This volume contains parts for violin, viola and cello.The National Edition of the Works of Fryderyk ChopinPublished by PWMExclusively Distributed by Hal Leonard CorporationCo-EditorsJan Ekier and Pawel KaminskiThe objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology.The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort.The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume.The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the 'harmonic legato? (a performance technique often used by Chopin and now forgotten). / Violon, Violoncelle Et Piano

Par MENDELSSOHN BARTHOLDY FELIX. The latest transcription from Simon Fischer of the Andante movement from Symphony No. 5 in D minor, Op. 107, composed in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. Following in the tradition of 19th and 20th century transcriptions, Simon Fischer has carefully arranged these beautiful pieces for violin and piano. Each has suggested bowings and fingerings to help players get the most out of these works as quickly as possible. / Instrumental Music / Répertoire / Violon et Piano

Arrangeur: Simon Fischer. This long-awaited collection by internationally renowned violinist Simon Fischer offers brilliant additions to the violin repertoire. His transcriptions follow in the tradition of romantic arrangements from the 19th and 20th centuries and are intended for current performance practice on modern instruments. Including transcriptions of popular melodies and less well-known music, this collection provides virtuosic as well as easier repertoire suitable for both encores and recital pieces. / Classique / Recueil / Violon et Piano

Par NAUDOT JACQUES-CHRISTOPHE. / Répertoire / Flûte à Bec Alto, Flûte Traversière et Violon

Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument the violin.
The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries.
The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
Sonata 1 g-Moll, BWV 1001
Partita 1 h-Moll, BWV 1002
Sonata 2 a-Moll, BWV 1003
Partita 2 d-Moll, BWV 1004
Sonata 3 C-Dur, BWV 1005
Partita 3 E-dur, BWV 1006 / Partitions classique / Cordes / Violon / BARENREITER

La référence MRB1073 2 de l'éditeur Billaudot dont l'auteur célèbre est Stallaert Alphonse, qui a pour titre QUINTETTE POUR SAXOPHONE ALTO ET QUATUOR A CORDES PARTIES, a été écrite et composée pour Musique de Chambre et plus particulièrement pour Quintette. Cette partition musicale appartient à la catégorie Classique. / Quintette / Partition

Op. 2 N. 11 - F.XIII-39 - Tomo 404. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue

Par WILLIS MARY ANN. Popular tunes, des instructions étape par étape, lentes, moyennes et normales de vitesse le long de jeu de pistes et explications approfondies d'essentials ce que la méthode de violon plus complète à ce jour. Il faut l'élève dès le début absolu par le biais de répertoire professionnel. Genres comprennent celtique, Swing et Blues ainsi que des temps anciens et bluegrass. Moderne Fiddling méthode Grade 1 établit une fondation solide au premier rang, avec violon facile et standard et bow détient, violon élémentaire flexions, rythmes, échelles et ornements et principes fondamentaux de la théorie de la musique. L'étudiant peut lire ou écouter chaque morceau. / Niveau : Débutant / Acoustic Music - Methods / Méthode / Violon

Bornefeld, Helmut (Arr.) - Bwv 1079. Par BACH JOHANN SEBASTIAN. Bornefeld's adaptation is a full evening of chamber music, that can be realised in every village church with a two-manual organ./ Répertoire / Flûte Traversière, Violon et Orgue

Über Ein Thema Von Paisiello. Par TAKACS JENO. Fl Vl/ Répertoire / Musique de Chambre

Par REICHA ANTON. Editeur(s) d'origine: Degan, Jindrich/ Répertoire / Quintette Mixte

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Violoncelle, Contrebasse, Basson ou Orgue