Chorale SATB SATB [Octavo] Jackman Music Corporation
By Michael F. Moody. Arranged by Darwin Wolford. Text: James E. Faust. For SATB ...(+)
By Michael F. Moody.
Arranged by Darwin
Wolford. Text: James E.
Faust. For SATB Choir.
Duration 2:30. Published
by Jackman Music
Corporation. Level:
Medium / Medium-Difficult
(accompaniment).
Composed by Marty Parks. Choral. Sacred Anthem, Good Friday, Holy Week. Octavo...(+)
Composed by Marty Parks.
Choral. Sacred Anthem,
Good
Friday, Holy Week.
Octavo.
Lorenz Publishing Company
#10/5412L. Published by
Lorenz Publishing Company
SAT(B) choir SKU: LP.765762080126 Resurrection Songs for Choir-led Wor...(+)
SAT(B) choir
SKU:
LP.765762080126
Resurrection Songs for
Choir-led Worship.
Arranged by Chris Barron.
This edition: Paperback.
Choral. Sacred, Choral
and Easter. Bulk CDs
(10-pack). Published by
Lillenas Publishing
Company
(LP.765762080126).
UPC:
765762080126.
Bulk
pack of ten performance
demo CDs, each in a paper
sleeve; useful as an aid
for choir members
learning music.
Value-priced.Created for
the weeks surrounding
Easter, The Risen One is
a contemporary program
for the growing and
changing church. Choirs,
ensembles and praise
teams will easily have
the ability to lead
worship with the nine
featured pieces including
Resurrection Life; The
Uprising; Beautiful
Wounds; Crown Him with
Many Crowns; and
more.
The Risen One Chorale SATB [Conducteur] Lillenas Publishing Co.
SATB choir, brass, string and rhythm SKU: LP.765762145009 Resurrection...(+)
SATB choir, brass, string
and rhythm
SKU:
LP.765762145009
Resurrection Songs for
Choir-led Worship.
Arranged by Chris Barron.
Choral. Sacred, Choral
and Easter. Full score
and set of performance
parts. Published by
Lillenas Publishing
Company
(LP.765762145009).
UPC:
765762145009.
Creat
ed for the weeks
surrounding Easter, The
Risen One is a
contemporary program for
the growing and changing
church. Choirs, ensembles
and praise teams will
easily have the ability
to lead worship with the
nine featured pieces
including Resurrection
Life; The Uprising;
Beautiful Wounds; Crown
Him with Many Crowns; and
more.This orchestration
contains brass parts,
string parts, rhythm
parts and score.
The Death of Oscar Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Orchestra (Study Score) SKU: HL.48024525 Orchestra Study Score HPS 161...(+)
Orchestra (Study Score)
SKU: HL.48024525
Orchestra Study Score
HPS 1612. Composed by
James Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover.
Duration 600 seconds.
Boosey & Hawkes
#M060134906. Published by
Boosey & Hawkes
(HL.48024525).
ISBN
9781784544072. UPC:
888680925680.
7.0x10.5x0.212
inches.
The Death
of Oscar (2012) is a
miniature tone poem
drawing upon the legend
of the bardic poet Ossian
and the death of his son
Oscar. In the legends of
Ossian, Oscar challenged
the High King Cairbre to
single combat and, though
victorious, died of his
wounds and was mourned by
his father and lover.
These tales collected by
James MacPherson in the
18th century have long
been debated as regards
their authenticity, but
what is not in doubt is
the massive influence
they had on perceptions
of Scottish and Celtic
culture, particularly
overseas - admired by
political figures such as
Napoleon and Thomas
Jefferson and inspiring
Romantic artists from
Mendelssohn in Fingal's
Cave to Goethe in Die
Leiden des jungen
Werther.
SKU: LO.99-2666L A Suite for Lent or Holy Week. Composed by Lloyd ...(+)
SKU: LO.99-2666L
A Suite for Lent or
Holy Week. Composed
by Lloyd Larson. Choral.
Worship Works Series.
Sacred Anthem, Holy Week,
Lent, Palm/Palm-Passion
Sunday. SATB
part-dominant rehearsal
CD (reproducible). Lorenz
Publishing Company
#99/2666L. Published by
Lorenz Publishing Company
(LO.99-2666L).
UPC:
000308124682.
By
His wounds we are healed.
Calvary's sorrow and
triumph are powerfully
captured in this dramatic
suite for Lent or Holy
Week. Three beloved hymns
frame the work: Near the
Cross reassures us as we
journey in the shadow of
the cross; Beneath the
Cross of Jesus calls us
to bear witness once
again to Christ's
passion; and I Will Sing
of My Redeemer unites us
as Christians to affirm
our faith in the Christ
of the cross. The music
is inspired, accessible,
and easily prepared by
choirs of all sizes, and
the dramatic narrative
allows for one or more
readers. Approximately
nine minutes in length,
this suite is perfect for
incorporation into
regular worship and
provides a brilliant
dramatic alternative to
longer cantatas.
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030).
ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches.
A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication. (See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018.
SKU: LO.99-4130L Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, ...(+)
SKU: LO.99-4130L
Composed by Lloyd Larson.
Arranged by Ed Hogan.
Choral, cantatas.
Eastertide, Lent.
Accompaniment CD. Lorenz
Publishing Company
#99/4130L. Published by
Lorenz Publishing Company
(LO.99-4130L).
UPC:
000308155723.
Worth
y Is the Lamb! is the
compelling story of God's
plan to deliver all
people from the clutches
of sin and death. Lloyd
Larson presents this
powerful reminder that
Isaiah's prophetic words
were fulfilled in Jesus:
Surely He has borne our
griefs and carried our
sorrows. He was pierced
for our transgressions;
crushed for our
iniquities; upon Him was
the chastisement that
brought us peace, and by
His wounds we are healed
(Isaiah 53:4-5). Flexibly
conceived for Lent, Holy
Week, or Eastertide
programming, each of the
three sections may be
presented during the
weeks or days leading up
to Easter, or the entire
musical may be presented
a single worship
experience. Small and
large choirs alike will
find the choral writing
appealing and versatile.
Accompaniment options
ranging from piano only
to full orchestra with CD
accompaniment or live
instruments ensures
maximum flexibility for
your unique programming
needs.
Composed by Lloyd Larson.
Choral, cantatas.
Eastertide,
Lent. Choral score.
Lorenz
Publishing Company
#55/1205L.
Published by Lorenz
Publishing Company
Composed by Lloyd Larson.
Choral, cantatas.
Eastertide,
Lent. Choral score.
Lorenz
Publishing Company
#55/1203L.
Published by Lorenz
Publishing Company
SKU: LO.99-4133L Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, ...(+)
SKU: LO.99-4133L
Composed by Lloyd Larson.
Arranged by Ed Hogan.
Choral, cantatas.
Eastertide, Lent. Bulk
performance CDs. Lorenz
Publishing Company
#99/4133L. Published by
Lorenz Publishing Company
(LO.99-4133L).
UPC:
000308155754.
Worth
y Is the Lamb! is the
compelling story of God's
plan to deliver all
people from the clutches
of sin and death. Lloyd
Larson presents this
powerful reminder that
Isaiah's prophetic words
were fulfilled in Jesus:
Surely He has borne our
griefs and carried our
sorrows. He was pierced
for our transgressions;
crushed for our
iniquities; upon Him was
the chastisement that
brought us peace, and by
His wounds we are healed
(Isaiah 53:4-5). Flexibly
conceived for Lent, Holy
Week, or Eastertide
programming, each of the
three sections may be
presented during the
weeks or days leading up
to Easter, or the entire
musical may be presented
a single worship
experience. Small and
large choirs alike will
find the choral writing
appealing and versatile.
Accompaniment options
ranging from piano only
to full orchestra with CD
accompaniment or live
instruments ensures
maximum flexibility for
your unique programming
needs.
Composed by Lloyd Larson. Choral, cantatas. Eastertide, Lent. SATB with perfor...(+)
Composed by Lloyd Larson.
Choral, cantatas.
Eastertide,
Lent. SATB with
performance
CD. Lorenz Publishing
Company
#55/1204L. Published by
Lorenz Publishing Company
SKU: LO.99-4132L Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, ...(+)
SKU: LO.99-4132L
Composed by Lloyd Larson.
Arranged by Ed Hogan.
Choral, cantatas.
Eastertide, Lent. SA/TB
part-dominant rehearsal
CD (reproducible). Lorenz
Publishing Company
#99/4132L. Published by
Lorenz Publishing Company
(LO.99-4132L).
UPC:
000308155747.
Worth
y Is the Lamb! is the
compelling story of God's
plan to deliver all
people from the clutches
of sin and death. Lloyd
Larson presents this
powerful reminder that
Isaiah's prophetic words
were fulfilled in Jesus:
Surely He has borne our
griefs and carried our
sorrows. He was pierced
for our transgressions;
crushed for our
iniquities; upon Him was
the chastisement that
brought us peace, and by
His wounds we are healed
(Isaiah 53:4-5). Flexibly
conceived for Lent, Holy
Week, or Eastertide
programming, each of the
three sections may be
presented during the
weeks or days leading up
to Easter, or the entire
musical may be presented
a single worship
experience. Small and
large choirs alike will
find the choral writing
appealing and versatile.
Accompaniment options
ranging from piano only
to full orchestra with CD
accompaniment or live
instruments ensures
maximum flexibility for
your unique programming
needs.
SKU: LO.99-4131L Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, ...(+)
SKU: LO.99-4131L
Composed by Lloyd Larson.
Arranged by Ed Hogan.
Choral, cantatas.
Eastertide, Lent.
Split-track accompaniment
CD. Lorenz Publishing
Company #99/4131L.
Published by Lorenz
Publishing Company
(LO.99-4131L).
UPC:
000308155730.
Worth
y Is the Lamb! is the
compelling story of God's
plan to deliver all
people from the clutches
of sin and death. Lloyd
Larson presents this
powerful reminder that
Isaiah's prophetic words
were fulfilled in Jesus:
Surely He has borne our
griefs and carried our
sorrows. He was pierced
for our transgressions;
crushed for our
iniquities; upon Him was
the chastisement that
brought us peace, and by
His wounds we are healed
(Isaiah 53:4-5). Flexibly
conceived for Lent, Holy
Week, or Eastertide
programming, each of the
three sections may be
presented during the
weeks or days leading up
to Easter, or the entire
musical may be presented
a single worship
experience. Small and
large choirs alike will
find the choral writing
appealing and versatile.
Accompaniment options
ranging from piano only
to full orchestra with CD
accompaniment or live
instruments ensures
maximum flexibility for
your unique programming
needs.
SKU: WD.080689453090 Composed by Gary Rhodes. Choral. Sacred Anthem, Chri...(+)
SKU:
WD.080689453090
Composed by Gary Rhodes.
Choral. Sacred Anthem,
Christmas, Eastertide.
DVD choraltrax. Word
Music #080689453090.
Published by Word Music
(WD.080689453090).
(with Nothing But the Blood). Arranged by Gary Rhodes. For SATB Choir. Fr...(+)
(with Nothing But
the Blood). Arranged by
Gary Rhodes. For SATB
Choir. From the musical
East to West
(080689430176). Modern
Christian. Choral octavo.
Duration 4'03 . Published
by Word Music
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
SATB choir SKU: WD.080689691232 Composed by Phil Nitz. Choral. Sacred Ant...(+)
SATB choir
SKU:
WD.080689691232
Composed by Phil Nitz.
Choral. Sacred Anthem.
Octavo. Word Music
#080689691232. Published
by Word Music
(WD.080689691232).
UPC:
080689691232.
From
popular CCM band, I Am
They, is this new
compelling anthem
arranged & orchestrated
by Phil Nitz. Offering a
new perspective to the
brokenness many of us
face, Scars brings
thankfulness to the
struggle and wounds we
acquire through life.
It’s through the
scars that we see His
strength and through the
hardships that we see His
faithfulness. Introduce
this powerful new anthem
to your choir this
season!
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry.
Text: John V. Pearson /
Rodney Turner / Janice
Kapp Perry / Neal A.
Maxwell / Orrin G. Hatch
/ David B. Larsen / Olga
S. Whitaker / Ruth S.
Kapp. For SATB Choir.
Level: Medium. Published
by Jackman Music
Corporation.