. Edited b...(+)
Violin and cello
SKU:
IM.3768
Composed by
Johann Sebastian Bach.
Edited by Ferdinand
David, Nanae Iwata, and
Patrick Jee. Set of
parts. International
Music Co. #3768.
Published by
International Music Co.
(IM.3768).
Ferdinand
DavidaEUR(tm)s classic
arrangement of the
Two-Part Inventions has
been newly edited by
acclaimed violinist
and Baroque specialist
Nanae Iwata. Includes
generous, scholarly
annotations on
ornamentation.
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller
and Salome Reiser. Linen.
Complete Works. Romantic
period. Complete Works.
184 pages. Breitkopf and
Haertel #SON 433.
Published by Breitkopf
and Haertel (BR.SON-433).
ISBN 9790004802892. 10
x 12.5
inches.
Felix
Mendelssohn Bartholdy's
violin concerto op. 64
had - like many of his
other works - a lengthy
genesis: it is in the
summer of 1838 that
surviving documents first
mention the promise made
to his friend Ferdinand
David, concert master of
the Leipzig Gewandhaus,
to write, besides a
sonata, a grand solo
concerto for him.
Ultimately, work on this
opus continued - with
some longer interruptions
- until September 1844.
Even then, it owed its
preliminary completion in
no small measure to the
constant urging of the
prospective solo
violinist. But after the
,,official handing-over
of the parts to David and
a first joint rehearsal
of the concert in Leipzig
Mendelssohn continued
working on the score.
There subsequently began
an intensive
correspondence with David
between Leipzig and
Frankfurt am Main, where
Mendelssohn resided with
his family, in particular
concerning issues of the
principal part and the
reworking of the solo
cadence. In March 1845
the then current version
of the work was premiered
in a subscribers' concert
in Leipzig.This volume
deals with Mendelssohn's
first complete manuscript
of the score with the
corrections contained
therein, including all
surviving drafts and
sketches; also included
is the epistolary
evidence of the
correspondence with
Ferdinand David prior to
the premiere. The further
developments up to the
printing of the main
version of op. 64 by
Breitkopf & Hartel are
dealt with in Series II,
Vol. 7 of the
edition.
Violin, orchestra Urtext based on the Leipzig Mendelssohn Complete Edition. Co...(+)
Violin, orchestra
Urtext based on the
Leipzig
Mendelssohn Complete
Edition.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Breitkopf and Haertel #OB
5645-27. Published by
Breitkopf and Haertel
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-5712
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. Duration 25'.
Breitkopf and Haertel #PB
5712. Published by
Breitkopf and Haertel
(BR.PB-5712).
ISBN
9790004216491. 6.5 x 9
inches.
Felix
Mendelssohn Bartholdy
created a standard work
with his final violin
concerto in E minor op.
64 MWV O 14 that is now
firmly established in
today's concert
repertoire. When in 1838
the composer indicated
that he had in mind a
violin concerto [...] in
E minor [...], it was not
only his friend Ferdinand
David, the Gewandhaus
concertmaster for whom it
was intended, who was
euphoric. The whole
civilized violin world
was awaiting this
concerto - and yet it was
another seven years
before the
much-anticipated
composition was
ultimately published by
the Leipzig publishing
house Breitkopf & Hartel
in June 1845, as well as
simultaneously in London
and Milan. The concerto
particularly appeals
through its innovative
treatment of the solo
part, not only because
the solo violin
strikingly opens the
first movement without a
preceding orchestral
tutti, but also because
of its musical dialogue
with the orchestra. The
Leipzig Gewandhaus
premiere on 13 March 1845
with Ferdinand David as
soloist under the
direction of Nils Wilhelm
Gade served - as so
frequently with
Mendelssohn - virtually
as a proofreading
process. After the
composer subsequently
made extensive changes
that also involved David,
the work first appeared
just short of nine months
later. The first edition
documents the composer's
valid final revision,
which is reproduced as
the work's main version
in the present Urtext
edition.The matching
piano reduction includes
not only an unmarked
string part, but also a
part with the established
markings by Igor
Oistrach.
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 5645-19.
Published by Breitkopf
and Haertel
(BR.OB-5645-19).
ISBN
9790004344743. 10 x 12.5
inches.
Felix
Mendelssohn Bartholdy
created a standard work
with his final violin
concerto in E minor op.
64 MWV O 14 that is now
firmly established in
today's concert
repertoire. When in 1838
the composer indicated
that he had in mind a
violin concerto [...] in
E minor [...], it was not
only his friend Ferdinand
David, the Gewandhaus
concertmaster for whom it
was intended, who was
euphoric. The whole
civilized violin world
was awaiting this
concerto - and yet it was
another seven years
before the
much-anticipated
composition was
ultimately published by
the Leipzig publishing
house Breitkopf & Hartel
in June 1845, as well as
simultaneously in London
and Milan. The concerto
particularly appeals
through its innovative
treatment of the solo
part, not only because
the solo violin
strikingly opens the
first movement without a
preceding orchestral
tutti, but also because
of its musical dialogue
with the orchestra. The
Leipzig Gewandhaus
premiere on 13 March 1845
with Ferdinand David as
soloist under the
direction of Nils Wilhelm
Gade served - as so
frequently with
Mendelssohn - virtually
as a proofreading
process. After the
composer subsequently
made extensive changes
that also involved David,
the work first appeared
just short of nine months
later. The first edition
documents the composer's
valid final revision,
which is reproduced as
the work's main version
in the present Urtext
edition.The matching
piano reduction includes
not only an unmarked
string part, but also a
part with the established
markings by Igor
Oistrach.
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 5645-16.
Published by Breitkopf
and Haertel
(BR.OB-5645-16).
ISBN
9790004344736. 10 x 12.5
inches.
Felix
Mendelssohn Bartholdy
created a standard work
with his final violin
concerto in E minor op.
64 MWV O 14 that is now
firmly established in
today's concert
repertoire. When in 1838
the composer indicated
that he had in mind a
violin concerto [...] in
E minor [...], it was not
only his friend Ferdinand
David, the Gewandhaus
concertmaster for whom it
was intended, who was
euphoric. The whole
civilized violin world
was awaiting this
concerto - and yet it was
another seven years
before the
much-anticipated
composition was
ultimately published by
the Leipzig publishing
house Breitkopf & Hartel
in June 1845, as well as
simultaneously in London
and Milan. The concerto
particularly appeals
through its innovative
treatment of the solo
part, not only because
the solo violin
strikingly opens the
first movement without a
preceding orchestral
tutti, but also because
of its musical dialogue
with the orchestra. The
Leipzig Gewandhaus
premiere on 13 March 1845
with Ferdinand David as
soloist under the
direction of Nils Wilhelm
Gade served - as so
frequently with
Mendelssohn - virtually
as a proofreading
process. After the
composer subsequently
made extensive changes
that also involved David,
the work first appeared
just short of nine months
later. The first edition
documents the composer's
valid final revision,
which is reproduced as
the work's main version
in the present Urtext
edition.The matching
piano reduction includes
not only an unmarked
string part, but also a
part with the established
markings by Igor
Oistrach.
Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Ba...(+)
Urtext based on the
Leipzig
Mendelssohn Complete
Edition.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Score. Breitkopf and
Haertel
#PB 5645. Published by
Breitkopf and Haerte
Study score (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5712-07(+)
Study score (solo: vl -
2.2.2.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-5712-07
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. 112 pages.
Duration 25'. Breitkopf
and Haertel #PB 5712-07.
Published by Breitkopf
and Haertel
(BR.PB-5712-07).
ISBN
9790004216491. 6.5 x 9
inches.
Felix
Mendelssohn Bartholdy
created a standard work
with his final violin
concerto in E minor op.
64 MWV O 14 that is now
firmly established in
today's concert
repertoire. When in 1838
the composer indicated
that he had in mind a
violin concerto [...] in
E minor [...], it was not
only his friend Ferdinand
David, the Gewandhaus
concertmaster for whom it
was intended, who was
euphoric. The whole
civilized violin world
was awaiting this
concerto - and yet it was
another seven years
before the
much-anticipated
composition was
ultimately published by
the Leipzig publishing
house Breitkopf & Hartel
in June 1845, as well as
simultaneously in London
and Milan. The concerto
particularly appeals
through its innovative
treatment of the solo
part, not only because
the solo violin
strikingly opens the
first movement without a
preceding orchestral
tutti, but also because
of its musical dialogue
with the orchestra. The
Leipzig Gewandhaus
premiere on 13 March 1845
with Ferdinand David as
soloist under the
direction of Nils Wilhelm
Gade served - as so
frequently with
Mendelssohn - virtually
as a proofreading
process. After the
composer subsequently
made extensive changes
that also involved David,
the work first appeared
just short of nine months
later. The first edition
documents the composer's
valid final revision,
which is reproduced as
the work's main version
in the present Urtext
edition.The matching
piano reduction includes
not only an unmarked
string part, but also a
part with the established
markings by Igor
Oistrach.
Violin, piano (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-9374 ...(+)
Violin, piano (solo: vl -
2.2.2.2 - 2.2.0.0 - timp
- str)
SKU:
BR.EB-9374
Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Birgit Muller. Solo
instruments; stapled.
Edition Breitkopf. Solo
concerto; Romantic. Piano
reduction. 92 pages.
Duration 25'. Breitkopf
and Haertel #EB 9374.
Published by Breitkopf
and Haertel (BR.EB-9374).
ISBN 9790004188446. 9
x 12 inches.
Felix
Mendelssohn Bartholdy
created a standard work
with his final violin
concerto in E minor op.
64 MWV O 14 that is now
firmly established in
today's concert
repertoire. When in 1838
the composer indicated
that he had in mind a
violin concerto [...] in
E minor [...], it was not
only his friend Ferdinand
David, the Gewandhaus
concertmaster for whom it
was intended, who was
euphoric. The whole
civilized violin world
was awaiting this
concerto - and yet it was
another seven years
before the
much-anticipated
composition was
ultimately published by
the Leipzig publishing
house Breitkopf & Hartel
in June 1845, as well as
simultaneously in London
and Milan. The concerto
particularly appeals
through its innovative
treatment of the solo
part, not only because
the solo violin
strikingly opens the
first movement without a
preceding orchestral
tutti, but also because
of its musical dialogue
with the orchestra. The
Leipzig Gewandhaus
premiere on 13 March 1845
with Ferdinand David as
soloist under the
direction of Nils Wilhelm
Gade served - as so
frequently with
Mendelssohn - virtually
as a proofreading
process. After the
composer subsequently
made extensive changes
that also involved David,
the work first appeared
just short of nine months
later. The first edition
documents the composer's
valid final revision,
which is reproduced as
the work's main version
in the present Urtext
edition. The matching
piano reduction includes
not only an unmarked
string part, but also a
part with the established
markings by Igor
Oistrach.
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5645-23.
Published by Breitkopf
and Haertel
(BR.OB-5645-23).
ISBN
9790004344873. 10 x 12.5
inches.
Felix
Mendelssohn Bartholdy
created a standard work
with his final violin
concerto in E minor op.
64 MWV O 14 that is now
firmly established in
today's concert
repertoire. When in 1838
the composer indicated
that he had in mind a
violin concerto [...] in
E minor [...], it was not
only his friend Ferdinand
David, the Gewandhaus
concertmaster for whom it
was intended, who was
euphoric. The whole
civilized violin world
was awaiting this
concerto - and yet it was
another seven years
before the
much-anticipated
composition was
ultimately published by
the Leipzig publishing
house Breitkopf & Hartel
in June 1845, as well as
simultaneously in London
and Milan. The concerto
particularly appeals
through its innovative
treatment of the solo
part, not only because
the solo violin
strikingly opens the
first movement without a
preceding orchestral
tutti, but also because
of its musical dialogue
with the orchestra. The
Leipzig Gewandhaus
premiere on 13 March 1845
with Ferdinand David as
soloist under the
direction of Nils Wilhelm
Gade served - as so
frequently with
Mendelssohn - virtually
as a proofreading
process. After the
composer subsequently
made extensive changes
that also involved David,
the work first appeared
just short of nine months
later. The first edition
documents the composer's
valid final revision,
which is reproduced as
the work's main version
in the present Urtext
edition.The matching
piano reduction includes
not only an unmarked
string part, but also a
part with the established
markings by Igor
Oistrach.
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Part. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 5645-15.
Published by Breitkopf
and Haertel
(BR.OB-5645-15).
ISBN
9790004344729. 10 x 12.5
inches.
Felix
Mendelssohn Bartholdy
created a standard work
with his final violin
concerto in E minor op.
64 MWV O 14 that is now
firmly established in
today's concert
repertoire. When in 1838
the composer indicated
that he had in mind a
violin concerto [...] in
E minor [...], it was not
only his friend Ferdinand
David, the Gewandhaus
concertmaster for whom it
was intended, who was
euphoric. The whole
civilized violin world
was awaiting this
concerto - and yet it was
another seven years
before the
much-anticipated
composition was
ultimately published by
the Leipzig publishing
house Breitkopf & Hartel
in June 1845, as well as
simultaneously in London
and Milan. The concerto
particularly appeals
through its innovative
treatment of the solo
part, not only because
the solo violin
strikingly opens the
first movement without a
preceding orchestral
tutti, but also because
of its musical dialogue
with the orchestra. The
Leipzig Gewandhaus
premiere on 13 March 1845
with Ferdinand David as
soloist under the
direction of Nils Wilhelm
Gade served - as so
frequently with
Mendelssohn - virtually
as a proofreading
process. After the
composer subsequently
made extensive changes
that also involved David,
the work first appeared
just short of nine months
later. The first edition
documents the composer's
valid final revision,
which is reproduced as
the work's main version
in the present Urtext
edition.The matching
piano reduction includes
not only an unmarked
string part, but also a
part with the established
markings by Igor
Oistrach.
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic.
Set of parts. 96 pages.
Duration 25'. Breitkopf
and Haertel #OB 5645-30.
Published by Breitkopf
and Haertel
(BR.OB-5645-30).
ISBN
9790004344767. 10 x 12.5
inches.
Felix
Mendelssohn Bartholdy
created a standard work
with his final violin
concerto in E minor op.
64 MWV O 14 that is now
firmly established in
today's concert
repertoire. When in 1838
the composer indicated
that he had in mind a
violin concerto [...] in
E minor [...], it was not
only his friend Ferdinand
David, the Gewandhaus
concertmaster for whom it
was intended, who was
euphoric. The whole
civilized violin world
was awaiting this
concerto - and yet it was
another seven years
before the
much-anticipated
composition was
ultimately published by
the Leipzig publishing
house Breitkopf & Hartel
in June 1845, as well as
simultaneously in London
and Milan. The concerto
particularly appeals
through its innovative
treatment of the solo
part, not only because
the solo violin
strikingly opens the
first movement without a
preceding orchestral
tutti, but also because
of its musical dialogue
with the orchestra. The
Leipzig Gewandhaus
premiere on 13 March 1845
with Ferdinand David as
soloist under the
direction of Nils Wilhelm
Gade served - as so
frequently with
Mendelssohn - virtually
as a proofreading
process. After the
composer subsequently
made extensive changes
that also involved David,
the work first appeared
just short of nine months
later. The first edition
documents the composer's
valid final revision,
which is reproduced as
the work's main version
in the present Urtext
edition.The matching
piano reduction includes
not only an unmarked
string part, but also a
part with the established
markings by Igor
Oistrach.
Violin, piano SKU: KU.GM-102 Op.2. Composed by Nicolo Paganini. Ed...(+)
Violin, piano
SKU:
KU.GM-102
Op.2. Composed by
Nicolo Paganini. Edited
by Ferdinand David.
Arranged by Ferdinand
David. DIN-A4. Staple
Bound. Piano score, part.
Op. 2. 28 pages. Edition
Kunzelmann #GM-102.
Published by Edition
Kunzelmann (KU.GM-102).
Composed by Franz Schubert (1797-1828) and Franz Schubert (1797-1828). Edited by...(+)
Composed by Franz
Schubert (1797-1828) and
Franz Schubert
(1797-1828). Edited by
Ferdinand David and
Ferdinand David. This
edition: pamphlet. Score
and parts. Published by
Library Commerce
(LC.39087012875144FANTASI
A).
Composed by Pierre Rode (1773-1830) and Pierre Rode (1773-1830). Edited by Ferdi...(+)
Composed by Pierre Rode
(1773-1830) and Pierre
Rode (1773-1830). Edited
by Ferdinand David, Henry
Schradieck and Ferdinand
David, Henry Schradieck.
This edition: pamphlet.
Score and part. Published
by Library Commerce
(LC.39087009425093).
(LN) SKU: HL.49032987 Robert Schumann und seine musikalischen Zeitgeno...(+)
(LN)
SKU:
HL.49032987
Robert
Schumann und seine
musikalischen
Zeitgenossen.
Composed by Bernhard R.
Appel. Edited by Bernhard
R. Appel. This edition:
Full-cloth binding. Book.
Edition Schott. Eine
Sammlung grundlegender
Beitrage zum Verstandnis
des personlichen Umfelds
und der kunstlerischen
Entwicklung Robert
Schumanns. 372 pages.
Schott Music #ED 9277.
Published by Schott Music
(HL.49032987).
ISBN
9783795704292.
German.
Robert und
Clara Schumann pflegten
zeitlebens intensive
Kontakte zu anderen
Musikerpersonlichkeiten,
seien es
Komponistenkollegen,
Musikerfreunde, Schuler
oder Ratsuchende. Die in
diesem Band versammelten
Symposionsbeitrage
konzentrieren sich nicht
nur auf die namhaften
unter ihnen, wie Brahms,
Mendelssohn Bartholdy
oder Liszt, sondern
weiten die Untersuchungen
auf jenen grossen
Personenkreis aus, der
sich aus der Befragung
aller zeitgenossischen
Quellen ergibt,
angefangen von Schumanns
Schwager Woldemar Bargiel
bis hin zu der weithin
unbekannten Komponistin
Elise Muller.
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950).
ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
Composed by Felix
Bartholdy Mendelssohn.
Edited by Clive Brown and
R. Larry Todd. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Early version
1844 and late version
1845. Score. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_00. Published by
Baerenreiter Verlag
(BA.BA09099).
ISBN
9790006564330. 31 x 24.3
cm inches. Key: E minor.
Preface: Todd, R. Larry /
Brown,
Clive.
MendelssohnÃ
¢â‚¬â„¢s Violin Concerto
op. 64, is a key work of
the 19th century,
adhering to the classical
style of Beethoven while
pointing the way to the
romantic ethos of Brahms.
It has long been known
that Mendelssohn
performed the work with
three soloists in
succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
première; the
‘child
prodigy’ Joseph
Joachim; and Hubert
Lonard, a young Belgian
virtuoso about whom
little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Lonard.
The letter
informs us that the
composer invited Lonard
to his home in Frankfurt
in order to make his
acquaintance. It was
already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Lonard.
The
recently discovered
proofs reveal how Lonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Lonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn’s
approval. That the young
violinist made a positive
impression on the
composer is confirmed in
the latter’s
correspondence following
their joint performance.
Mendelssohn is full of
praise for
Lonard’s playing
and offers to lend his
support in finding
employment in Germany.
This revised
edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter
Urtext
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expect from a Barenreiter
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practice - Includes
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Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
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